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Always Halloween and Never Thanksgiving

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31 Days of Dark Academia: Halloween 2021

October 15: The Truly Devious Series by Maureen Johnson (2018-2021) Quote from Truly Devious (2018):  It was, in short, idyllic and fantastical, and may have remained as such had it not been for that foggy night in April 1936 when Truly Devious struck. Schools may be famous for many things: academics, graduates, sports teams. They are not supposed to be famous for murders.
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Halloween 2020, Day 22

If you’re looking for a contemporary vampire read, Vampires Never Get Old: Tales with Fresh Bite is brand new, edited by Zoraida Córdova and Natalie C. Parker with stories by an all-star lineup of authors including Samira Ahmed, Dhonielle Clayton, Zoraida Córdova, Natalie C. Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.   
If you’d like to sample a taste from the collection, Tor.com has a spooky excerpt from Rebecca Roanhorse’s story “The Boys From Blood River” here.
Enjoy a couple of eerie snippets. Now let’s go old school… From “The Giaour” by Lord Byron (1813). (Art is “Vampire” by akelataka.)

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Ring Out The Old, Ring In The New

Thanks to all of you for your friendship throughout this past year. Here’s to making the new year a much better one! Happy 2021! Ring out, wild bells, to the wild sky, The flying cloud, the frosty light; The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind, For those that here we see no more, Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes, But ring the fuller minstrel in. - Alfred Lord Tennyson, “Ring Out, Wild Bells”
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<p>These two novels — <i>The Button Field</i> b...

These two novels — The Button Field by Gail Husch (2014) and Killingly by Katharine Beutner (2023) — were inspired by the same real-life unsolved mystery, the disappearance of student Bertha Mellish from Mount Holyoke College in 1897. I found The Button Field to be haunting, and now I’m looking forward to reading Killingly. ALT
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Halloween 2020, Day 13

(Photo is “Shiver My Bones002″ by bjfrenchphoto.)   Today I want to highlight two excellent reading recommendation lists from Sublime Horror that are perfect for this spooky season, both written by a scholar whose work I follow with great enthusiasm, literary historian Melissa Edmundson. Here they are: 1) “Ghost stories by Victorian women, a reading list chosen by Melissa Edmundson” and 2) “Supernatural novellas by Victorian women, a reading list chosen by Melissa Edmundson.” This is an excerpt from one of the supernatural novellas mentioned in the second list, the ghost story Cecilia de Noël, by Lanoe Falconer (1910): The entire novella is available online here from Project Gutenberg.
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Halloween 2020, Day 30

(Photos above by Yours Truly. Plaster castings by Pumpkintown Primitives. The above are “1730s Lamson Death Head Plaster Casting” on top and “Plaster Casting Poole Stone 1754″ on bottom.)
Look no more for some perfect streaming music for this Halloween season!
Celebrating its 22nd year, “Out ov the Coffin” is hosted by the fabulous DJ Ichabod. What was born as a means of spreading dark and esoteric music to the Nashville area via WRVU, broadcasting from my graduate alma mater, Vanderbilt University (Go ‘Dores!), is now an spine-tingling and atmospheric podcast. Check it out for some perfect seasonal music! You won’t be sorry.
Here is the official description of the show: “’Out ov the Coffin’ is a specialty dark-music radio program, hosted by DJ Ichabod, designed to celebrate dark and interesting styles of music, from the goth perspective. Brand new entries are featured each episode, alongside older favorites and cult classics. Oft-featured sub-genres include: Goth, Gothic rock, deathrock, post-punk, darkwave, ebm, industrial, damnbient / dark ambient, dark metal, neoclassical, ethereal works, film scores, and theatrical experimentation.”
The time has come: The 2020 “Out ov the Coffin” Halloween Special is now available!  Here is the official description of the episode:  Listen to or download the special here! Pssst! Scroll through earlier shows to find past Halloween specials. Last year’s was brilliant! If you really want to party on (or like it’s) Halloween, you can play several Halloween specials back to back! DJ Ichabod’s regular shows also make for perfectly splendid spooky listening.  
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A Night in the Lonesome October

