doomsday_disco
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Everything posted by doomsday_disco
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An aromatic panel of gingerbread conveniently drilled at hip-height, smutted up with patchouli and boozy brown musk.
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You pray in your distress and in your need; would that you might pray also in the fullness of your joy and in your days of abundance. For what is prayer but the expansion of yourself into the living ether? And if it is for your comfort to pour your darkness into space, it is also for your delight to pour forth the dawning of your heart. And if you cannot but weep when your soul summons you to prayer, she should spur you again and yet again, though weeping, until you shall come laughing. When you pray you rise to meet in the air those who are praying at that very hour, and whom save in prayer you may not meet. Therefore let your visit to that temple invisible be for naught but ecstasy and sweet communion. For if you should enter the temple for no other purpose than asking you shall not receive: And if you should enter into it to humble yourself you shall not be lifted: Or even if you should enter into it to beg for the good of others you shall not be heard. It is enough that you enter the temple invisible. I cannot teach you how to pray in words. God listens not to your words save when He Himself utters them through your lips. And I cannot teach you the prayer of the seas and the forests and the mountains. But you who are born of the mountains and the forests and the seas can find their prayer in your heart, And if you but listen in the stillness of the night you shall hear them saying in silence, “Our God, who art our winged self, it is thy will in us that willeth. It is thy desire in us that desireth. It is thy urge in us that would turn our nights, which are thine, into days which are thine also. We cannot ask thee for aught, for thou knowest our needs before they are born in us: Thou art our need; and in giving us more of thyself thou givest us all.” A scent for wordless communion, an immersion with the divine: silver frankincense and white myrrh, blue lotus absolute and white sandalwood.
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Chestnut musk, hay, cacao absolute, tobacco, pu’er tea, sweet vetiver, and coffee bean. Theodore Gericault
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A row of plump, cardamom-spiced sweet buns overflowing with pooflets of lavender cream and almond paste.
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“O come and go with me, no longer delay, Or else, silly child, I will drag thee away.” — “O father! O father! now, now keep your hold, The Erl-King has seized me — his grasp is so cold!” The spell breaks like a sudden crack in an ice-bound lake. Opoponax incense and black oud plunging into a heart-stopping shiver of ambergris accord and eucalyptus leaf.
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I’m honestly not sure if this is actually a New Year’s card, but for the sake of this project, let’s say it is. Your ancient ones are welcome? I misunderstood the card when I first saw it, and my brain translated it to an invocation to the Great Old Ones, Outer Gods, Elder Gods, or Dreamlands’ Great Ones, so let’s run with that, too. This scent is no mere nut of hearth and harvest, but a squamous chestnut, born of ancient groves whose roots knot through strata older than memory, necrophagous and ravenous, sucking nutrients from long-buried carrion. A whiff of roasted shell, scorched coffee bean, and smoldering husk billowing in tenebrous clouds of nutty, cacodaemonical incense. Beneath this lies a resinous sweetness, dry and fungal, as though the chestnut had ripened not beneath familiar suns but under a swollen, unwholesome moon. A paean to the dad jokes that the King in Yellow tells his kids, this chestnut’s warmth carries the faint echo of a pun told too many times and the comforting dread of knowing the punchline before it lands.
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Coyote Moon: Cacao Dust and Ashes
doomsday_disco replied to doomsday_disco's topic in Duets & Menage A Trois
The ash in this duet makes me think of standing next to a campfire as the ashes flit through the air and make their way toward the ground. The cacao note cozies up to it, but the ash is definitely stronger on my skin. There's no sludgy cacao here (which I would have loved), if anyone is curious, and the scent itself has great throw and can be smelled without me even having to hold my arm up to my nose (although I still did that for testing purposes). I like this, but I don't think I need more of this duet. (I think I prefer Baby's First Krampuslauf.) But I'm looking forward to layering this with its moon to see how that goes. -
Cacao Dust and Ashes.
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Les Pleurs is mostly about the myrrh on me, and it's a dark myrrh, not the soft, powdery, cuddly variety from scents like Bastet. The stone note is next in prominence, making the scent seem even darker. It takes a long time for the beeswax note to show up on me, and although it eventually emerges and adds a bit of welcome sweetness to those very bold notes, there's not enough of it here to think of this as a beeswax scent. There's no acrid smoke note or vetiver in the blackened amber accord, so I wouldn't let that descriptor put you off of trying this if the other notes appeal. This isn't something I need more of, but if you are looking for a dark resin and stone scent, this might be up your alley.
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Smoked beeswax and blackened amber, incense ash and antique myrrh, and tears running rivers down ochre stone. Odilon Redon
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I concur with the above review! This is Creamsicle perfection and my favorite of the rarities and b-sides that have been released over the past year. The mandarin isn't bitter, medicinal, soapy, etc. -- anything that could go wrong with a mandarin note is not present here. The vanilla really is like a billowy cloud that just floofs out over time, complementing the mandarin perfectly. It's already in the 90 degree range here in March (UGH), so I've already taken it upon myself to order a bottle. I couldn't risk this orange and vanilla goodness selling out!
