eldritchhobbit

We’ve reached the last post in the portion of this countdown devoted to the creepy Gothic books beloved by the women working in 19th-century mills in Lowell, Massachusetts. Today’s entry is the controversial autobiography of Maria Monk (1836). Read it here. Quote: We all believed in ghosts. ALT View the full post.

Another dark and dreadful novel that women working in 19th-century mills in Lowell, Massachusetts reported enjoying was Alonzo and Melissa (aka The Asylum) by Isaac Mitchell (1804/1811). Read here the later version attributed to Daniel Jackson, Jr. Quote: The person in her room then uttered a horrible groan, and gliding along by her bed, took his stand behind the curtains, near the foot. The noises below, the cry of murder, the firing of the second pistol, and the running up stairs, were all corresponding scenes to impress terror on her imagination. The pretended ghost then advanced in front of her bed, while lights were slowly introduced, which first shone faintly, until they were ushered into the room by the private door, exhibiting the person before her in all his horrific appearances. On her shrieking, and shrinking into the bed, the lights were suddenly extinguished, and the person, after commanding her to be gone in a hoarse voice, passed again to the foot of the bed, shook it violently, and made a seeming attempt to get upon it, when, perceiving her to be springing up, he fled out of the room by the secret door, cautiously shut it, and joined his companions. ALT View the full post.

Another Gothic novel that was a favorite with women working in 19th-century mills in Lowell, Massachusetts was The Three Spaniards (1801) by George Walker. Read it here. Quote: “That unhappy phantom will ever pursue Fernando, till he shall be pacified. He ever attends him invisible, and at this moment sits at the foot of the corpse of Almira.” The Inquisitors and the prisoners shuddered, and turned their eyes towards the spot; but they could see nothing, except the pale body of the murdered maid. “… I will command this unhappy spirit to become visible, and say what are his particular desires, and how he shall be tranquilized in the grave; then shall Fernando enjoy that uninterrupted repose he so well merits.” ALT View the full post.

Another Gothic title very popular with women working in 19th-century mills in Lowell, Massachusetts was The Children of the Abbey (1796) by Regina Maria Roche. Read it here. Quote: The horrors of my mind I cannot describe; I seemed to stand alone in the world, without one friendly hand to prevent my sinking into the grave, which contained the dearest objects of my love. ALT View the full post.

A second Ann Radcliffe novel read and savored by women working in the 19th-century mills in Lowell, Massachusetts was The Mysteries of Udolpho (1994). Read it here. Quote: “… I am not so much afraid of faeries, as of ghosts, and they say there are a plentiful many of them about the castle; now I should be frightened to death, if I should chance to see any of them. But hush! ma’amselle, walk softly! I have thought, several times, something passed by me.” ALT View the full post.

Another title very popular with women working in 19th-century mills in Lowell, Massachusetts was The Romance of the Forest (1791) by the mother of the Gothic, Ann Radcliffe. Read it here. Quote: “She saw herself surrounded by the darkness and stillness of night, in a strange place, far distant from any friends, going she scarcely knew whither, under the guidance of strangers, and pursued, perhaps, by an inveterate enemy.” ALT View the full post.

Because we mentioned The Castle of Otranto yesterday, let’s show some love for the dark reimagining of Walpole’s novel by Clara Reeve, The Old English Baron (1778). Reeve called it Otranto’s “literary offspring.” Read it here. Quote: …he thought he saw a glimmering light upon a staircase before him. “If,” said he, “this apartment is haunted, I will use my endeavours to discover the cause of it; and if the spirit appears visibly, I will speak to it.” He was preparing to descend the staircase, when he heard several knocks at the door by which he first entered the room; and, stepping backward, the door was clapped to with great violence. Again fear attacked him, but he resisted it, and boldly cried out, “Who is there?” ALT View the full post.

We have even more evidence of which Gothic novels the women who worked in 19th-century mills in Lowell, Massachusetts read and enjoyed. The next few posts will highlight these titles. ALT One of the most popular titles was The Castle of Otranto by Horace Walpole (1764). Read it here. Quote: …and then the figure, turning slowly round, discovered to Frederic the fleshless jaws and empty sockets of a skeleton, wrapt in a hermit’s cowl. “Angels of peace protect me!” cried Frederic, recoiling. “Deserve their protection!” said the spectre. View the full post.

Another Gothic title very popular with women working in 19th-century factories in Manchester and Lancashire, UK, was The String of Pearls; or The Barber of Fleet Street (aka Sweeney Todd) (1846-1847) by James Malcolm Rymer and Thomas Peckett Prest. Read it here. Quote: “How still everything was in those vaults of old St. Dunstan’s. Were there no spirits from another world—spirits of the murdered, to flit in horrible palpability before the eyes of that man who had cut short their thread of life? Surely if ever a visitant from another world could have been expected, it would have been to appear to Todd to convince him that there was more beyond the grave than a forgotten name and a mouldering skeleton.” ALT View the full post.

Halloween season is here! Since 2005, I’ve been observing a Halloween countdown on whatever social media I was using at the time with a daily post throughout October. These days I am primarily on Mastodon (so if you’re in the Fediverse, or connected to it via Threads or some other means, please say hi!), but I also post on Tumblr, my Goodreads blog, and Dreamwidth, among other places. I look forward to sharing October with you! Happy Countdown to Halloween 2024! This year I will focus on Halloween-friendly texts (long and short) available for free online. I will try to lean away from the usual suspects and, I hope, bring you some treats that you will enjoy! This countdown will have several separate parts. The first part is inspired by Bridget M. Marshall’s excellent 2021 work Industrial Gothic: Workers, Exploitation and Urbanization in Transatlantic Nineteenth-Century Literature. In her book, Marshall notes that dark and dreadful Gothic novels were very popular with the “mill girls” who worked in 19th-century factories. I’d like to start the countdown by recommending some of the shiver-inducing texts these women reported reading and savoring. ALT Here begins the Day 1 post! One of the most popular titles with women working in factories in Manchester and Lancashire, UK, was Mysteries of London (1844-1845) by G.W.M. Reynolds. Read it here. Quote: “Perhaps there is no other cry in the world, save that of ‘fire!’ more calculated to spread terror and dismay, when falling suddenly and unexpectedly upon the ears of a party of revellers, than that of ‘A corpse! a corpse!’” View the full post.

ALT ALT Me on September 30 vs. me on October 1. 🎃 View the full post.

ALT It’s almost October, which means it’s almost time to start my annual re-reading of one of my all-time favorite books, A Night in the Lonesome October by Roger Zelazny. With 31 chapters, one for each day of the month, it is a fantastic mash-up of creepy seasonal goodness wrapped into a compelling story, a kind of literary advent calendar for Halloween. View the full post.

unamccormack: Not long now till my new book comes out! Una by Una! Star Trek: Strange New Worlds: Asylum View the full post.

I am very happy to share that my essay “‘Lifting Old Curses’: The mirror dance of The Flowers of Vashnoi and The Mountains of Mourning” has been published in Short But Concentrated #2: a second essay symposium on the works of Lois McMaster Bujold, edited by the brilliant @unamccormack. The ebook version is free for download here. ALT View the full post.

My latest “Looking Back on Genre History” segment is now available on Episode 741 of the StarShipSofa podcast. I discuss the Radium Age imprint of reissued science fiction classics from 1900-1935 published by MIT Press. ALT ALT ALT View the full post.