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Now, suppose this is to be accepted as the rational and scientific explanation of all the phenomena of this order which have been observed since the human race began to conserve records of its own experience. To what conclusion should we be logically forced? The believe in the objective reality of apparitions under such conditions would have to make way for a new conception, but the point which is really at issue between the materialist and the spiritualist would remain untouched. That issue relates to the permanence of the human personality after death. The spiritualist will point you to his own experiences as affording evidence of the permanence of personality. The materialist is certain that all the experiences of which the spiritualist is conscious result from the operation of natural law. But the eternal question of the soul – “Am I an immortal thing?” – is not to be decided either by the proof of the existence of whole armies of ghosts, or by the rational explanation of all apparitional phenomena whatsoever. The spiritualist falls into an easy error in the supposition that a continuance of personality on a new plane implies a permanence of continuity. What guarantee has a ghost of being immortal? Me not he also perish out of his appointed sphere? And why might we not fancy a whole procession of lives in phantom state – each more ghostly, more attenuated than its forerunner – the ghost of a man, the ghost of a man’s ghost, the ghost of a “ghost’s” ghost, until the thin thing fades into nonentity and slips back into the universal element? The materialist falls into an error parallel with that of the spiritualist when he conceives that a rational explanation of all ghostly phenomena has disposed of a belief in immortality. The concept is as independent of evidence, and as unsupportable by evidence as it is indestructible by evidence. We can neither prove nor disprove, but the balance of reason is still upon the side of the believer and it favours strongly the hope of a continued existence and a continued growth. We can but argue from things known. In all nature we find the clearest evidence of law of progress. – the Occult Review, January 1905 Falling into nonentity and slipping back into the universal element: pallid oakmoss and earthy patchouli tumbling into a void of misty lavender, cistus, and white agarwood. Misty lavender, oakmoss, and a whiff of patchouli. Misty is right! This is wispy, ghostly lavender. Medium throw and wear length.
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Snickerdoodle Coffee with Hazelnut Cream Atmosphere Spray
ellocentipede posted a topic in Atmosphere
All sweetness and warmth. Yep—this one does what it says on the tin. Creamy, rich coffee with a hint of hazelnut (not too hazelnutty, but just enough to give a hint of rich nuttiness), cinnamon sugar, and a bit of burnt cookie. Snag this one if you love foodie coffee blends. -
JACOB'S LADDER And Jacob went out from Beersheba, and went toward Haran. And he lighted upon a certain place, and tarried there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep. And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it. And, behold, the Lord stood above it, and said, I am the Lord God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed; And thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed. And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of. And Jacob awaked out of his sleep, and he said, Surely the Lord is in this place; and I knew it not. And he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven. The meeting of Heaven and Earth: golden amber, galbanum, benzoin, ambrette, rockrose, costus and tonka. I was expecting something like Aureus for this blend, but it is quite a different take on amber actually -- fairly light and perfume-like in the bottle, a glorious amber color when I apply it, and an almost frosting-like sweetness when it first goes on. I'm not sure what the individual notes smell like other than amber, but I know that I like most blends that contain these ingredients....resiny, warm, slightly sweet. It is lightly sweet without being cloying or honeyed, and it is amber without being powdery (that's not generally a problem that I have with amber anyway, but I know some people do). I've only had this on for the morning but it has stayed strong so far and not morphed too much. The gentle, light golden sweetness is really what impresses me. I think this one will be a hit because it is a nice compromise between the people like me who are crazy for resins, and the people who like their scents a little sweeter. There's just a tiny floral hint that I can't quite place. Perhaps that's from rockrose? Oh yes. I think we might have an amber scent for almost everyone here! Think Haunted without the musk, Aureus without the gritty earth or patchouli notes, but then add a veil of pale, luminous sweetness. It's a little "perfumey" the bottle (and I really wish I could come up with a better adjective than that) but if your skin likes amber then this should do marvellous things when you put it on.
