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Showing results for tags 'Yule 2017'.
Found 137 results
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THE PEACOCK QUEEN In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred. I love rose. Let me just get that out of the way. That said, The Peacock Queen is not necessarily my favorite incarnation of the versatile rose. However, Beth has flat-out nailed the concept of "haughty" in scent. This rose is haughty. It is very much a fresh, blooming rose . . . but there's something very distant about this rose. It's not a rose that's blooming from the earth. It's one dozen very expensive, perfect red roses, bought for a woman who expects that sort of thing. It's perfume. It's striking. It's very beautiful, but not approachable. Remarkable. Like I said, this isn't my personal favorite of the rose blends, just because the vibe it evokes isn't entirely "me," but I am incredibly impressed with the artistry of the scent and with how many different ways rose can smell and feel.
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The perfected winter rose, dew covered and freshly cut. Red Rose. Limited edition. My favorite rose so far. This is the first rose scent I haven't melted off within an hour. (I was amazed the first time I wore it. Eight hours, and no need to reapply!) In the bottle, it smells like a rose from the florist - that cold hothouse smell. On, it warms up slightly, but not too much - it's got a slight bite, which is a nice change from most roses that fade to a powdery softness. I'll be very sad when I finish this one.
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[No additional description provided. Scent description for Snake Oil is here.] In the bottle: Lightly chilled Snake Oil. Wet: The fresh Snake Oil is far stronger than the frostbite component at first, which I believe is the chilled sweet snow note from Snow White. After a few minutes, the sweet snow note ends up becoming stronger. It really feels as if it is draped over the top of the Snake Oil, like Snake Oil curled up in a Snow White blanket. Dry: Like Snake Oil and Snow White had a baby. It's a snowdrift of the chilly sweetness of Go to Sleep, Darlings and Snow White over fresh Snake Oil. Verdict: My bottle leaked in a little transit, but was still full, and as soon as I smelled the scent on the bubble wrap, I was like, SNAKE OIL SNOW WHITE. HYPE! I tried to calm myself down before applying it in case I was mistaken. But that's what I ended up getting on my skin. This is really lovely. I'm really surprised how much the sweet snow note comes through, and I can't wait to see how this ages!
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No additional description provided. Scent description for Bliss is here.] In The Bottle: Bliss and Snow White, in equal measure. Wet On Skin: Same. It's what I imagine it would be like to eat a fluffy snowball, if it was dusted with cocoa mix Dry Down: Yes, this is chocolatey Snow White! I was a little worried this would have a water or ozone note to it, since those go horribly wrong on my skin. But this is just a soft, sweet, snowy Bliss. It's a really nice, gentle daytime scent. Glad I got a bottle!
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A lighthearted winter scent: chilly vanilla rose snowballs! Dainty, soft, and certainly unfit for flinging! Pink Snowballs started out Snow White, with a hint of vanilla, and stayed that way for a while. After about two hours, I smelled it and snow white had wandered away, leaving the vanilla left with a single rose and a hint of her perfume. Rather soft, and pretty.
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In certain cases, emotionally charged complexes of representation, which have become autonomous and dissociated, seem to automatically and compulsively press for discharge and realisation through haunting phenomena…. Hence, the so-called haunting occurs in place of a neurosis. —Albert von Schrenck-Notzing Repressed rage, terror, and subjugated sexuality erupting through fierce bursts of uncontrollable psychic phenomena: black leather and red musk with aged black patchouli, Chinese rose, black pepper, coconut meat, Haitian vetiver, and igneous red ginger. I bought this one because every single note appealed to me. I expected it to be dark and sexy and yeah - that's just what this is. Now, when I first opened it the leather note slapped me in the face and I was, for a brief moment, worried. The only other leather blend I can handle is Whip and I really have to be in the mood for it. I sniffed nervously and then skin-tested it on my wrist, hoping that the leather would calm down soon and let it's fellow notes have their say. I'm happy (and relieved) to report that as soon as the oil reached drydown, the leather was whispering instead of shouting and the red musk, patchouli and coconut were right where I needed them. I absolutely love red musk blends and this is no exception. Altogether, this blend is extremely dark and powerful but also sweet (the coconut) and very slightly spicy. This is the perfect unisex blend and so far, my favourite of the Spiritualism collection. I think that in a year's time, this is going to be one of the sexiest blends I own and will be reserved for extra special date nights and very private moments. Shadowy, hot and visceral. 10/10!
