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Showing results for tags 'pickman gallery'.
Found 46 results
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Louis Gauffier Lebanese cedar, chamomile, frankincense, and cinnamon. This starts of as cedar, and frankincense with a whiff of cinnamon. As it dries, the chamomile comes out, and its a chamomile-cedar blend, with hints of resin. Medium throw and wear length. This one is sort of manly to me.
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Louis Boulanger Oman frankincense, black clove, and tobacco tar. This is a beautiful sweet frankincense (definitely the same frankincense in All Souls) and the clove adds a little spice. Super up my alley! Lovely and simple. I feel like this is destined to become a favorite.
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John Nixon Honey, cream and white rose petals buffeted by toadstools, creeping moss, bog cypress, and myrrh. In the bottle: Honey, myrrh and something tangy, which is probably the mosses and myrrh. Wet: Fizzy penny sweets! Like cherry cola bottles. I dunno what's going on there. Dry: Mostly a rosy myrrh and maybe a little honey. It's gorgeous and I love it.
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Agostino Veneziano White sandalwood, opoponax, shriveled black plum, and vetiver. Eep! I never (well, almost never) post reviews, because I'm not terribly good about picking out notes, but I feel the need to review this one! I blind bought a bottle of this, and it's turned out so much more lovely than anticipated. In the bottle it was pure sandalwood, but on my skin I feel as though all of the notes are working together to create a single and unique thing of loveliness. I can't compare this to anything else in the BPAL universe, except to say that the plum note, which is the last note standing as the scent fades (and it takes awhile--this on has moderate throw but excellent staying power on my skin) is the plum from Snake Charmer and Tarantula Fascinator. If this collection of notes works well for you I recommend you pick some up!
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Henry Fuseli Golden amber, carnation, blackcurrant, aged black patchouli, red musk, and vetiver. Red Musk, vetiver, and carnation with an under current of patchouli are the highlights of this blend while wet. As it dries the amber comes forth with its golden resinous feel. The black currant gives just the barest touches of sweetness. As this dries the patchouli remains a dark base for the scent as the vetiver and musk swirl around while the amber and the carnation and currant attempt to lift the blend out of the dark earth. This is the first blend where I've been able to reliably pick out vetiver and found out I actually like it. So beware those hoping this is light on vetiver ... it's not. Edit: Okay, this was reminding me of something and I just couldn't figure it out but it finally came to me! It's like a cousin of Lawn Gnome. It has that same patch/currant combo. That's why I love it so much. =)
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John William Waterhouse Vanilla-infused frankincense and clary sage with 7-year aged patchouli, jasmine sambac, honey myrtle, and oudh. I love Waterhouse's art, and The Magic Circle has long been a favorite, so I knew I needed this one! I have to say, vanilla-infused frankincense is delicious. The vanilla really softens the sharp edge that frankincense can sometimes have on my skin, yet it still retains that solemn incensey vibe that I love. The clary sage is very distinctive, as always, but is prevented from being too masculine for me by the sweetness of the jasmine sambac. I don't get a lot of my beloved aged patchouli, it seems to be laying low with the honey myrtle and oude to create a nice base. It may become more prominent with age, too. This is gorgeous. I think I need all the Pickman Hecate blends. Oy!
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Artist Unknown Honey, rose petals, and carnations - a drop of blood - red clover, cubeb berries, and vanilla cream. Aww, the thing that looks like a miniature version of the dragon-dog from The Neverending Story isn't on the label. In the bottle: I believe features the same carnation note as Startled Toad. At least, there is a lemony aspect present, and the combination of whatever that note is and the carnation remind me of that scent. It's not the spicy carnation found in scents like Queen Alice. I feel like this scent is similar to the Trading Post's Butterfly Nectar bath oil. This is a peppy scent. I'm mainly getting sweet flower petals and what I think may be the cubeb berry. The vanilla cream note is present, but it resides in the background. Wet: I'm getting more of the vanilla cream note on my skin. The carnation note is the most prominent note, which isn't surprising – carnation tends to do that on my skin. I don't dislike it, but I hope this doesn't turn into carnation single note. At the moment, the rose is quite prominent as well. Dry: I think the blood note contains clove, as I can smell some clove now (or is that the cubeb berry?), along with the florals, honey, and a bit of vanilla cream. After a while, I mainly smell carnation, clove (or cubeb? The Google tells me that is peppery), rose, and a hint of the vanilla. Verdict: I bought this one because of the name and the sugary florals. But I was worried about the carnation being too prominent for my liking, and it is. I'm going to let this settle some more and retest it before deciding whether or not to keep it. Hopefully the vanilla will come out more with age. I don't dislike it, but I own a lot of sugary floral scents, and I can't see myself reaching for this one very often.
