bheansidhe

This is more like "Gingerbread and More Butter" when freshly applied. As it dries it becomes less baked good and more sweet candied ginger with a lemony bite. Gorgeous in both stages.

Pumpkin candyfloss, funnel cake, apple cider, a swirl of dead, dry maple leaves, greasepaint, chewing tobacco, and sawdust. I had the good fortune to test this one at Will Call. I liked it best of all the foody/gourmand Weenie atmos except Pumpkin Popcorn Balls (my other favorite). Halloween Carnival Atmosphere Spray throws together all of the best carnival smells - salty kettlecorn! spun sugar! sweet funnel cakes! fresh sawdust! autumn air! - without the overlay of animal dung, diesel fumes, and overworked porta-potty that invariably accompany a *real* carnival. It's a glorious cacaphony that hangs in the air like a handful of glittering sawdust before gently subsiding to the memory of funnel cakes.

It's always fun to run across a BPAL blend that doesn't smell like anything you've ever tested. I get the lavender when the blend is wet, but on my skin this is a billowing dusty-sweet rosin, balsam, and white sandalwood, sharpened by a bit of worn leather in the background. Whoever's wearing the leather might have just sauntered through a sun-warmed field of lavender, but it's just clinging to the background. The blend has an almost foody vanillac warmth while still coming across as a mix of rosins and resins. White sandalwood can be powdery, but the sappiness of the balsam keeps it from going to baby powder. It cuddles down warm and low on the skin. This is a great everyday scent, gender-neutral, and office-appropriate. Sadly, this rosin seems close enough to the beeswax/honey notes that inevitably doom a blend. For me it's the Alan Tudyk of notes.

Pure cedar-frankincense love. The cedar is dry and woody and sweet, and the tobacco gives a round warmth to the back end. I don't get any cognac (which is for the best honestly), but I do get a pungent black pepper sprinkled on top. It does remind me of the cedar in They Lie Thus Chambered and Cold to the Moon, which was another personal favorite.

Wet, this is a deep, austere incense over gritty musk. The cardamom-clove-pepper mix smells rich and toasty-bitter (in the way that roasted chicory coffee is bitter), not gourmand or foody. Unfortunately, black musk usually smells like scorched hair on me, so this is not a chemistry win. The drydown is a spicy incense blend with a meditative quality, like silence at dusk. I agree it starts off rather harsh and masculine (not cologny), but the finish is gender-neutral. I have other incense blends that work better for me, but this one is definitely worth trying if you play well with black musk.

This is beautifully reminiscent of the discontinued blend The Jester (Huckleberry and red currant with the incisive bite of neroli.). The vetiver isn't in the forefront; it's just present enough to keep the sharp-sweet currant and raspberry realistic and rooted on the vine, so that they don't spin off into Jolly Ranchers territory. The drydown is soft, fruity, and slightly herbal.

Thirding the idea of this being an Urban Outfitters prototype / unreleased cousin of Banshee Beat. The meat of it is that gnarly, gritty hippy patchouli, but where BB is softened by vanilla, this one is roughened at the edges - it's like comparing hot chocolate mix to pure, unsweetened Dutched cocoa. Speaking of cocoa, I can get a black cocoa husk or cocoa powder in there. I also get tiiiiny bit of vetiver pungency (but only when wet - it vanishes on drydown) and something like the "stone" or "concrete" accord - which, taken together, are giving me a "Streets of Detroit" vibe. Drydown is just that gritty patch and ethereal dry, blond wood notes (possibly cedar, possibly a light sandalwood). I finally get some vanilla in the finish - just enough to fuzz up the edges, though; it never emerges as a distinct note. So, somewhat-less-sweet patch-heavy Banshee Beat / Streets of Detroit, plus some other wood or resin binding it together. I definitely recommend seeking out a decant if that intrigues you! It smells like something that will age (or already has aged) very well.

White rose, gilded carnation, brown oakmoss, and velvet oudh. This is gender neutral and divided into three equal parts woods, oakmoss, and rose, with carnation enhancing both the heaviness of the rose and the spiciness of the oudh, but never playing a major part. This doesn't read as specifically "masculine" to my nose, but it has a definite Renaissance gentleman's vibe; it's a rose scent that reminds you why men wore rosewater as cologne for much of history. It smells smooth and brown; I don't know that I would specifically pick "rose" out of the notes after a few minutes of wear, but my skin test was iffy so I have to go with sniffing. Looking forward to seeing some actual wear test reviews! (I didn't decant this perfume, so I can't compare the formulations.)

Black rose, dried apricot, and black fig. Because I ran a decant circle, I had the chance to sniff (most) of the perfumes and compare them with (most) of the matching hair glosses. (I don't wear most rose notes or hair gloss myself, so my reviews will be more nose-test and less wear-test.) Huit-the-hair-gloss opens with the black rose in front and a woodsy-green fig note behind. It smells like a rose-toned black Gothic funeral veil. It smells like the shadows in the beautiful but evil queen's formal robe. The secondary notes stay woodsy rather than fruity. Huit-the-perfume needed time to rest after the mailbox, or maybe after the stress of its creation. On first decant it was a black and severe rose with bitter, woodsy-green fig behind and no juice at all. After the dregs sat for a week in the bottle and breathed, the fruit came to the foreground and Huit overall became more rounded, balanced between sweet, but not too sweet, apricot in the front, and black-rose-green-figwood in the back. The rose component stays a flat ROSE throughout - kind of a matte rose scent? - but definitely black and straight rose with no fruit or tea. If you love the notes but the wearing experience isn't what you wanted, you should definitely try layering the two.