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NES GADOL HAYA SHAM But not long after the king sent a certain old man of Antioch, to compel the Jews to depart from the laws of their fathers and of God: And to defile the temple that was in Jerusalem, and to call it the temple of Jupiter Olympius: and that in Gazarim of Jupiter Hospitalis, according as they were that inhabited the place. And very bad was this invasion of evils and grievous to all. For the temple was full of the riot and reveling of the Gentiles: and of men lying with lewd women. And women thrust themselves of their accord into the holy places, and brought in things that were not lawful. The altar also was filled with unlawful things, which were forbidden by the laws. And neither were the sabbaths kept, nor the solemn days of the fathers observed, neither did any man plainly profess himself to be a Jew. But they were led by bitter constraint on the king's birthday to the sacrifices: and when the feast of Bacchus was kept, they wore compelled to go about crowned with ivy in honour of Bacchus. And there went out a decree into the neighboring cities of the Gentiles, by the suggestion of the Ptolemeans, that they also should act in like manner against the Jews, to oblige them to sacrifice: And whosoever would not conform themselves to the ways of the Gentiles, should be put to death: then was misery to be seen. For two women were accused to have circumcised their children: whom, when they had openly led about through the city with the infants hanging at their breasts, they threw down headlong from the walls. And others that had met together in caves that were near, and were keeping the sabbath day privately, being discovered by Philip, were burnt with fire, because they made a conscience to help themselves with their hands, by reason of the religious observance of the day. - The Second Book of the Maccabees, 6:1-11 In order to consolidate his power in Jerusalem and Hellenize the area, the Greek king Antiochus IV Epiphanes outlawed Judaism and ordered the population to worship Zeus and the Hellenic pantheon. As this was anathema to the Jews, they refused, and Antiochus moved to enforce his religious decree by extreme force. Some origin tales say that the dreidel was used at this time as a method by which the Jewish people were able to continue to study the Talmud in secret under the guise of gambling. Now, in addition to being a light gambling game, the dreidel is also a reminder of the strength, devotion, and perseverance of the Jewish people and the mercy of God. One scent in four parts: Nun, the Snake: nuun, nothing. Naḥš, in modern Arabic, means bad luck. Represented by scents of loss and remembrance: opoponax and lemon verbena. Gimel, the Camel: the Ship of the Desert. Represented by scents of abundance, fortitude, and determination: patchouli, heliotrope, pomegranate, and almond. He, the Window: sometimes used to represent the Unutterable Name of God, this is the window in our souls through which God's light touches us. Represented by scents of clarity and piety: frankincense, myrtle, and hyssop. Shin, the Tooth: also stands for Shaddai, one of the names of God. The hand formed into shin acts as a priestly blessing. Represented by scents of strength, generosity, kindness, and benediction: carnation, myrrh, red poppy, and hibiscus. The essences of Nun, Gimel, He, and Shin are blended to become Nes Gadol Haya Sham. Prominent notes for me are the Heliotrope and Almond. This reminds me of an old favorite, Tzadikim Nistarim, and also a few of BPAL's earlier 13 blends. Probably because of the wide range of notes. Maybe even reminiscent of Cleopatra Testing Poisons. Complex and unconventional from a perfume standpoint.
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Fear of Opinions The discordant clang of silverware punctuates another heated rant, and Uncle Elliot whips out his phone to underscore his point with a Facebook meme he saw earlier in the day. Flecks of cranberry sauce spatter the table as a fist pounds in anger: a boisterous, conflicted, bombastic lather of red pepper, boiled cranberries, and bergamot. Very juicy cranberry scent. As it dries I get more red pepper which spices up the scent and makes it more festive. Like a new twist on the classic cranberry cinnamon combo. Not specifically getting bergamot but it could be adding some brightness. The throw is fairly low, but I don't mind as it could be overwhelming if it was too strong. Soft, but bright and cheerful.