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Henry Fuseli Mandrake root, apple blossom, dusty brown sandalwood, coconut milk, woodmusk, and soft leather. This is a contemplative scent, soft and dusty in a pleasant way. The first things I smell in the wet stage are the sandalwood and coconut milk. I love the uniqueness of this sandalwood note, which really sets itself apart form the too-dry sandalwoods and the sexy sandalwoods that often appear in Ars Amatoria and the Lupers. This one is unexpectedly comforting, like a furry blanket you've just discovered in the attic and now can't let go. There is an additional, earthier woodiness behind it, which I believe is the mandrake root, and a hint of very well-worn brown leather. The creamy coconut milk and gently floral apple blossom also wrap themselves around you like that furry blanket. It's something I would want to be wearing during a long rainy day, curled up on the sofa, oblivious to everything else except the book I'm reading.
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Lorenz Frølich Caramelized patchouli, cream, and thick golden honey. This reminds me of the smoky bonfire/earth scent that's in Samhain drizzled with cream and honey, only more smoke and earth and less sugary sweetness. This feels like it's going to be a much-coveted instant classic. It's cozy and witchy and the honey and cream are very prominent, but not cloyingly so. I might have to buy a backup bottle or two!
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Jean Veber Pumpkin cream, honey, vanilla sugar, and smoked vanilla bean. In The Bottle: sweet, creamy vanilla and scratchy vanilla bean, with a breath of pumpkin. Yum! Wet On Skin: the pumpkin comes out a bit more and the honey with it, warming the scent up a bit. Dry Down: A beautiful, light pumpkin ice cream! In All: low throw, a sweet, gentle scent. Not too foodie. Perfect for daytime wear throughout the fall. Total keeper!
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Albert-Joseph Pénot Bourbon vanilla, sweet red patchouli, oudh, goat's milk accord, and white honey. In The Bottle: Creamy goat's milk and sweet patchouli. YUM! Wet On Skin: the Oudh just popped out and it's adding a nice grounding aspect. Dry Down: This now has the warm spice of Hod, but with the goat's milk adding a little milky texture into the mix. It's a bit odd, to be honest. But I find my self compelled to sniff repeatedly. In All: Low throw, close to the skin scent. I would wear this primarily during the day, as a scent to feel cozy with, like curing up with a good book and a mug of tea.
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James Gillray Wig powder, amber-perfumed leather gloves, and rose petals with a sliver of oak bark and cauldron smoke. This is a curious beast. I am definitely getting something powdery, and the way it evokes wig powder is uncanny. I can just imagine a gentleman wearing a powdered wig with this one! The leather is not sharp, but the well-worn kind, and I am only getting a very little bit of rose, so if you're worried about that note, you don't have to be. It is hard to tell whether what I'm getting is simply the powder, or the smoke as well. I don't find it too smoky at all, though. It is a very mysterious scent, and somewhat masculine, although the right kind of woman could also pull it off. I quite like it, but I'm not sure I will keep my bottle, as I wouldn't know when to wear this sort of scent.
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Nikolai Kalmakoff Red musk and cacao with clove, caramelized tobacco, aged patchouli, red currant, black leather, and vanilla-infused amber. Wet: I swear as I live in breathe this smells like Reese's PB cup on my skin. Fruity Reese's butter cup. Dry: The woman of Satan smells fierce. Light red musk, no caramel, vanilla infused amber, and no black leather . This woman is truly the baddest bitch in town and she knows it. Not strong at all. Very light, close to the skin but damn if it is not sexy!!!
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Mentioned in the 2011 Willcall thread. Possibly inspired by Luis Ricardo Falero (Spanish, 1851-1896)'s Faust’s Vision (1878). This one is a musky blend, its got a fair bit of incense in it as well, and something that is very airy without being ozoney. On me it has low throw and sticks close to the skin, but its a very Halloween appropriate blend. It does bring up ideas of witches, and I believe there's some herbal greenness to the blend as well (maybe hemlock? ivy?)
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Venus Pandemos Hay, rose otto, red benzoin, torch smoke, and pink carnation. Venus Pandemos is an interesting scent. The hay note is listed first for a reason, because it is definitely in the forefront of this blend. It’s unusual, though: It isn’t as “dusty” as the other Lab hay notes. Instead, this smells like fresh hay. (And let me tell you, I just had a long talk with myself about what that means. Because isn’t fresh hay, well, grass?! But no, that’s not what this is. The note here, it’s like there is a dampness to it. And maybe a hint of a nutty cream-like scent? So maybe freshly-rolled hay is a little less, I dunno, fusty, or something? It’s also amazing that I don’t smell any benzoin, because my nose can find a drop of that in the ocean. This isn’t resin-y at all. There’s also just a whisper of smoke, and the slightest warm and spicy floral hint. (I mean, really: If it weren’t for that hay note, I would wonder if I got a mislabeled decant!) I’m still not sure if I like this. There isn’t much throw, which is okay for a smell like this one, and it doesn’t last very long on my skin.