ALT It’s almost October, which means it’s almost time to start my annual re-reading of one of my all-time favorite books, A NIGHT IN THE LONESOME OCTOBER by Roger Zelazny. With 31 chapters, one for each day of the month, it is a fantastic mash-up of creepy seasonal goodness wrapped into a compelling story, a kind of literary advent calendar for Halloween.
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Vernon Press - Call for Book Chapters: Edited volume on Star Trek and Star Wars

Vernon Press - Call for Book Chapters: Edited volume on Star Trek and Star Wars: Call for Abstracts Edited volume on Star Trek and Star Wars Edited by Emily Strand, MA and Amy H. Sturgis, PhD Vernon Press The generations-spanning, multimedia franchises Star Trek and Star Wars will form the focus for this edited collection of scholarly essays. As venerable and evolving repositories of science fiction and fantasy storytelling, and as towering pillars of popular culture, both Star Trek and Star Wars inspire, transform, and even at times inflame their often overlapping fan bases. Together with the publisher, the editors seek proposals for essays exploring these franchises’ themes, narratives, characters, treatment of moral and philosophical dilemmas, religious or spiritual notions, and other aspects. (Abstracts for essays which compare or contrast the two franchises are also welcome.) Collected essays will offer insight — from a variety of disciplines and perspectives — on how these franchises contribute to popular culture and the tradition of speculative storytelling. Abstracts and subsequent essays should be academically rigorous yet accessible to the informed (even non-academic) reader. Abstracts of 300-500 words in length should be submitted, along with a brief biographical statement, by August 2, 2021. Authors of accepted papers will be notified by September 1, 2021, and paper drafts should be submitted by January 10, 2022. More information is here.
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Halloween 2020, Day 9 (Star Wars!)

Star Wars is all about Halloween! Are you in the mood for some Star Wars Halloween goodness?
1. If you’re feeling crafty, learn how you can make a creeptastic Darth Maul bookmark here! 
2. Check out the General Grievous Halloween audiocast! This was an audiocast recorded by Matthew Wood as General Grievous and released on StarWars.com for Halloween of 2005. It was re-released on October 31, 2014. Today you (or your trick-or-treaters) can feel the Force of fright! Download this free audiocast to bring Star Wars scares to your October!
3. Did you know that Halloween was part of the classic Star Wars Expanded Universe? According to Wookieepedia,
4. Check the official Star Wars site’s Halloween Hub for a “ghoul-actic collection of articles, crafts, and more”! In particular, don’t miss the chance to hang around with mynocks!  5. In 2018, Star Wars knocked it out of the ballpark with new publications Are You Scared, Darth Vader?, one of the best Star Wars picture books I’ve ever read (and a terrific tribute to Halloween!), and the Tales from Vader’s Castle limited comic series, inspired by classic Hammer Horror films. I can’t recommend these enough! Last year, we got the Return to Vader’s Castle series. This year, both Tales and Return will be combined into the single-volume Beware of Vader’s Castle! 
But wait, there’s more! October is the annual Star Wars Reads celebration. Star Wars Reads combines the love of a galaxy far, far away and the joy of reading. Star Wars Reads Printable Activity Kit and Posters: Plan your own Star Wars event with this amazing party kit, complete with party invitations, posters, and activities for kids to adults. Click here for goodies!
There will be events around the world sponsored by Star Wars publishers, so keep your eye on the Star Wars Reads Facebook page for more information.
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Halloween 2020, Day 27

- from We Have Always Lived in the Castle by Shirley Jackson (1962)  We Have Always Lived in the Castle is a novel that’s been following and haunting me ever since I first read it. It is included among these other great Halloween-relevant reading suggestions from James Pate at Sublime Horror: “Mid-century horror, a reading list.” 
And here are a few more atmospheric quotes for the day. There’s this: “I can’t help it when people are frightened,“ says Merricat. "I always want to frighten them more.” And this: “I was pretending that I did not speak their language; on the moon we spoke a soft, liquid tongue, and sang in the starlight, looking down on the dead dried world.”
And this: I thought that we had somehow not found our way back correctly through the night, that we had somehow lost ourselves and come back through the wrong gap in time, or the wrong door, or the wrong fairy tale. - from We Have Always Lived in the Castle by Shirley Jackson (1962)
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Halloween 2020, Day 15