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The new discovery of “Table Moving,” by means of an unseen power from the human hand, has only been introduced into England within the last few weeks; but it would be difficult to dingle out any scientific subject which has with such rapidity, taken so extensive a hold of the popular mind. If we travel by railway carriage, steamboat, or omnibus, this is the universal topic of conversation. From the aristocratic saloons of Belgravia to the “Parlours” of Whitechapel – the Green Park to the Cat and Mutton Fields, “table moving” is all the rage. From the Royal Institution, where the secretary pokes his head through a forest of electrical apparatus, to inform the audience that the facts are established, down to the humblest Mechanics’ Institute, all are full of it, and the tables, to quote the words of the old song – “are all a moving, move, move, moving,” – Every evening party must of course have its experiments; accordingly, gentlemen come provided with very elegant chapeaux for the occasion, and many an innocent flirtation occurs consequent on the proper arrangement of the little fingers of some of the fair operators. As “sweet eighteen,” with her blue eyes and golden locks, gracefully links her little finger with Charles’s, in a retired corner, what wonder if the hat should tremble? And Charles, being of course fond of poetry (his very name is a guarantee for that), cannot resist softly breathing into Lucy’s ear, that exquisite line from Waller, on his fair one’s harp – “Touched by that hand – who would not tremble too?” And after a little more conversation of a strictly scientific character, they feel quite satisfied with the success of the experiment. Mamma, who has been watching the progress of the magnetic influence at a distance, “has no patience with such nonsense, and wonders young men and young women cannot find something better to do.” She forgets that there was a magnetic influence at work about twenty years since, and what little trifles served as conductors then. – Table Moving, its causes and phenomena: with directions how to experiment A spirit-touched courtship: sweet orange blossom, white honey, jasmine tea, white sandalwood, green apple, and lily of the valley. In the bottle - Very buoyant, happy greenery. Wet - Warm. I get lots of honey. Sweet green springtime scent. Drydown - I'm smelling honey, but thinking nectar. It actually reminds me of the Nectar hair gloss, and I'm picturing a miniature butterfly garden. Tickles my nose a bit. I'd have to re-sniff my decant, but my mind is drawing parallels between this and Venus Verticordia, which I also liked. This has more going on, though. Less grass, more tea. It gets less heavy as it wears. By the end of the day, this was a spectral memory of spring. Verdict - Just lovely. I can't see anyone being offended by this. Might even be a good work scent, since it doesn't have much throw.
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A sweet, dark ember of winter pleasure: port wine, brandy, and bourbon simmered with white sugar, cardamom, cinnamon, clove, orange peel, and wild blackcurrant. Black currant, spices, clove and port wine. Boozy black currant! If that's what you're looking for, this is a nice warm blend. Good throw and wear length.
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This is the scent of an awkward encounter with a Yule-evoked doppelgänger mate: spectral cologne, blurry herbs, fireplace ash, and a dusting of crumbs. Dorian Dopplegänger! Dumb Cake smells like Dorian on the other side of the looking glass. The spectral cologne note is pretty great—like a luminous Dorian. The blurry herbs and dusting of crumbs are very faint...there's just an edge of something foody here, like white cake and the barest hint of perhaps rosemary? The ash is also spectral—pure grey-white, rather than gritty, sooty black. It's fantastic, and I will enjoy every drop (and endeavor to get some on my husband, because I think this would be amazing on him).
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Black Phoenix’s 2018 blob of Christmas Pudding is loosely based on a medieval recipe, and is crafted, as tradition dictates, from thirteen ingredients (representing Christ and his apostles, natch). Thick with treacle, smoky with suet (suet accord, sillies – there’s no mutton fat in this perfume!), and sweet with stirred custard. Oh damn, did I not review this one? According to my notes this one was a cake-pudding (definitely get that custard thing going on!), with molasses (fine, it's treacle) and spice. It was what I would consider a Christmas Pudding/Cake smell. Good throw and wear length.
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‘To make frumente. Tak clene whete & braye yt wel in a morter tyl the holes gon of; seethe it til it breste in water. Nym it up & lat it cole. Tak good broth & swete mylk of kyn or of almand & tempere it therwith. Nym yelkes of eyren rawe & saffroun & cast therto; salt it: lat it naught boyle after the etren ben cast therinne. Messe it forth.’ In parts of rural England, the last sheaf of grain from autumn’s harvest were added to a sweet porridge that was eaten on Christmas morning to ensure good health and strength during the dark of the year. Cracked wheat cooked in cream and ale with currants, cinnamon, nutmeg, and ginger. Frumenty to me smells like cinnamon, nutmeg and popcorn. I think its the effect of the cracked wheat cooked which smells like a cooked grain, which means to me... popcorn. Spiced porridge if you like. Medium throw and wear length.
