doomsday_disco
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Everything posted by doomsday_disco
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Peach Chai.
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But there is something else about that paper—the smell! I noticed it the moment we came into the room, but with so much air and sun it was not bad. Now we have had a week of fog and rain, and whether the windows are open or not, the smell is here. It creeps all over the house. I find it hovering in the dining-room, skulking in the parlor, hiding in the hall, lying in wait for me on the stairs. It gets into my hair. Even when I go to ride, if I turn my head suddenly and surprise it—there is that smell! Such a peculiar odor, too! I have spent hours in trying to analyze it, to find what it smelled like. It is not bad—at first, and very gentle, but quite the subtlest, most enduring odor I ever met. In this damp weather it is awful. I wake up in the night and find it hanging over me. It used to disturb me at first. I thought seriously of burning the house—to reach the smell. But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell. Scorched wood and oversteeped chamomile petals pressed wetly into beeswax, brittle fossilized amber, a whisper of honeyed hay and saffron, and the sweet decay of overripe butter figs.
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Roasted pumpkin soaked in golden brandy, clove, nutmeg, and vanilla absolute.
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A dribble of Dorian and a squiggle of Snake Oil, delicately stirred with a moss-crusted muddy shovel.
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It is stripped off—the paper—in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate, and provoke study, and when you follow the lame, uncertain curves for a little distance they suddenly commit suicide—plunge off at outrageous angles, destroy themselves in unheard-of contradictions. The color is repellant, almost revolting; a smouldering, unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long. A smouldering, unclean scent: turmeric-dusted acrid marigold, linseed oil, bitter orange peel, crumbling plaster, clotted vanilla, and a whiff of sweet mildew.
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Blackberry and Wild Lilac.
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Often found napping in office cubicles and unrented studio apartments, this dragon is too apathetic to be evil and too bored to bother with goodness. She doesn’t hoard gold; she collects neutral-toned throw pillows, unread magazines, and Live Laugh Love-branded décor. Their scales are a rainbow of oatmeal, sandalwood, almond milk, tea-stained vanilla, and undyed wool in a muted eggshell finish.
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Dragon’s Blood and Red Wine.
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Clove and Sweet Incense.
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A tumultuous scent for tumultuous times: dragon’s blood resin, black clove, thunderous black musk, scorched 7-year aged patchouli, tabac absolute, and crushed pomegranate.
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The tiniest of dragons, these flirty, silly, and theatrical beasts build their nests in gilded opera boxes, toy stores, and above confectionaries and sweet shops. Their scales blaze like a handful of maraschino cherries and red currants bathed in fluorescent lighting, sparkling with sugar crystals and drizzled with vanilla liqueur.
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Looked at in one way each breadth stands alone, the bloated curves and flourishes—a kind of “debased Romanesque” with delirium tremens—go waddling up and down in isolated columns of fatuity. But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase. The whole thing goes horizontally, too, at least it seems so, and I exhaust myself in trying to distinguish the order of its going in that direction. They have used a horizontal breadth for a frieze, and that adds wonderfully to the confusion. There is one end of the room where it is almost intact, and there, when the cross-lights fade and the low sun shines directly upon it, I can almost fancy radiation after all,—the interminable grotesques seem to form around a common centre and rush off in headlong plunges of equal distraction. Flowers in full chase, radiant and absurd, grotesquely endless: narcissus blooms lolling on broken stems, their buttery perfume swelling into a debased crescendo of honeyed heliotrope, toxic lily of the valley, almond blossom, and opium poppy.
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By moonlight—the moon shines in all night when there is a moon—I wouldn’t know it was the same paper. At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be. I didn’t realize for a long time what the thing was that showed behind,—that dim sub-pattern,—but now I am quite sure it is a woman. A perfume of veils and bars, moonlight slashing through prison walls: silvered lavender and white iris shuddering like lamplight on stained plaster, ambergris frothing through vanilla husk, and the phantom outline of a rose-touched woman’s silhouette.
