doomsday_disco
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Everything posted by doomsday_disco
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A sinister harvest, a bowl of freshly picked berries left as an offering beneath unsettling lime-tinged moonbeams, their juice staining pale hands red: crushed wild strawberries, night-blooming datura, goblin’s gold moss, dried berry incense, sticky honey, and a slow bleed of blackcurrant sap over cold white musk.
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Spring Wildflower Honey, Grass, and New Mown Hay Atmosphere Spray
doomsday_disco posted a topic in Atmosphere
Spring Wildflower Honey, Grass, and New Mown Hay. -
Wisteria incense, oakmoss, and sandalwood cream.
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Honeyed Oud.
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Mandarin A strawberry stain on scarlet silk: strawberry nectar and translucent lychee folded into rock sugar and creamy sandalwood.
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In the First Book of Samuel it is written: “And it came to pass, when he had made an end of speaking unto Saul, that the soul of Jonathan was knit with the soul of David, and Jonathan loved him as his own soul,” (1 Samuel 18:1) and in that binding the axis of a kingdom trembles. Robe, armor, sword, and girdle are given freely, a voluntary unmaking of inheritance in favor of devotion. This is love as sacred oath, not fever but fidelity, a bond forged in the shadow of Saul’s rising wrath and the uncertainty of exile. When David laments, “thy love to me was wonderful beyond the love of women” (2 Samuel 1:26) grief becomes testimony and loyalty becomes scripture. Jonathan’s renunciation is ego relinquished so that another may ascend, sulfur tempered by mercy, ambition dissolved into covenantal gold. Here the Lovers stand not in garden innocence but beneath the weight of throne and spear, choosing allegiance over advantage, devotion over dynasty. Love does not seize power but surrenders it, and in that surrender is transfigured into something that outlives both battle and crown. Shepherd’s wool and wild honey, cedarwood and olive leaf, sun-warmed leather, plumes of frankincense rising from a quiet altar, and a thread of red pomegranate seed crushed between steady hands.
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Winners only beyond this point! Blue hydrangea, airy white musk, and pink jasmine buds.
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Beeswax, wildflower honey, copal resin, vanilla bean, balsam, and frankincense.
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Deathless Aphrodite of the spangled mind, child of Zeus, who twists lures, I beg you do not break with hard pains, O lady, my heart Translation by Anne Carson The tenth muse: purple fig, sun-warmed thyme, rose resin, orris, olive oil, and myrrh.
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Welcome my sweet daughter, my favorite, the King of Upper and Lower Egypt, Maatkare, Hatshepsut. Thou art the Pharaoh, taking possession of the Two Lands. Maatkare, the Good Goddess, Divine Daughter of Amun, sixth pharaoh of the Eighteenth Dynasty, androgynous queen regnant who wore the uraeus-crowned Khat, traditional false beard, and the shendyt and bore the double crown as Mother and Father of Egypt. She sent five ships to the Land of Punt and brought back thirty-one living myrrh trees, their roots balled in soil, to be planted at the terraced temple of Deir el-Bahari, the Djeser-Djeseru. Her scent is imperial and vibrant, seizing back her power from those who would erase her: myrrh trees crossing the Red Sea in the hold of a ship, the dark smoke of kyphi drifting through limestone colonnades, ground frankincense and kohl, warm sand and blue lotus incense, cedarwood from Byblos, the dry resinous breath of obelisk granite in the sun, and a base of black amber and sacred anointing oil.
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Master of stained glass and illustration, his pen moved through Poe, Perrault, and Goethe like a needle threading silk through shadow. Sparkling shards of aldehyde-glowing mandarin, red musk, plum, bergamot, iron, smoky labdanum, and ink.
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That brain of mine is something more than merely mortal; as time will shew. The Enchantress of Numbers, the First Programmer: bergamot and black tea, polished mahogany and silver filigree, and an electric clap of bottled lightning.
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“O wilt thou go with me, thou loveliest boy? My daughter shall tend thee with care and with joy; She shall bear thee so lightly thro’ wet and thro’ wild, And press thee, and kiss thee, and sing to my child.” An ethereal lure crafted with milk and honey.
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Vanilla sandalwood, chrysanthemum, and lemon peel.
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Green tea, mate, mint leaf, lemon peel, ginger root, and white cedar.
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Cardamom, bourbon cream, white sandalwood, and incense.
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This smells like a milk chocolate cocoa. It's not as strong as any of my other lotions -- sometimes I can smell the base of the lotion more when applying it and it takes a bit for the milk chocolate scent to waft up at me. But there's no funky dairy froth, which was why I opted for a sample pot, and it pairs well with my chocolate scents (and I don't have any other lotion that does!), so I'll probably end up with a bottle before it goes away, since I've already used up most of my sample pot in the two days I was applying it to my hands last week.
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Milk Chocolate Froth.
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Strawberry Moon: Kyphi and Sweet Cream
doomsday_disco replied to doomsday_disco's topic in Duets & Menage A Trois
This is mostly about the sweet cream on me, which smells good in the throw, but a little too buttery up close after it has been on the skin for a few hours. I get a hint of the kyphi's incense in the background, but it's not a main player on my skin. Layered with its moon, it gave the emphasis in Strawberry Moon 2026 a boost before it doused it in buttery cream. This wasn't a win for me, but it was fun to try it. -
Kyphi and Sweet Cream.
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This smells absolutely delicious. It does smell like a super sugary, rich, fudgy brownie, or at least its batter. It doesn't last long in wet or dry hair, and I could only smell it when holding my hair up to my nose, so it doesn't have good throw, either. Since it doesn't stick around for very long and I already have too many chocolate-y hair glosses, I don't feel the need to grab a bottle. But I'll be keeping my decant to pair with my brownie scents.
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A dense square of molten chocolate bliss: rich cocoa, melted butter, brown sugar, and sticky ribbons of dark fudge.
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Dildo, Boxes with Lubricants, and a Plum Blossom Twig Hair Gloss
doomsday_disco replied to doomsday_disco's topic in Hair
This is a citrusy floral hair gloss, with the grapefruit, plum blossom, and honeysuckle honey being the standout notes to me. The grapefruit is the strongest note at first, but the floral notes are noticeable when freshly applied, and they seem stronger at the end of the day, when the grapefruit has calmed down (but is still present and has decent longevity for citrus). The honeysuckle honey has a quality to it that makes me think of honeysuckle nectar. I can smell the scent whenever I hold my hair up to my nose, but there is no throw when I walk around. And I think the white tea is there to support the grapefruit. But I don't get any of the amber cream or apricot, and that's fine with me. I don't feel the need to upgrade this one to a bottle, as fruity floral scents generally aren't what I gravitate towards, and I'm more likely to reach for a straight-up citrus hair gloss for my citrus fix... but I think I'll keep the decant. -
Dildo, Boxes with Lubricants, and a Plum Blossom Twig Hair Gloss
doomsday_disco posted a topic in Hair
Plum blossom, amber cream, honeysuckle honey, white tea, grapefruit, and apricot. -
I haven't tried all of my hair gloss decants from the Lupercalia update yet, but I can already tell that this one is my favorite. This smells like the same poppy from Sugar, Poppy Tar, and Red Currant, which I adore. The black honey adds some sweetness, but it plays a supporting role and doesn't declare dominion over all like Nocturne Alchemy's black honey note does. While I have trouble smelling some hair glosses in wet hair, I could smell this one in both wet and dry and did not have to apply a ton of it to smell it, but even though it is strong, it's not so strong that it engulfs you in the scent, and I didn't get hit with a cloud of it in the shower before washing it out, either. This is opium poppy perfection and I absolutely need a bottle.