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Mod Note: There is a review topic for Perchta release years 2008 and 2017 located here. Per our Review sub-forum topic policy, a new review topic has been created for the 2018 release due to an inexact match with previous years' scent description. Perchta, the Shining One, is the Lady of the Beasts, an incarnation of the goddess Holda. She, too, leads the Wild Hunt, and is the protectress of wild animals, and appears to mortals as either a white-clad, white-skinned, white-haired beauty, or as a brutish, bestial hag. She is called Berhte Mit Dem Fuoze; one of her feet is shaped like a beast’s, which gives away her superhuman nature no matter how she is disguised. She is also called Perchta the Belly-Slitter, for, at Yuletide, she castigates the wicked, slovenly, and idle, and rewards those that are generous, good-natured, and kind. The Belly-Slitter enforced community taboos, punishing those that spun during holy days and those who failed to partake in sacred feasts, thus jeopardizing the next year’s harvest. Her punishments can be a bit over-the-top, though: they include disemboweling the transgressor and filling the empty cavity with refuse. Her scent is a blend of wild musk, snow, and alpine flora: Nigritella lithopolitanica, balsam fir, aconite, crocus, touch-me-not, edelweiss, iced sugar crystals, Iris variegate, and violet. This is lovely. It's not the "coldest" snow or ice blend I've ever tried. It's white, powdery, but complex enough to be interesting. It's sweet but not tooth-achingly so. The only notes I can pick out for certain are violet and the barest hint of fir. This is very clean and I'm considering a bottle
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[No additional description provided.] This has only been off the mail truck for about two hours, because I couldn't wait any longer. In the bottle it's pure, luscious gingerbread. When it's freshly applied, I smell like my favorite kind of gingersnap: thin and a little crispy, like a pepparkakor from Sweden. There's even a little bit of a lemony note, but that subsides as it dries. It ends up as a perfect gingerbread that I want to eat.
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[No additional description provided.] In The Bottle: Mostly gingerbread, with a little of that extra-lemony aspect that fresh ginger frequently has. Wet On Skin: The gingerbread is, like, REAL gingerbread. I'm getting the lemon, the cake, the spice, the sharpness. It's really different than my previous experiences of the gingerbread single note (like, say, in Gingerbread Snake Oil). I'm liking it- but I also hope that the coffee and vanilla come out to play soon! Dry Down: Astoundingly, I am getting ZERO coffee from this. Which is odd, because coffee notes usually sit well on my skin -they don't amp, but they are *very* present. The vanilla has finally made an appearance, but I'm not getting the smoked aspect, either- this is more like gingerbread with a little dollop of vanilla cream plooped right on top. It's delicious, and I'm betting will get better with age, but it's not the scent that I thought it was going to be. If you're hoping for a coffee-heavy scent, check out some of the other 2018 Yule offerings, cause you might be sad about that with this one.
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[No additional description provided. Scent description for Dorian is here.] In the bottle: Slightly chilled Dorian. The musk and fougere of Dorian mingled with the chilly sweetness of Snow White. Wet: On my skin, I'm getting powdery snow and Dorian. The snow note is not ozone-y or extremely minty, nor is it citrus-y or of the slushy variety. Although I do get a sufficient amount of the cold component and Dorian, the frostbite note is more prominent on me. As it begins to dry down, the chilly part of this particular snow note ends up increasing in strength. Dry: It's a lot sweeter now, thanks to the sweetness from the snow note and the sugared vanilla tea from the Dorian (which always ends up being a dominant note once dry on me). I applied Go to Sleep, Darlings on my upper arm for reference (which features the snow note from Snow White without the floral notes). At first, Frostbitten Dorian isn't as sweet, but the scent becomes sweeter over time. It is a blustery day in the hundred acre desert, and as I was walking around outside, I kept getting hit with the same magical chilly sweetness that I get from Snow White. Verdict: Hoard-worthy.
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The piniest pine that ever pined, pining you right in the face. This is indeed a very piney and very cheerful pine. I think it’s the bit of lemon that lifts this one up and lends the cheerful aura. This is a very realistic, bright pine scent.