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A fragment of a discarded summer scent concept from a few years back.
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According to some authors, myrrh is the produce of a tree that grows in the same forests as the incense-tree, though most say that they grow in different places: but the fact is that myrrh grows in many parts of Arabia, as will be seen when we come to speak of the several varieties of it. A sort that is highly esteemed is brought from the islands also, and the Sabæi even cross the sea to procure it in the country of the Troglodytæ. It is grown also by being transplanted, and when thus cultivated is greatly preferred to that which is grown in the forests. The plant is greatly improved by raking and baring the roots; indeed, the cooler the roots are kept, the better it is. – Pliny the Elder Kataf myrrh, smoked sandalwood, and vanilla bean.
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The weather’s cold, so devilish hard My income friend, is suffering from the cramp, So please excuse this impecunious card, As all I’m good for is a used up. Sugared-crusted marshmallows and cinnamon candies.
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O, who rides by night thro’ the woodland so wild? It is the fond father embracing his child; And close the boy nestles within his loved arm, To hold himself fast, and to keep himself warm. The pale sugared blossoms of innocence wrapped tightly in sleet-soaked arms. Vanilla bourbon, cream peony, and white carnation enveloped in a warm, protective fortress of tonka, white cedar, orris root, red amber, and leather.
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By loving friends you are surrounded, Oh, be not blind to this, I pray. They wish that joy and mirth unbounded May crown your happy Christmas day. Winter oak, hazelnuts, and butterscotch rum.
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An ode to persistent typos and overconfident, profoundly incorrect autocorrect. Dedicated to Ali in gratitude for years upon years of undangling my participles. Proceeds from the sale of this scent benefit Philadelphia’s Childrens Literacy Initiative who helps provide Black and Latino children with high-quality and culturally sustaining literary education. 7-year aged patchouli, candied dates, and dried red currant.
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The scent of ghost stories told beside a crackling fireplace, with garlands of evergreen hanging beside October’s carved pumpkins. Hearthlight and jack o’lanterns cast shadows on cobwebbed corners. Candied orange peel, mulled cider, smoked myrrh twirling through a cranberry garland, balsam resin and amber-drizzled pumpkin, smoldering hearthwood, and the soft honeyed glow of dripping beeswax.
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I don’t know if all kids love Krampus, but mine sure does. She first met him a decade ago at Dark Delicacies, where he was portrayed by our dear friend, Bill Rude. She loves Krampus so much that we took her to the Gnigl Krampuslauf in Salzburg in 2017. Her intention to join the Los Angeles Krampuslauf as a wee Krampus was curtailed by the pandemic, but hope springs eternal. Kids love horror. They’re attracted to the strange, the uncanny, the mysterious. This is why they love characters like Krampus, despite the threat of being scooped up into a bag and tossed into a river. Kids embrace horror. They always have. Children understand that the world is stitched together with shadows, and that sometimes the shadows have teeth. They’re drawn to the strange, the uncanny, the impossible; they see the edges where reality blurs. Horror is not a trespass for them, but a playground: a place where the monstrous becomes knowable, where fear becomes understanding. Terror tales are a ritualized fear, safely cocooned in myth. This is why they love figures like Krampus, even with his clanking chains and sacks full of disobedient little souls. To a child, Krampus is not simply a morality lesson or a grim parental warning – he’s a symbol of freedom, of things that are wild, dark, and uncontrolled. Children instinctively know that monsters serve a purpose, that they give shape to anxieties too formless to name. They let kids practice both bravery and defiance, and they teach kids that though the world can be frightening and unpredictable, they can traverse its tangled forests and survive the darkness. I believe that children also know in the deepest part of their mythic, dreaming souls that monsters protect, challenge, and guide. Sometimes, the monster under the bed is the only one who truly understands you. Kids love Krampus, not in spite of his menace, but because of it. His is the shadow that makes the light shine brighter, and the rattle of his chains reminds them that stories, both light and dark, belong to them. A playdate with monsters: crimson musk stirred into molten sugar, ruby pomegranate syrup, tart cherries, a dusting of clove-spun candyfloss, and a drizzle of warm vanilla resin.
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Voluptuous Bulgarian rose unfurls like crimson silk, met by the dark, resinous warmth of freshly cracked coffee beans.
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A tribute to Epidendrum nutans, the nocturnal seductress of the forest canopy. Sweet, indolic jasmine curls around a breath of citrus and moonlit air, a perfume that blooms when the world sleeps.
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A sun-warmed bloom, its fragrance unfurls in lush waves: rich and creamy, like chocolate and nectar mingling in the sultry air. A scent both decadent and wild, glistening with heady sweetness.
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May Christmas shed lustre around you. Amber-illuminated roasted chestnut, cardamom, caramel, and allspice.
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Frosted cedar, moonlit amber, black plum, vetiver, smoked oakwood, violet shadows, and feathery incense. Ohara Koson
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Estonian The fleeting sweetness of a stolen bite pressed into sunlit skin: wild strawberries and sweet apple dipped in sweet cream and blush amber.