(Artwork is “Coven” by  Sadist-Ka.)
― Helen Oyeyemi, White is for Witching (2009)
 ― Beth Underdown, The Witchfinder’s Sister (2017)
Relevant to both titles above, here is a reading recommendation list from Sublime Horror that’s perfect for the season: “Witches in fiction, a reading list chosen by Professor Marion Gibson.” This is another seasonal reading list from Margaret Kingsbury at BuzzFeed News: “13 Witchy Books That Will Keep You Spellbound.” Last, Erika W. Smith offers these suggestions for Cosmopolitan: “24 Witch Books That Belong on Your Bookshelf.” And here’s one more quote for your day:
 ― Katherine Howe, The Penguin Book of Witches (2014)  
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Halloween 2020, Day 29

This year I took part in the Ladies of Horror Fiction anniversary mini-readathon, and one of the titles I read may be the best book I’ve read in… well, ages and ages: the Shirley Jackson Award-winning novella Wylding Hall by Elizabeth Hand (2015). A key word there is novella; if you’re looking for a wonderfully chilling read for the season that won’t take days to digest, there’s still time to devour this atmospheric, Gothic, folk-horror beauty. (My 2021 plans now include reading lots and lots of books by Elizabeth Hand!)  Here is the official description: “When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake? ”
And here is a brief excerpt, to give you a sense of the atmosphere.  - from Wylding Hall by Elizabeth Hand (2015) 
I discuss this novella in my recent Halloween-themed “Looking Back on Genre History” segment on the StarShipSofa podcast, October 2020′s Episode 645, which you can listen to here.
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Halloween 2020, Day 12

(Photo is “Spooky Woods” by GypsyMist.) Do you consider crime thrillers and murder mysteries good reading fare for the Halloween season?  I do. And I’m glad that we’re in a time when crime fiction by Indigenous American writers is increasingly recognized and celebrated. Here’s a terrific article by Lakota author David Heska Wanbli Weiden for CrimeReads: “Why Indigenous Crime Fiction Matters.” He also contributed this useful reading list for The Strand: “Seven Essential Native American Crime Novels.” Speaking of David Heska Wanbli Weiden, I read, thoroughly enjoyed, and highly recommend his gripping 2020 novel Winter Counts, which is a (to borrow the official description) “groundbreaking thriller about a vigilante on a Native American reservation who embarks on a dangerous mission to track down the source of a heroin influx.” A tense and engrossing read.  And speaking of his essay on “Why Indigenous Crime Fiction Matters,” I was very glad to see Cherokee novelist John Rollin Ridge mentioned front and center. Earlier this year in my monthly “Looking Back on Genre History” segment on the StarShipSofa podcast, on Episode 628, I discussed how we can trace parts of Batman’s origin back to John Rollin Ridge and his fiction. 
(Photo by Yours Truly.) Perhaps my favorite discovery this year is the wonderful Cash Blackbear mystery/crime series, including Murder on the Red River (2017) and Girl Gone Missing (2019), by White Earth Nation author Marcie R. Rendon. Set during the Vietnam Conflict, these books follow 19-year-old Cash Blackbear – “aged-out foster child, girl pool shark, truck driver from Minnesota’s White Earth reservation” – who asks questions, has dreams, and regularly helps out her friend Wheaton, the cop who is her family by choice rather than blood, as he solves crimes. These books deliver on mood and atmosphere while also telling difficult, important, meaningful stories. Here is one of Cash Blackbear’s vivid and haunting dreams:
- from Marcie R. Rendon, Girl Gone Missing (2019)
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This music mix is inspired by The Magic Ring by Baron de la...

This music mix is inspired by The Magic Ring by Baron de la Motte-Fouqué (1813, translated into English in 1825). Roughly half of the songs are authentic to the era in which the story is set, and two were written by historical figures who actually appear in the novel. I made this mix while editing this edition of the novel for Valancourt Books.
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Long Live the Halflings!