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Practical Occultism consists, first, of a perfect mastery of the individual’s own spirit. No advance whatever can be made in acquiring power over other spirits, such as controlling the lower or supplicating the higher, until the spirit within has acquired such perfect mastery of itself, that it can never be moved to anger or emotion—realizes no pleasure, cares for no pain; experiences no mortification at insult, loss, or disappointment—in a word, subdues every emotion that stirs common men’s minds. To arrive at this state, severe and painful as well as long continued discipline is necessary. Having acquired this perfect equilibrium, the next step is power. The individual must be able to wake when he pleases and sleep when he pleases; go in spirit during bodily sleep where he will, and visit—as well as remember when awake—distant scenes. He must be enabled by practice, to telegraph, mentally, with his fellow associates, and present himself, spiritually, in their midst. He must, by practice, acquire psychological control over the minds of any persons—not his associates—beneath his own calibre of mind. He must be able to still a crying infant, subdue fierce animals or angry men, and by will, transfer his thought without speech or outward sign to any person of a mental calibre below himself; he must be enabled to summon to his presence elementary spirits, and if he desires to do so (knowing the penalties attached), to make them serve him in the special departments of Nature to which they belong. He must, by virtue of complete subjugation of his earthly nature, be able to invoke Planetary and even Solar Spirits, and commune with them to a certain degree. To attain these degrees of power the processes are so difficult that a thorough practical occultist can scarcely become one and yet continue his relations with his fellow-men. He must continue, from the first to the last degree, a long series of exercises, each one of which must be perfected before another is undertaken. A practical occultist may be of either sex, but must observe as the first law inviolable chastity—and that with a view of conserving all the virile powers of the organism. No aged person, especially one who has not lived the life of strict chastity, can acquire the full sum of the powers above named. It is better to commence practice in early youth, for after the meridian of life, when the processes of waste prevail over repair, few of the powers above described can be attained; the full sum never. Strict abstinence from animal food and all stimulants is necessary. Frequent ablutions and long periods of silent contemplation are essential. Codes of exercises for the attainment of these powers can be prescribed, but few, if any, of the self-indulgent livers of modern times can perform their routine. The arts necessary for study to the practical occultist are, in addition to those prescribed in speculative occultism, a knowledge of the qualities of drugs, vapors, minerals, electricity, perfumes, fumigations, and all kinds of anæsthetics. And now, having given in brief as much as is consistent with my position—as the former associate of a secret society—I have simply to add, that, whilst there are, as in Masonry, certain preliminary degrees to pass through, there are numerous others to which a thoroughly well organized and faithful association might advance. In each degree there are some valuable elements of practical occultism demanded, whilst the teachings conveyed are essential preliminaries. In a word, speculative occultism must precede practical occultism; the former is love and wisdom, the latter, simply power. A Victorian occultist’s incense, invoking the Four Archangels: precious wildcrafted Indian frankincense with myrrh, cassia, sandarac, palmarosa, white sage, red sandalwood, elemi, and drops of star anise bound with grains of kyphi. In the bottle: kyphi! A fruity, wine-y kyphi scent with lots of cassia and a bit of anise. On skin: glorious spicy kyphi. This smells less like Cairo’s lemongrassy-rosy take on kyphi, not as wine-y or ashen as Philosopher in Meditation, it’s more like the kyphi note from the Oak and Kyphi atmosphere spray, or the Chthonic Kyphi incense from TAL. It’s spicy, resinous and complex. Cinnamon/cassia is the most obvious note, but it’s also full of myrrh, frankincense, red wine and honeyed raisins, there’s also a hint of fuzzy sage to it as well. The anise isn’t there any more. I absolutely love the resinous spicy scent this has. It reminds me a bit of Haloa but without the foody notes. It also reminds me of Egg Moon’s cinnamon frankincense. After a while: it doesn’t change too much but I think the honey and wine aspects of the kyphi become more obvious. The resins deepen further, the cassia becomes warmer. The myrrh is wonderful in here, it reminds me of the myrrh in Priala, especially with the cinnamon, but not as smoky. Something about it reminds me of a couple