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On the night of the Epiphany, a joyful, broomstick-riding hag clad in a tattered shawl drops into chimneys all over Italy, bestowing gifts to good children, and dropping coal into the stockings of naughty kiddies. La Befana vien di notte Con le scarpe tutte rotte Col vestito alla Romana Viva, Viva La Befana! As the Three Wise Men searched for the house of the Christ child, they found themselves lost. Eventually, they stopped at a small house and knocked on the door. A small, wizened woman opened the door, holding a broom in her hand. The Astrologers asked the woman if she knew the location of the child, but, unfortunately, she did not know who these men were looking for, and could not aid them in their search. It was deep into the night, and the air was chilly, so the kindly woman offered the three men her hospitality. They spent the night in her warm, comfortable home, and shared bread and stories with one another. The Astrologers explained to the woman why they were looking for this blessed infant, and invited her to join them in their search come morning. Though she was touched by their tale, she declined, as she had a great deal of housework to do. At daybreak, the Astrologers awoke. They thanked the woman for her generosity, gathered their things, and prepared to leave. Before they departed, they, again, asked the old woman if she would like to join them on their journey. Again, she declined, and sent them on their way. After they had left, she regretted her decision, and she set off to find the Three Wise Men. After many long and frustrating hours of searching, she still could not find them. Saddened, yet still filled with hope, she stopped to give a gift to every good child she passed. La Befana comes by night With her shoes old and broken She comes dressed in the Roman way Long life to the Befana! Candy charcoal, winter lilies, parma violet, a sprig of cypress, a poof of chimney dust, and holiday sweets. straight sniff from bottle is purely sweet and gooey....absolutely nothing else ... holy moly...once applied the violet is astonishing and the dust and candy charcoal....ZomG... if you are a violet lover of bpal blends this is for you!! words cannot even describe the beauty and depth of this one...it is heartbreakingly beautiful i love it to death
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In the month of December, another fair American medium arrived in England. This lady and her husband, Dr. Roberts, attended a course of lectures I was then delivering in Providence Chapel, upon Mesmerism and Animal Magnetism. They introduced themselves to me, and invited me to visit them. I did so, many times; and to them do I owe much; for, through the information I received from them, I have been enabled to inquire more fully into this soul-stirring, and very important subject, after several Seances at Mrs. Roberts's in Dyer's Buildings, Holborn [MD: original], where I witnessed the moving of the table in various directions. This is what is called “Table-turning,” and which has been attributed to Electricity or Animal Magnetism, by many intelligent and scientific persons… I have seen a loo-table suspended in the air, at least six inches from the ground, without anyone in the body touching it. —Hardinge, 1854 A heavy, tactile scent that thrums with voices from beyond: black polished teakwood, gullies of ectoplasm, and ghostly white musk. Wet: Starts out unpleasant. Strong camphor scent and sharp lemon. Dry down: This ones a real morpher. Camphor goes away almost immediately and the sharpness of the lemon starts to subside. Musk makes its appearance and I swear I smell vanilla. Dry: Okay, this is not what I was expecting but its actually very nice. Sweet lemony tea, vanilla, and musk with a wood smell underneath. I never would have said that it was specifically Teakwood.
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If then, man, in every act, leaves the impression, or daguerreotype of his mental being upon the scenes of his life and the subjects of his action, we are by this law furnished with a new clue to the history of our race; and I think it highly probable, that, by the application of this principle, the chasms of history may be supplied, and a glimpse may be obtained of unrecorded ages and nations, whose early history is lost in darkness. The ancient manuscripts, paintings, and other works of art, which still exist – the crucifixes, garments, armor, and other ancient relics, still preserved – are doubtless still instinct with the spirit that produced them, and capable of revealing to psychometric exploration, the living realities with which they were once connected. At present, these relics are barren of significance. Their hidden meaning lies waiting the future explorer, as the hieroglyphics of Egypt awaited the arrival of Champillion to interpret their significance. And why should not the world be filled with the monuments and unwritten records of its past history? It would seem, to the superficial thinker, that man was entirely limited to tradition and written records for his knowledge of the past; but physical science proves, that the world possesses, embodied in enduring monuments, the story of its progressive existence. The geologist finds, in the different strata of the earth, in its curiously mingled and irregular structure, and in the fossil remains which it conceals in its bosom, the history of its various changes of surface, and of the antediluvian races of animals which have long been extinct. The huge Saurian monsters, which he portrays from their fossil relics, rise before the eye as incredible chimeras. And over this fertile region, now occupied by prosperous States, he revives, by the magic power of science, the antediluvian seas and their strange inhabitants, unknown to man. The Past is entombed in the Present! The world is its own enduring monument; and that which is true of its physical, is likewise true of its mental career. The discoveries of Psychometry will enable us to explore the history of man, as those of geology enable us to explore the history of the earth. There are mental fossils for psychologists as well as