Today is the anniversary of the Long-Expected Party celebrating the eleventy-first birthday of Bilbo Baggins and the coming of age of Frodo Baggins in The Lord of the Rings. It was on this day that Bilbo gave his infamous birthday speech, saying “I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve,” before disappearing from the Shire forever.
Also on this day, according to the Appendices of The Lord of the Rings, 99-year-old Samwise Gamgee rode out from Bag End for the final time. He was last seen in Middle-Earth by his daughter Elanor, to whom he presented the Red Book. According to tradition, he then went to the Grey Havens and passed over the Sea, last of the Ringbearers.     And now, in honor of the Baggins Birthdays, the departure of Samwise, and Hobbits in general, here is the song of one of J.R.R. Tolkien’s (and, for that matter, world literature’s) greatest heroes, Samwise Gamgee, when in Cirith Ungol. In this very difficult times, I find myself returning to these verses in particular. They are the epitome of Hobbits and of hope. In western lands beneath the Sun
the flowers may rise in Spring,
the trees may bud, the waters run,
the merry finches sing.
Or there maybe ‘tis cloudless night
and swaying beeches bear
the Elven-stars as jewels white
amid their branching hair.

Though here at journey’s end I lie
in darkness buried deep,
beyond all towers strong and high,
beyond all mountains steep,
above all shadows rides the Sun
and Stars for ever dwell:
I will not say the Day is done,
nor bid the Stars farewell.  - J.R.R. Tolkien, The Lord of the Rings: The Return of the King

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New Dark Academia Essay!

I’m delighted to say that my essay “Dark Arts and Secret Histories: Investigating Dark Academia” has just been published in the new academic anthology Potterversity from McFarland. In the piece I define Dark Academia, distinguish the storytelling genre and its history from the aesthetic, and consider why there is an explosion of new DA storytelling happening now. (One reason of many, I argue, is that authors such as Sarah Gailey, Naomi Novik, Victoria Lee, and R.F. Kuang, among others, were both inspired by the Harry Potter series and moved to push back against J.K. Rowling’s positions through their own works, which offer fresh, diverse perspectives and insightful, timely critiques.) ALT ALT
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Halloween 2020, Day 23

This year I took part in the Ladies of Horror Fiction anniversary mini-readathon, and one of the titles I read is going straight into my next class syllabus: Darkly: Black History and America’s Gothic Soul by Leila Taylor (2019). What a powerful, insightful, and beautifully written work this is! Highly recommended. Here is the official description: “Leila Taylor takes us into the dark heart of the American gothic, analysing the ways it relates to race in America in the twenty-first century. Haunted houses, bitter revenants and muffled heartbeats under floorboards — the American gothic is a macabre tale based on a true story. Part memoir and part cultural critique, Darkly: Blackness and America’s Gothic Soul explores American culture’s inevitable gothicity in the traces left from chattel slavery. The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning. If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America?” And here is a sample of Taylor’s haunting prose: - from  Darkly: Black History and America’s Gothic Soul by Leila Taylor (2019)
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Halloween 2020, Day 16