of last year’s phoenix scents. Verdict: probably the best kyphi scent by BPAL so far. If you are a kyphi lover, you must get this. It’s brimming with spice and resin and honeyed wine, all in balance. Yule is a perfect time for this scent to be on sale, there’s something almost festive to it because of the combination of red wine and cinnamon, frankincense and myrrh, at times it reminds me of mulled wine in a church during a Christmas service, but it’s got that undertone of mystery and darkness hinting at more ancient, occult origins for this particular incense blend. The great thing is that it’s cinnamony but doesn’t burn my skin. I’m glad I took a chance on this as it’s perfect, I think it will age amazingly. Is it a keeper? for sure. Maybe a backup? If you like this, try: Egg Moon, Pliny’s Phoenix, Tacitus’s Phoenix, Priala the Human Phoenix, Oak Leaves and Kyphi atmosphere spray, Saturnian Phoenix, Philosopher in Meditation, Haloa, Cairo, Saint Foutin de Varailles, Valentine of Rome
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Red musk, black amber, red leather, teakwood, smoked lavender, and plum. This is one sexy blend. For fans of red musk, this one is different enough to include in the collection. The warm leather and teak gives it almost a unisex quality - in fact, I'll be trying this one on a boy soon - along the lines of Hellfire or Dee, with the faint whiffs of smoky lavender and red musk swirling into the mix, and that beautiful plum note from the lab giving it all a rich purply note. But it's the leather that is really warming this one up for me and sinking into my skin. It's incredibly sexy as it settles, losing throw but gaining that really nice second-skin quality. For fun, I put it up against Mme. Moriarty, with whom it shares the red musk and plum. They are quite different, but absolutely deserve to share shelf space in the same collection. Fans of A Savage Veil or Shadow in the Elevator (kissing cousins, minus the leather note) should definitely check this one out. I hadn't tried a red musk/leather scent before and Fifth Lash works SO well. I wish its throw lasted longer but really that is my only complaint. It's gorgeous.
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As performed by Griffiths Quadrille Band in a Mysteriously Effective Manner and Dedicated to all Lovers of “the Mysterious”. It really was a thing. Rose musk with pink and black pepper, a splash of bay rum, tobacco absolute, and toffee. In the bottle: Dark toffee with something sharp in the background, perhaps the rum. Fresh out of the mailbox this did not smell good but now that it's rested a bit it's much better. Wet on skin: The rose musk and the pink and black pepper come out. The pepper is making this unexpectedly spicy, almost a bit savory until the rum and tobacco come more to the foreground. Dry: I'm getting a sweet musky, spicy tobacco. I tend to amp sweetness so this would probably smell great on a man as well. I would imagine this will get even better with age.
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The Shining Ones: snow-spattered lavender, bourbon vanilla, white mint, and white amber. I am testing this before it has had a full day of rest, so I will update my review if my experience is different after it has had more time to settle. Schönperchten is a clean, cool scent. It's very lavender-forward at first, but it becomes more of a snowy scent over time. The white mint is present throughout wear, but this a light variety of mint that adds a coolness to the scent without being intense or having a burning effect on the skin. It becomes a clean, powdery scent on me (but not like baby powder), and I am not sure if that is due to the white amber, the snow, or a combination of those notes. The snow in this is not sweet, slushy, or pine-y, nor is it the really minty variety. I think there could be some white musk mixed with some ozone at play here... otherwise, the white amber is going powdery on me even though I haven't had that issue with it before. The bourbon vanilla just adds a light sweetness to the scent after a while and becomes slightly more noticeable after a few hours of wear, but it is not a main player on me. It ends up being powdery snow, white amber, and white mint with a very soft lavender note after three hours of wear. I really enjoy the lavender and white mint, and I think the scent goes well with Brian's photo. It conjures images of white furs and soft, powdery snow. I just wish the beautiful lavender note had remained as strong as it was initially! I am going to let this rest some more and see if the vanilla comes out more as it ages.
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Sweet candied chestnuts mingled with warm spiced oudh. The oudh is very warm, sticky, and woody, and is sweetened by the candied chestnuts. This is how I imagine the Addams family house would smell at Yuletide—dark, slightly festive. This oudh is indolic like the oudh note in Bestla.