mineral fossils for the geologists; and I believe that hereafter the psychologist and the geologist will go hand in hand — the one portraying the earth, its animals and its vegetation, while the other portrays the human beings who have roamed over its surface in the shadows, and the darkness of primeval barbarism! Aye, the mental telescope is now discovered which may pierce the depths of the past and bring us in full view of the grand and tragic passages of ancient history! I know that, to many of my readers, unaccustomed to these investigations, and unacquainted with the first experimental facts of this great science, these anticipations must seem a visionary hope – too grand, too romantic, too transcendently beautiful to be true. But observe, that all is based upon familiar experiments, and these results are but legitimate deductions from familiar facts. As surely as the expansive power of steam gives premonition of the ocean steamship, does the power of Psychometry give promise of all the glorious performance to which I have alluded. —Buchanan, 1842 A tactile scent, groaning under the weight of aeons: wild fig, cedarwood, venerable ti leaf, and white sage. In vitro: Woody figgy. I love wood and I love figs. Let's do this. Wet on skin: The cedar and sage predominate, with the fig adding juicy sweetness. The sage contributes a very clean feeling that could strike people as smelling like really nice shampoo (Tabella did the same), but I am cool with that (I have three bottles of Tabella). Delicious, multi-dimensional cedar. Dry: Sillage is very close to the skin. This actually reminds me quite a bit of a more chilled-out Tabella, less bright and sharp, just fig and cedar and sage hanging out together. There's nothing flashy about this, in fact, but it's still compelling and substantial. It's a classy, calm, and wise scent, like meditating in a forest. Definitely unisex; I wouldn't call it masculine, but nevertheless this would probably be lovely on a guy. The sage gets stronger on drydown and reminds me of one of my favourite places in the world, the Mojave desert in southwestern Utah. Love it.
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No additional description provided. Scent description for Jersey Devil is here.] This one is mainly Jersey Devil with a touch of snow. I get mainly notes of frosted cranberries and blackberries. And a background of cedar. Good throw and wear length.
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A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers. Limited Edition; December 2003. Black Phoenix Alchemy Lab has been outdoing themselves with the limited edition scents lately, and this is a sterling example! This is an airy, crisp, barely floral that is warm and soft, all the while making me picture the first snow and the sharp, clean scent that accompanies it. I know warm and snow don't sound like they go together, but let me assure you that they do! My all-time favorite. I wonder if Elizabeth would consider keeping some of the limited editions based on customer response ... I'd e-mail daily on this one.
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Eleven Pipers PipingTen Lords-A-Leaping Nine Ladies Dancing Eight Maids-A-Milking Seven Swans-A-Swimming Six Geese-A-Laying Five Golden Rings Four Calling Birds Three French Hens Two Turtle Doves and a Partridge in a Pear Tree Black leather and chrome spikes. This leather is swoon worthy. Its the same as the haute macabre hg to my nose, but turned down a 1/2 notch (haute macabre hg was wayyyy too over the top for me). It does have a cologney vibe that comes and goes that I wish wasn't there, but not stopping me from buying a full size! Layered with snake oil hg...BOOM, almost snake skin hg! ( not quite as good as an ACTUAL snake skin hg would be, but still)
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No additional description provided. Scent description for Sin is here.] I got mainly Snow White plus cinnamon and a dash of sandalwood. It was very chilly snowy but with cinnamon. Good throw and wear length.
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A great, warm hug of relief: snow-dusted carnation and sweet clove. Gently, Gently is just the nicest combination of carnation and clove. Carnation is already a 'spicy floral' to my nose, so the clove really enhances that and brings out the peppery quality in fresh carnations. I don't pick up an overt snow note here, just the sense that these carnations are 'snow-dusted' as in the description. I will likely need more of this. Not only does it make for a beautiful bath, but this would be great for using as a moisturizer and layering with scents like Alice, Eclipses Be, and Clémence.
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With apple bourbon. This is very apple-y and boozey! Not getting as much of the honey or maple as I had hoped. It is almost caramelly though, and quite yummy. I would describe it as a caramel-sweet apple hot toddy. It's lovely, but no sign of the maple I was so hoping for.
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Wynter wakeneth al my care, Nou this leves waxeth bare; Ofte I sike ant mourne sare When hit cometh in my thoght Of this worldes joie, hou hit goth al to noht. Nou hit is, and nou hit nys, Also hit ner nere, ywys; That moni mon seith, soth hit ys: Al goth bote Godes wille: Alle we shule deye, thah us like ylle. Al that gren me graueth grene, Nou hit faleweth al by dene: Jesu, help that hit be sene Ant shild us from helle! For y not whider y shal, ne hou longe her duelle. May we be saved and save ourselves from these hard, cruel times, and may we find strength together, for we know not where we go, nor how long we will dwell here. A warming, uplifting, strengthening scent: patchouli and sweet amber with champaca, bourbon vanilla, and frankincense. This is just beautiful. All of the notes are evident, with the frankincense and bourbon vanilla initially prominent. In time, the champaca and patchouli become more dominant. It's not overly sweet. It's not a churchy incense scent nor a dirty hippy scent, but somewhere in a happy middle place. It reminds me of something which is escaping me at the moment.