It’s film time! Every year about this time I think about good Halloween films (not necessarily horror movies, and definitely not lame slasher pictures, but suspenseful, atmospheric films that put a chill up the spine) that are “off the beaten path” – that is, films that are independent, foreign, direct to DVD or VOD, or somehow under promoted, and thus might easily slip under the proverbial radar. Not the classics. Not the usual suspects.
I’ve already made a separate post in the past with recommendations of Anton Yelchin’s Halloween-friendly films, so I won’t repeat those here.
Now I have a few new recommendations to add to my list, based on this past year’s viewing. (We accessed nearly all of these via Netflix or Amazon streaming.) Here they are in reverse chronological order: Here are my 2019 recommendations: You Should Have Left (2020): This is a very effective troubled-family-on-vacation film, packed with layered characterization and psychological unease. The incredible chemistry between Kevin Bacon and Avery Essex makes a genuinely moving father-daughter relationship the heart of this film. It really works. 
American Hangman (2019): This is a powerful thriller with a lot of meaning. Even though Donald Sutherland’s genius is undisputed, it’s still stunning to watch him here. I’ll use the official description so I don’t give more away than I should: “Two men are chained up in a basement. The captor has cameras aimed at them and is streaming it on the internet – turning it into a ‘trial’ on the held, retired judge’s last court case. The viewers become the jurors.” The Color Out of Space (2019): This is an adaptation of one of my very favorite Lovecraft works, so I was braced for disappointment. Instead, this turned out to be one of our favorite films of the year. Sensitive, poignant, and genuinely scary, this film genuinely delivers on every level, including the pathos inherent to the story. I’m agnostic about Nic Cage – he doesn’t make or break a film for me – but his performance really worked here, as did that of the ever-capable Joely Richardson. It was delightful to see Q'orianka Kilcher and Tommy Chong in solid supporting roles, as well. Watch this one!    Doctor Sleep (2019): This is an adaptation of Stephen King’s sequel to The Shining. It’s not a perfect film, but it’s interesting and visually stunning and packed with able actors. (Five words: Zahn McClarnon as Crow Daddy. I can’t stress this enough.) I’m sure many would find this crazy, but if given the choice right now, I would rather watch Doctor Sleep again than watch The Shining again. So there.   In the Tall Grass (2019): Is this the best Stephen King (more accurately, Stephen King and Joe Hill) adaptation ever? No. Did I enjoy every minute spent lost in the grass maze with over-the-top Patrick Wilson? Yes. Yes I did. Your mileage may vary based on your level of Patrick Wilson appreciation. Mine is high.    Midsommar (2019): Yes, I know this isn’t an “under the radar” film, but we really loved it, so I wanted to take this opportunity to say so.   Ready or Not (2019): Dark comedies are often hit or miss for me, but this newlywed-hunted-by-her-evil-in-laws-in-Satanic-ritual romp is a definite hit, both clever and funny. Vivarium (2019): This science-fiction mind-game of a horror film messed me up and continues to haunt me, and I mean that in the best possible way. I knew nothing about it going into the film, and I think that was for the best. Highly recommended.
We Have Always Lived in the Castle (2019): This is a very well crafted adaptation of a novel by Shirley Jackson that I love. I was prepared to be critical, but the film thoroughly won me over with brilliant visuals and performances – Taissa Farmiga and Alexandra Daddario are phenomenal – and a screenplay that emphasizes how relevant this story remains. Read the book first, but then treat yourself to this movie.    Delirium (2018): This isn’t a great film, but it keeps the twists and turns coming, and it uses the unreliability of the protagonist’s hallucination-laden point of view to good effect. You really need to suspend your disbelief to swallow the “young man released from twenty years in a mental asylum into house arrest at his dead father’s mansion” premise, but once you’re there, the oppressive isolation and sense of unreality are worth your time.    The Wind: Demon of the Prairies (2018): This slow-burn Western plays on the horror and desperation of solitude – especially for settler women – on the frontier. Women’s points of view are highlighted here in a refreshing and chillingly effective way.
Lost Child (a.k.a. Tatterdemalion) (2018): We were really enchanted and moved by this work of “hillbilly Gothic” or Ozark folk horror. When a combat veteran returns home with the scars of war on her psyche, she encounters a boy in the woods. Is he a lost child in need of her help, or is he the tatterdemalion of local lore, a demon who wants to feed on her very life? This is a quiet, haunting, compelling story of pain, superstition, and the people who fall through the cracks. 
Voice from the Stone (2017): This is a classic old-school Gothic film of the “new governess for troubled child after mother’s death” mold, and it delivers all of the lush atmosphere, claustrophobia, and passion needed. This is a beautifully disturbing movie. Kudos to Emilia Clarke for her compelling performance.   Bone Tomahawk (2015): Why on Earth did I wait so long to watch this Western horror film? More Patrick Wilson, more Zahn McClarnon, both tremendous pluses. Outstanding Kurt Russell content. Genuinely scary and less gratuitously gory than I’d feared.  Lake Mungo (2008): I’m so glad Mike Davis of The Lovecraft eZine recommended this film, which is a “mockumentary” about a family trying to come to turns with the drowning death of the daughter/sister. Are we witnessing how grief yields false hope and makes us vulnerable to charlatans, or is something supernatural taking place? This is a subtle work of slowly-mounting terror. Really delicious. Mike now tells me that if I loved this film, I need to read Disappearance at Devil’s Rock by Paul Tremblay, so I’m going to do that too!    Click below for my recommendations from previous years.  Read more …
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