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Hanerot halalu anachnu madlikin Al hanissim ve'al haniflaot Al hatshu-ot ve'al hamilchamot She-asita la'avoteynu Bayamim hahem, bazman hazeh Al yedey kohanecha hakdoshim. Vechol shmonat yemey Chanukah Hanerot halalu kodesh hem, Ve-ein lanu reshut lehishtamesh bahem Ela lirotam bilvad Kedai lehodot leshimcha Al nissecha veal nifleotecha ve-al yeshuotecha. We light these lights For the miracles and the wonders, For the redemption and the battles That you made for our forefathers In those days at this season, Through your holy priests. During all eight days of Chanukah These lights are sacred And we are not permitted to make Ordinary use of them, But only to look at them; In order to express thanks And praise to your great Name For your miracles, your wonders And your salvations. Olive oil, beeswax, and smoke. First review? Really?? Ack, the pressure! Primarily this smells like beeswax, honey, and the smoke of blown-out candles, with a little sweet orange. I'm not getting much olive oil at all. There's something almost creamy in this (to my nose, cream always smells like coconut, which is a little disconcerting), but it's not really foody. Between the beeswax and that phantom citrus note, this reminds me a lot of a smokier and less resinous No. 93 Engine. I like it and will keep the partial, but since Engine is GC, I won't need a bottle of this. Verdict: Get this if you want to smell like freshly blown-out candles. ETA: After several hours (and does this ever last! I'm still smelling it 8 hours later!) this becomes a lot more creamy/beeswaxy and less smoky. It's really quite cozy and nice. This would be a good one to try if you wanted to like Ichabod Crane, but he was just too weird. Or if you did like Ichabod.
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The Brutal Ones: dark chocolate, black pepper, and green cardamom. I purchased a bottle of this on the whim that I had all three ingredients in my pantry and loved the smell of them together, haha! I tried it on both myself and my partner. Bottle: Pepper, cardamon, hint of dark chocolate Wet: Very black pepper and cardamom, but not really any dark chocolate that I can tell. I think this would make a good gender neutral scent. Dry: The spices are no longer over-powering and it mellows out quite nicely. It also smells sweet, but I don't really get any chocolate on me. Overall: Really quite like it once the spices mellow, but it's very strong initially. It seems to have a short life on me even after slathering it on, but spices tend to do this to me. A nice spice scent. Update: I tried it again just after posting this and lo and behold I got chocolate! It must have been the splash I put on initially because it's quite balanced and lovely now. On my partner: He got dark chocolate and cardamom, less pepper. It dries down to a nutty, almond dark chocolate and fades into a lightly sweet, very faintly cardamom scent. He also really likes it!
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Lick It is back, as minty and sweet as ever, and now you can lick it for a good cause: proceeds from every sale of Lick It With Consent will be donated to RAINN. Candy cane! This candy cane to me smells shiny and lacquered, unlike the Candy Canes HG, which reminds me of those tasty little soft peppermint candies. Lick It is a sweet vanilla peppermint delight.
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Snow and black leather. Very snowy, like Snowball fight in NYC snowy. A sweet, fruitier slush. I'm trying to seek out the black leather. I'm sure it's there, but this is not a leather-forward scent. I get a few hints of the cleaner, crisper cold black leather note but it's supporting the snow. I can imagine this would be a discarded riding crop lying in a snowbank. It's nice, and straightforward, striking more of the pine-slush-snow note buttons rather than leather, which was the opposite of what I hoped. Will take some more wears to get a full impression.
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And yet, not /too/ sweet! Really enjoying this one! Will be wearing it to my Christmas eve festivities. The mint is subdued like it is in cabbage white hg. It's more apparent when first sprayed, then becomes a pillow soft mint in the background of an almost Angel food cake vibe from the powdered sugar and vanilla cream. When first sprayed the cinnamon is more apparent from the snickerdoodle but quickly recedes to simply become a barely there tie in component. Will definitely be getting some wear time over here!
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Labdanum and birch tar with leather, orris root, copal, and bergamot. Coca cola resins (hi labdanum), birch, leather and a whiff of bergamot. This one is a resinous-birch/leather blend. Medium throw and wear length. Perfect for those Yule lads.
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A melancholy, deep scent, poignant and brimming with nostalgia. The perfume of sugared plums over a breeze of winter flowers. I haven't tried this on my skin yet, but it smells delicious out of the bottle. It smells like a candy or sweet that I of course can't think of the name right now.