Because I ran a decant circle, I had the chance to sniff (most) of the perfumes and compare them with (most) of the matching hair glosses. (I don't wear most rose notes or hair gloss myself, so my reviews will be more nose-test and less wear-test.) Huit-the-perfume needed time to rest after the mailbox, or maybe after the stress of its creation. On first decant it was a black and severe rose with bitter, woodsy-green fig behind and no juice at all. After the dregs sat for a week in the bottle and breathed, the fruit came to the foreground and Huit overall became more rounded, balanced between sweet, but not too sweet, apricot in the front, and black-rose-green-figwood in the back. The rose component stays a flat ROSE throughout - kind of a matte rose scent? - but I can see where it would lose dominance to the fruit notes after wear. With Huit-the-hair-gloss, the notes open in a different order and it's much more rose-forward from the start. It smells like rose-toned black Gothic funeral veil. The secondary notes stay woodsy rather than fruity. If you love the notes but the wearing experience isn't what you wanted, you should definitely try layering the two.

Freebie in a recent swap package, labeled "UOUO4: Prototype." The top notes open with big white and creamy florals, like gardenia and/or magnolia, plus a green-white pollen-heavy floral, like lily-of-the-valley. The more I sniff the more I get a delicate tannin astringency in the background, like oak bark or white tea. Overall this is a cool white floral that opens big but settles quickly settles down to the skin. Feminine, but not innocent or girly. I don't personally wear this combination of notes, but florals fans should seek it out.

Look, I was very curious about the combination of notes, but I really hate rose perfumed anything. Nevertheless, I skin tested! >LOOK You are standing in a formal Victorian garden. To your east is a green lawn. To your west is a brick wall. In front of you is a greenhouse. >LOOK AT GREENHOUSE You see an ornate wrought-iron and glass greenhouse. The glass is misted. There are blooming plants inside. >ENTER GREENHOUSE You enter the greenhouse. Oops! The door swings shut behind you, locking you in. I'm sure there's nothing to worry about, though. Doesn't it smell pretty? >LOOK The greenhouse is full of pink and red roses in full bloom. They smell heady and lush. On the floor is a plate of shortbread cookies. They look mouth-watering. >GET COOKIES You head toward the cookies. You're having a hard time seeing them for some reason. What you thought was mist is actually steam. It's getting thicker by the minute. >LOOK INSIDE GREENHOUSE Behind you is a locked door. The eastern wall is covered in climbing roses. The western wall is thickly planted with shrub roses. The north wall has a potting bench, a sink, and a camp stove. There's something boiling on the stove. >LOOK AT STOVE You see a lit stove, a metal pot, and huge clouds of steam. Something is boiling vigorously on the stove. It smells like rose syrup. >TURN OFF STOVE I don't recognize that command. >LOOK AT POTTING BENCH You see a few empty plant pots and a huge knob of butter. Hm, that sounds dirty. >GET BUTTER You get the butter. Whoops! It slips out of your hand and lands in the boiling rose syrup, you butterfingers. >LOOK You can't see anything. You are surrounded by thick white clouds rose-and-butter scented steam. It's very pretty, but it's getting hard to breathe. >HELP I don't recognize that command. >GET COOKIES There were cookies in here somewhere, weren't there? Unfortunately, you can't find them in all of that rose and butter scented steam. >BREATHE STEAM You breathe deeply, filling your lungs. It's rich and heady, but too much for your system. You pass out. >LOOK You see darkness behind your eyelids. It's rose-scented. >LOOK AGAIN You open your eyes. You are sitting at a kitchen table. In front of you is a plate of shortbread cookies and a vase of lush red roses. Would you like to eat the cookies, smell the roses, or flee in terror? >FLEE Wisely, you decide to leave the delicious cookies and beautiful roses for a more appreciative audience.

I am a huge fan of the Lab's snow note + anything atmos, so I tend to blind buy at least one of those per release. With the birch and willow, I was expecting something on the sharp herbal end of the scale, but The Snow-Covered Plains is lighter and sweeter than I anticipated. Wet, I get an initial combo of spicy snow and a cool wintergreen on the spearmint-y end of the scale (not camphorous). The middle is filled out by a surprisingly round, juicy note, and the finish is wrapped in dry greenery. Specifically, I get dried ivy leaves and bits of a mossy fougere from the green component. It's not *floral* per se, but you are definitely viewing those snow-covered plains from inside a high-end florist's shop. Because it's winter, it's filled with a wintertime selection of curly willow branches and ivy wreaths. Because the snow note always reads to me as "spicy," it's like the ghosts of cinnamon brooms are still lurking in the storeroom, even though there's none in the actual shop. I feel like this analogy ran away from me, so I'll end by saying that if you normally shy away from cold atmospheric scents, this is a warm and comfortable *painting* of snow-covered plains, and not actual freezing-your-eyelashes-off trudging-through-snow covered plains. Gentle coolness, slushy snow, spicy greenery.

My nose reads this as gin-soaked Bliss from the bottle. Gin always smells fruity-sharp to me, instead of boozy like the Lab's rum note, so it's red fruit and milk chocolate forward at first. Then black leather unrolls in the background, making the chocolate deeper and the gin sharper, occasionally peeking out on its own. Certainly an unusual combination - unique in the BPAL lineup as far as I can remember. If you're a Bliss or 13 fan, this might be a winner. I'm neither, so it's off to swaps.

This is the sweetest and lightest of the dead leaves this year, and is surprisingly lovely. It's like the perfect kid's version of Dead Leaves. This is not a soapy floral violet. This smells like Choward's old-fashioned violet pastille candies, which to me smell like happy road trip memories. After the violet wears off, you're left with a light, simple sugared dried ivy note. I'm still working my way through the Dead Leaves and Blackberries from last year, so I don't need this one, but if you enjoyed that one, DL VC & SC has a similar vibe.