doomsday_disco

Pink Lime & Coconut.

On Monday, when the sun is hot I wonder to myself a lot: “Now is it true, or is it not, “That what is which and which is what?” On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it’s true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose—but whose are these? On Friday—— Hot, sunny cardamom amber and milky musk, honeyed rice and snowy slush.

A diaphanous, nocturnal blend that shimmers between airy radiance and shadowed warmth. A silvery wash of moonflower and white heliotrope drifts over cool iris and gossamer musk, while golden amber resin and benzoin glow softly beneath like the living heat of beating wings. Threads of honeyed beeswax and tobacco flower lend a faint, feral sweetness, and a dusting of frankincense ash and myrrh smoke curls at the edges, recalling the dark from which she rises. Amelia Jane Murray, Lady Oswald

Macabre domesticity; a little warmth for a long eternity. A tender absurdity of frozen grins reflecting in the sooty iron of a merrily-aflame stove. Banked coals of labdanum pulse with amber flame, while a dusting of clove, coal ash, and brittle vanilla scuffs the hem of dusty patchouli linen. James Ensor

An ode to persistent typos and overconfident, profoundly incorrect autocorrect. Dedicated to Ali in gratitude for years upon years of undangling my participles. Proceeds from the sale of this scent benefit Philadelphia’s Childrens Literacy Initiative who helps provide Black and Latino children with high-quality and culturally sustaining literary education. 7-year aged patchouli, candied dates, and dried red currant.

Vanilla Incense and Roasted Tonka Bean.

Spiced Honey and Raw Patchouli.

Palo Santo and White Amber.

Desert Sage and Palo Santo.

Cacao Dust and Ashes.

Brown Sugar and Oak.

When I was a child in the 1970s, I lived in a newly built neighborhood in Los Angeles that bordered land still undeveloped. The city thinned out behind my house and gave way to open hills. Wild horses thundered past, roadrunners darted through the chaparral and tumbleweeds, and at night, the coyotes sang. Some of my earliest memories are of lying awake and listening to their voices rise and fall in the distance, a wild and communal music that became a comfort to me. At pivotal moments in my life — initiatory moments — I would encounter coyotes crossing my path. These sightings were never casual. They appeared briefly and decisively, always coinciding with periods when something in my life was shifting or about to transform. Coyotes are among the animals closest to my heart, not simply for their presence in my early life but for what they represent. They are creatures of the in-between, thriving at the margins, adapting where others cannot. (Or will not?) Across cultures and throughout history, the coyote has been revered as a sacred being: Trickster and Creator, a deity of dance, song, storytelling, and celebration. Coyote is the bringer of change and chaos and a figure who embodies duality itself, at once helpful and harmful, wise and reckless. In myth, Coyote carries the wisdom of foolishness, acts as a benign prankster who has the singular power to defy and reverse fate, and becomes the unlikely bearer of gifts to humankind. Through disruption and mischief, Coyote teaches that survival depends on adaptability and that transformation often arrives disguised as disorder. Coyotes inhabit liminal space, and to embrace them is to embrace uncertainty as a companion. A spirit of defiance, resistance, and persistence, they should be venerated as an icon of our times. A scent for the coyotes of my childhood, sun-bright, resilient, and quietly feral: amber fur, white sage, chaparral, smoked palo santo, California sagebrush, clever sparks of white pepper, and sweet tonka bean. (Featured photo: the author with her first coydog, Chico. No, we didn’t know he was a coyote mix when we adopted him. A neighbor’s standard poodle magically gave birth to a litter of electric-amber puppies and I fell in love. Chico was beautiful to me: lava-orange fur that was shaggy like his coyote sire, but curled sweetly at the ends like his mother’s. He was strange, ridiculous, and delightfully clownish. I loved him so very, very much. In true Southern California form, Chico was not my only coyote mix. Arthur, my second coydog, was a shepherd/coyote, and I miss him equally. RIP, my wild boys. I love you forever.)

Now this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. – Rudyard Kipling A scent for strength through solidarity against the encroaching horrors of authoritarianism. Silvered fir, life-giving soil and immovable stone, black sage, rue, hellebore accord, winter moss, cypress, fossilized amber resin, and vetiver. May the thundering chorus of our voices — entwined, rising, unbreakable — scatter the darkness.

Liberty, luminous and unafraid, bright with conviction, guided by idealism and steadied by resolve. A scent that is clear, exalted, and alive with purpose: olive leaf, pale amber, joyous neroli, polished brass, feathery vanilla chiffon, and spicy carnation. Edward Savage

Roselight is a gentle love-bonding oil crafted to help fortify partnerships and relationships during challenging times. A balm for frayed nerves and sharp words, it coaxes remembrance of shared laughter, of private language, of the sweetness that first took root. Anoint the wrists, the pulse at the throat, or the space above the heart before speaking hard truths or making heavy decisions. Wear it to bridge divides and bring comfort. Let it serve as a promise to protect what is tender, to fortify what is faithful, and to keep choosing one another with patience, warmth, and deliberate grace. Contains: three rose oil variants, heartsease, violet blossoms, angelica root, orris root, benzoin, lavender, ylang ylang, jasmine sampaguita, and a touch of warming spices.

Cool-toned brown jelly with silver shimmer & shifting blue and green micro sparks.