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The new discovery of “Table Moving,” by means of an unseen power from the human hand, has only been introduced into England within the last few weeks; but it would be difficult to dingle out any scientific subject which has with such rapidity, taken so extensive a hold of the popular mind. If we travel by railway carriage, steamboat, or omnibus, this is the universal topic of conversation. From the aristocratic saloons of Belgravia to the “Parlours” of Whitechapel – the Green Park to the Cat and Mutton Fields, “table moving” is all the rage. From the Royal Institution, where the secretary pokes his head through a forest of electrical apparatus, to inform the audience that the facts are established, down to the humblest Mechanics’ Institute, all are full of it, and the tables, to quote the words of the old song – “are all a moving, move, move, moving,” – Every evening party must of course have its experiments; accordingly, gentlemen come provided with very elegant chapeaux for the occasion, and many an innocent flirtation occurs consequent on the proper arrangement of the little fingers of some of the fair operators. As “sweet eighteen,” with her blue eyes and golden locks, gracefully links her little finger with Charles’s, in a retired corner, what wonder if the hat should tremble? And Charles, being of course fond of poetry (his very name is a guarantee for that), cannot resist softly breathing into Lucy’s ear, that exquisite line from Waller, on his fair one’s harp – “Touched by that hand – who would not tremble too?” And after a little more conversation of a strictly scientific character, they feel quite satisfied with the success of the experiment. Mamma, who has been watching the progress of the magnetic influence at a distance, “has no patience with such nonsense, and wonders young men and young women cannot find something better to do.” She forgets that there was a magnetic influence at work about twenty years since, and what little trifles served as conductors then. – Table Moving, its causes and phenomena: with directions how to experiment A spirit-touched courtship: sweet orange blossom, white honey, jasmine tea, white sandalwood, green apple, and lily of the valley. In the bottle - Very buoyant, happy greenery. Wet - Warm. I get lots of honey. Sweet green springtime scent. Drydown - I'm smelling honey, but thinking nectar. It actually reminds me of the Nectar hair gloss, and I'm picturing a miniature butterfly garden. Tickles my nose a bit. I'd have to re-sniff my decant, but my mind is drawing parallels between this and Venus Verticordia, which I also liked. This has more going on, though. Less grass, more tea. It gets less heavy as it wears. By the end of the day, this was a spectral memory of spring. Verdict - Just lovely. I can't see anyone being offended by this. Might even be a good work scent, since it doesn't have much throw.
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MIDNIGHT MASS I will wash my hands among the innocent; and will compass thy altar, O Lord: That I may hear the voice of thy praise: and tell of all thy wondrous works. I have loved, O Lord, the beauty of thy house; and the place where thy glory dwelleth. Take not away my soul, O God, with the wicked: nor my life with bloody men: In whose hands are iniquities: their right hand is filled with gifts. But as for me, I have walked in my innocence: redeem me, and have mercy on me. My foot hath stood in the direct way: in the churches I will bless thee, O Lord. In Roman Catholic tradition, the Christmas season begins liturgically on Christmas Eve, though it is forbidden to celebrate the Christmas Mass before midnight. The most devout attend Midnight Mass, celebrating both the Eucharist and the drama of the Nativity. This perfume is a traditional Roman Catholic sacramental incense, most often used during a Solemn Mass. Traditionally, five tears of this incense, each encased individually in wax that has been fashioned into the shape of a nail, are inserted into the paschal candle. This is, of course, represents the Five Wounds of Our Risen Savior. Symbolically, the burning of the incense signifies spiritual fervor, the fragrance itself inspires virtue, and the rising smoke carries our prayers to God. Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium. Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis. Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit. Qui cum Patre et Filio simul adoratur et conglorificatur: qui locutus est per prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen. at first: soft resins and incense. on: sharper than in the bottle, but still softer than i thought it would be. very lovely. exactly like church incense. half an hour later: this is still pretty much the same, maybe a tiny bit sweeter. 1.5 hours later: still the same. amazing! the sweetness is pretty much gone. 2.5 hours later: yeah, i don't know what else to say. overall: lovely stuff. this was the only yule LE i ordered and i'm glad i chose it.