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Black Butterfly Moon: Myrrh and Black Berries
doomsday_disco posted a topic in Duets & Menage A Trois
Myrrh and Black Berries. -
A scent inspired by the debris left over from frantic last-minute costuming sessions. Torn scraps of velvety black voodoo lily mingled with dried rose petals and a flash of red peppercorn.
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Ladies, is it gay to have a skeletal system? Short answer: YES! Because the human wrist was undeniably made to flap and go “enh.” There are many theories about the historical origin of the so-called “limp wrist” gesture, which has bedeviled arbiters of masculine/feminine presentation since at least the ancient Roman times. So when we defiantly flop our phalanges, we’re reclaiming a time-honored tradition! And letting our skeletons do what they do most naturally: camp it up. Did you know the human wrist is made up of eight small bones, plus the forearm’s radius and ulna? Factor in the four small ones that comprise that lightly extended pinkie finger, and the number of bones required to execute this delicate maneuver add up to FOURTEEN. No wonder we’re always so tired. So defy nature if you truly must, but never forget: when bones are all that’s left of you, the wrists will be extra floppy. And we think that’s worth celebrating while you’re still alive! This scent debuted in 2023 as “Is He, You Know” but since this is commonly deployed as an equal-opportunity aphorism, we’ve created a campy companion scent: sweet 13-year aged patchouli, peru balsam, white oakmoss, spikenard, bourbon vanilla, sugar cane, and a sprig of lilac.
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It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playground and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. Radiant emptiness: a breezy citrus-touched aldehyde with a hint of sunny amber and dusty heliotrope, and the metallic tang of sun-warmed iron bars.
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He stopped short by the door. “What is the matter?” he cried. “For God’s sake, what are you doing!” I kept on creeping just the same, but I looked at him over my shoulder. “I’ve got out at last,” said I, “in spite of you and Jane! And I’ve pulled off most of the paper, so you can’t put me back!” Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time! Torn paper revealing scorched plaster embedded with bitter citron, yellow grapefruit, and damp white cedar.
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Just imagine all the tattoos hidden below as you walk through the cemetery... maybe you’ll get to see some of them in person one day! Grave loam, mushrooms, Spanish moss, a smear of ink, and a blob of braaaains.
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Every leaf tells a story.
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Dead Leaves and Apple Pie.
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Piles of ube pumpkin cheesecake batter blorped into a brown sugar graham cracker crust.
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I've worn this three times now. I tested it, didn't feel like I paid enough attention to it, slathered it, and felt like the lotion I wore that day overpowered it, and then tested it again, determined to finally give it the attention it deserves and write a review. Ube Pumpkin Cheesecake is a creamy cheesecake scent with a coconut-like sweetness from the ube note and some mild pumpkin spice, like there's just a drop of Pumpkin Spice Everything in this scent. It gets more creamy and vanilla-like over time on me, but sadly, I don't really get the graham cracker crust on my skin. It still smells really good, though -- my only complaint is that it has low throw on me, and I have to hold my arm up to my nose in order to smell it. But of the ube offerings I've tried thus far from the Lab (Pumpkin Spice Halo Halo, Ube Suf, and this), this is the one I've enjoyed the most, and I'm really glad that the pumpkin didn't overpower the ube.
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Nothing will squash our interest in creating new pumpkin scents!
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There are a lot of wax makers who add zucchini bread fragrance oils to their various bakery-scented waxes, and this blows those scents out of the water. The zucchini bread is more prominent than the pumpkin on me, sufficiently zucchini-y and more bread-y than an actual loaf of zucchini bread, but the pumpkin is there, adding a bit of sweetness, warmth, and some non-overwhelming spice. I don't love it as much as last year's Pumpkin Maple Nut Bread Atmo, and I suspect I'd like Halloween Hagelslag more than this once I get my decant (based off of my own scent preferences), but if you're a fan of zucchini bread and want to smell like it, you should give this one a try.