“Well, Mrs. Dean, it will be a charitable deed to tell me something of my neighbours: I feel I shall not rest if I go to bed; so be good enough to sit and chat an hour.” “Oh, certainly, sir! I’ll just fetch a little sewing, and then I’ll sit as long as you please. But you’ve caught cold: I saw you shivering, and you must have some gruel to drive it out.” A fireside chat over a basket of sewing, as snow falls outside Thrushcross Grange. Hearthsmoke and smoldering clove-dusted firewood, rivulets of beeswax dribbling into snow flurries.

“I have no pity! I have no pity! The more worms writhe, the more I yearn to crush out their entrails! It is a moral teething, and I grind with greater energy, in proportion to the increase of pain.” A feral and unrepentant animalic musk slick with heat, tangled with smoked birch tar that clings to skin like soot and desire. Refined cologne masks a deep, grinding base of dark resins, cracked leather, and vetiver root; earth torn open, roots exposed. An elemental fury, a wild, fanatical embrace terribly alive in its darkness.

“Oh, I’m burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? Why does my blood rush into a hell of tumult at a few words? I’m sure I should be myself were I once among the heather on those hills. Open the window again wide: fasten it open!” An incandescent amber storm. Strata of glowing ambers piled deep and restless, molten and honeyed, threaded with dark, resinous veins that pulse like blood under skin. Free, wild, elemental: the storm at her heart, beating against the glass until it shatters.

Wishing you and your cocks a happy new year. Red peppercorns and gingersnaps.

Creaking wooden beams illuminated by hearthfire, beeswax melting on evergreen boughs, polished wood floors draped in vibrant wool rugs, linseed oil, red currant tarts, a hint of clove and orange peel, and sweet brandy apple cider. Mary Fairchild Low

Angelica archangelica has long been associated with protection, purification, and blessing. In European folk practice it was carried against illness and misfortune, burned to cleanse spaces, and planted near doorways as a ward. In hoodoo and rootwork it is used to break crossed conditions, guard against harmful influences, strengthen women, and reinforce spiritual authority. The root is often carried in a mojo bag for protection and luck, added to floor washes to clear negativity, or dressed with oil and kept on the altar as a standing guardian. During the great plague years in Europe, angelica was regarded as a life-preserving herb. Physicians and herbalists recommended it as part of protective cordials and vinegars, and it was chewed or worn to guard against contagion. Paracelsus, the 16th-century physician and alchemist, praised angelica as a powerful remedy in times of pestilence, viewing it as a plant marked by divine intent for the preservation of life. Its reputation as a plague herb strengthened its identity as both medicine and spiritual safeguard. Its scent reflects that history. The root is dense and fibrous, with a sharp green opening that quickly settles into dry soil, resin, and a faint sweetness reminiscent of sap and old wood. There is a subtle heat to it, peppery without being hot, and a clean bitterness that reads as clarifying rather than harsh.

Since 2026 contains a whopping THREE Friday-the-13ths (Fridays-the-13th?) we’ve decided to call in some misfortune-warding reinforcements. Each version of this year’s 13 perfume oil will be accompanied by its own bonus luck charm: a free 1/32oz imp of an original perfume oil inspired by lucky finds from our seasonal crossroads wanderings. Those who collect all three will end up with a veritable bracelet’s worth of lucky charms to treasure and wear as needed! First up, for February: SNOWY CIRCUS PEANUT. Found on a trek through Minneapolis this winter, this boon of odd fortune is a bit of frozen banana-adjacent marshmallow’ish sweetness snuggled in a pillow of freshly-fallen snow. (The review thread for the 13 that this belongs with can be found here.)

Hot, sultry beeswax and blushing pink apple.

It has been such a long day/month/year, so I wanted to distract myself by making something absurdly sweet and shockingly gourmand. This is a sticky, gloopy, joyful plop of marshmallow fluff, cotton candy, vanilla froth, condensed milk, taro root, honeycomb, macadamia cream, sugared champaca, caramelized tobacco, campfire toffee, black dates, coconut, and ambered benzoin swirled into dark, smoky cacao. 13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate… … because there were 13 present at the Last Supper. … Loki crashed a party of 12 at Valhalla, which ended in Baldur’s death. … Oinomaos killed 13 of Hippodamia’s suitors before Pelops finally, in his own shady way, defeated the jealous king. … In ancient Rome, Hecate’s witches gathered in groups of 12, the Goddess herself being the 13th in the coven. Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi. The shivers over Friday the 13th also have some interesting origins: … Christ was allegedly crucified on Friday the 13th. … On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights. … In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose. To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters: Theodore Bundy Jeffrey Dahmer Albert De Salvo John Wayne Gacy And, with a little stretch of the imagination, you can also fit ”˜Jack the Ripper’ and ”˜Charles Manson’ into that equation. More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn’t exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears. For some, 13 is an extremely fortuitous and auspicious number… … In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity. … The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death. … The word for thirteen, in Chinese, sounds much like the word which means “must be alive”. Thirteen, whether you love it or loathe it, is a pretty cool number all around. … In some theories of relativity, there are 13 dimensions. … It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number. … There are 13 Archimedean solids. AND… … There were 13 original colonies when the United States were founded. Says a lot about the US, doesn’t it? – – – Since 2026 contains a whopping THREE Friday-the-13ths (Fridays-the-13th?) we’ve decided to call in some misfortune-warding reinforcements. Each version of this year’s 13 perfume oil will be accompanied by its own bonus luck charm: a free 1/32oz imp of an original perfume oil inspired by lucky finds from our seasonal crossroads wanderings. Those who collect all three will end up with a veritable bracelet’s worth of lucky charms to treasure and wear as needed! First up, for February: SNOWY CIRCUS PEANUT (review thread located here).