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EGG NOG Sweet brandy, dark rum, heavy cream, sugar, and a dash of nutmeg. Oh, Mama. This one is DEAD ON ACCURATE. I am madly obsessed with Egg Nog. For me, the Holidays wouldn't be the same without it. And a good batch of Egg Nog has a scent to it that is equally as appealing as the taste. And BPAL's limited edition masterpiece has that scent... the smell of the perfect batch of Egg nog, served up in an antique crystal and gold trimmed goblet. Brimming over with spice, rum, sugary goodness, and oh, oh, oh... that BRANDY. It really leaps out at me and my happy little nose! That's my 'First Whiff' experience. Now *on* gets even better... After some dry down time, the rum is really prominent. But it's accented by the nutmeg and the brandy. It's so sweet and subtle. Warm. Inviting. Almost... alluring. I can't believe I'm wearing an "Egg Nog" scented oil! It's downright delightful and so far, it's really holding. The spice of this scent gets better and better with my body warmth, too. About 30 minutes later: It's still going fairly strong. Much of the other notes had faded off, but that rum is still there. Sweet, sweet rum. I couldn't resist... I HAD to do a re-app, just so I could sniff the contents of the bottle again. I decanted some straight to an imp, and am applying from that so that I can really slather it on now. I hate Holiday shopping, and so I have decided this is going to be my "Holiday Shopping Blues Pick-Me-Up" scent. It does the trick! -Leslie
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Embracing the brightest fire burning in the canopy of night, Canis Major hunts Lepis eternally as he dances with galactic clusters of his sister stars. Star-speckled brown fur and hay. This smells so good. So freaking good. Minty, musky, super wearable. I love it. Oudh? I think that's oudh, and some pine maybe? There's vanilla in there. I can smell it really well on the dry down. Though some of that might be coming from my hair. I don't know there's a lot going on here, but it comes together to perfection.
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Unbound from her prison-throne, mirror aloft; within her cloak dance the stories of Bathsheba, Deborah, and Mary Magdalene. Plum velvet, red wine, and sweet, dark oudh. Caveat - this is fresh out of the mail. first sniff was the red fruit. Wet down had a nod to coffee syrup but as it's drying it morphs into red fruit powdery incense. I have high hopes. Praying it doesn't go full powder. It's light too not intense. Will revisit in a day or two once it settles. 2nd round ( a few hours later) - Gave in and it's already morphed into something more sophisticated. I'm going to have to think of what it reminds me of - the fruit is not forward now - its more of a dept store sophisticate. Can't wait to see what it turns into tomorrow.
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Terebinth resin crackling with amber and coarse black tobacco, a drop of cardamom husk, caramelized brown sugar, and smoky birch tar. The Language of Crows is sweetness in tension with smoky resins and tobacco. On the one hand, this blend highlights the warmth of amber and caramelized brown sugar. On the other, it highlights the rootsy, gently camphorous terebinth resin and smoky birch tar. The cardamom husk moderates, in a restrained role. On, the sweetness and tobacco reminds me of my beloved Bulgarian Tobacco SN. But this is (obviously) more complex. I would recommend this to those who love tobacco when it's paired with something sweet, and for those who love the brown sugar note but don't mind smoky resins cresting underneath.
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Golden-brown and sugar-dusted, plump with sweet blackcurrant jelly. Full disclosure: I am an enormous fan of the Sufganiyots of Yules past, so I blind-bought two bottles of this year's Black Currant variety, because I felt *certain* that I'd want backups of this one, too. And I was NOT wrong. In the bottle, and when first applied, this has the familiar -and delicious!- strong fried-dough scent of its siblings. And, as with raspberry and strawberry before her, black currant starts to come into her own within the context of the scent as it warmed on my skin. This years' version is perhaps a little sweeter than its predecessors, which I believe has everything to do with the chosen fruit. Both raspberry and strawberry have a bit of a tangy undertone. But black currant is more of a pure sweetness with nothing tart to counteract. It's not cloying, don't misunderstand. This is the epitome of a full fried doughnut stuffed to the gills with thick and sweet black currant jam. It's delectable! If you loved the other two, you'll be delighted to add this one to your collection. If you missed out on previous years, definitely give this one a try. I would only say proceed with caution if you're a foodie that only likes your food scents to have a little edge- you might need to tread lightly with this. Or possibly layer with a rich non-food, like sandalwood or vetiver, or layer with a spice, like the newly released Indonesian Clove SN. Now to decide if I need *another* backup bottle...