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Jean Miélo White musk, tobacco flower, white tea, Tunisian neroli, and blonde leather. Still no reviews? Ok, my mediocre one will have to do. This is beautiful. I love all of the notes here so I had to buy a bottle. Very well blended - the tobacco flower is wonderful here with the neroli! The white tea gives it a refreshing, almost delicate feel and the leather is not the star...just a nice bottom layer to meld with the white musk and ground this higher pitched blend. This reads as more of a Spring/Summer perfume to me, but for some reason I find myself planning to wear it for our first day of snow, whenever that may be. I really, really like this now and I'm looking forward to seeing how it ages. Another masterful blend! ETA: this is becoming stronger even with such a short amount of aging! Very refreshing and comforting at the same time.
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Engraving by G. van der Gucht after J. Wootton Bay rum, hay, dried alfalfa, aftershave, and cork stalk. In the bottle: oh! Did The Great Sword of War and Antikythera Mechanism have a spicy baby? On my skin: The first few minutes of this were glorious. That aftershave note really brought out the best of the feelings of Old Spice and the bay rum brought some warmth. However, as it dried down something added an ammonia scent and as it dried down it only got stronger. Boo. On someone else in my house: Warm aftershave with a slightly dry woodsy feel. It was described as "1930s sexy masculine scent" when dried down by the wearer. Definitely has a classic men's scent feel with some added woodsiness. Not a win for my picky skin but my testing partner got a win here.
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Engraving by Jacques Jordaens Goat’s milk, nectar, ambrosia, and honey. Wet: Gingerbread and honeyed fruit. Yummy! Dry: Fruit with honeyed milk. Slightly soapy. Drydown: Thankfully, soapiness turned to floral nuttiness. Milk note is more of a soft cloud around me. 2nd time testing: Bready, like yeast and hops. Reminds me of Narr. Getting a bit of rubber at the end, but that comes and goes. Still soft and milky. Average wear and throw.
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Jan de Bisschop Blackened tonka, patchouli, dragon's blood resin, and scorched oak. This is absolutely beautiful. The light sweet powdery of tonka calms the patchouli of the dragon and the oak just rounds it out beautifully. This scent is so well blended that I can't believe the notes listed. I just adore it! So, so glad I bought it.
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Frans Francken II Belladonna accord, sprigs of rue, crushed hyssop, white sage, beeswax, mandrake leaf, bay rum, black honey, hemp, and myrrh. In the bottle: Nothing like I'd imagined. A very sweet and delicately herbal. Wet: A bit like air freshener - light and airy and very "clean". Dry: Sweet herbs and the syrupy side that myrrh sometimes turns to on me, which is probably exacerbated by the honey. Another win for the Pickmans!
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Thomas Stothard White leather and cypress-tinged white musk with cardamom, smouldering incense, Ceylon cinnamon and white sandalwood. Holy moly. This reminds me most of the Hell of Great Heat meets the Evening on the Veranda atmo spray from Trading Post. I would assume if you enjoyed either one of those (as I do) you would love this. The leather isn't harsh or chemical-y and I smell it first with a touch of cypress and cinnamon. Then...there is a spicy incense explosion! Cardamom, yes. Cinnamon, yes. Incense, yes. Wow. This one is going to age like a dream, but it is already perfect. LOVE THIS.
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Harrison Weir Golden apples, cedar and redwood trellises heavy with grapevine, beeswax, hemp, vanilla benzoin, and bois de rose. I like this blend a lot when I first put it on. The apples, wood, grapevine and hemp all combine nicely. I can't smell the beeswax or vanilla. It mostly disappears after about ten minutes, sadly. I've only had it for a week, though, so maybe it needs more time to become more than a close skin scent.
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A. Ducote Sweet vetiver, bourbon vanilla, and wool. This is the beautiful vanilla blend that I've been looking for all along, like a softer cousin to The Antikythera Mechanism and Tombstone. It's simple, like most of my favorites, and easy to wear. The sweet vetiver blends gorgeously with the bourbon vanilla and wool. It makes me think of a perfect autumn day somewhere in a cool climate, when the skies are a rich blue that contrasts with the orange leaves. I think it will be glorious and long-lasting in a scent locket too.
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Philipp Peter Roos Caramelized wood resins, black peppercorn, and leather. I'm still new to testing out HG scents, so I got a 4ml tester in a spritz bottle so I could actually spray it on my hair. I was hoping for leather. What I got was sickly sour yellow biting wood. As it dries peppercorn comes out, which just adds more bite. Turns to a kind of powerdery sour wood resin with an acrid bite. It bothers my sinuses. And a couple little squirts goes a long way!
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Frans Francken II Burgundy and champaca resin with immortelle, leather accord, wine-soaked red fruits, rose geranium petals, red patchouli, guttering candles, and smoke. This is definitely heavy on the wine and I barely smell the patchouli. The immortelle and rose geranium make it a little soapy... I was hoping more for Lady Macbeth with some champa, but this ends up smelling more white-flower-y on me. Potentially off to swaps with ye!
