Because we mentioned The Castle of Otranto yesterday, let’s show some love for the dark reimagining of Walpole’s novel by Clara Reeve, The Old English Baron (1778). Reeve called it Otranto’s “literary offspring.”
Read it here.
Quote: …he thought he saw a glimmering light upon a staircase before him. “If,” said he, “this apartment is haunted, I will use my endeavours to discover the cause of it; and if the spirit appears visibly, I will speak to it.”
He was preparing to descend the staircase, when he heard several knocks at the door by which he first entered the room; and, stepping backward, the door was clapped to with great violence. Again fear attacked him, but he resisted it, and boldly cried out, “Who is there?”
ALT
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We’ve reached the last post in the portion of this countdown devoted to the creepy Gothic books beloved by the women working in 19th-century mills in Lowell, Massachusetts. Today’s entry is the controversial autobiography of Maria Monk (1836).
Read it here.
Quote: We all believed in ghosts.
ALT
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Science fiction may help foster a sense of global solidarity by evoking awe, study finds
“In particular, the researchers focused on a concept called ‘identification with all humanity.’ This refers to how much individuals feel connected to all people, regardless of nationality, race, or background. It reflects a broad, inclusive identity that supports concern for others around the globe. Previous studies have linked this identification to prosocial behaviors such as donating to international causes, supporting refugees, and caring about the environment. The authors theorized that science fiction, with its imaginative worlds and frequent focus on humanity’s shared future, might encourage people to adopt this global perspective.”
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My “Hangsaman by Shirley Jackson: Exploring a Gothic Campus Mystery” one-month module with SPACE (Signum Portals for Adult Continuing Education) online via Signum University is currently “on the launchpad” for potential launch in the autumn of 2025.
Here is the official description:
“Shirley Jackson is rightly celebrated as a master of Gothic storytelling thanks to her most well-known novels such as The Haunting of Hill House (1959) and We Have Always Lived in the Castle (1962). In recent years, however, her earlier novel Hangsaman (1951) has received new attention and critical appreciation from fans and scholars alike.
"Far ahead of its time when it was published, Jackson’s deeply personal Hangsaman is many things: a psychological study of a young woman’s coming of age; a haunting Gothic mystery; a pointed critique of gender roles, family dynamics, and higher education; a meditation on trauma and mental illness; and an ancestor of today’s dark academia storytelling. Shirley Jackson drew inspiration from a variety of sources to craft this remarkable campus novel, from folk ballads and the Tarot, myth and ritual, to a real college campus and an unsolved New England cold case of a missing sophomore student.
"In this module, we will unpack this gem of a Gothic story, following freshman Natalie Waite as she searches for her “essential self” and discussing why Hangsaman feels freshly relevant and important to many readers today.”
Here is more information on the Hangsaman module.
To help launch this module, please go here, log in, and put this module on your launchpad short-list. Thanks!
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My “The Hunger Games” module with SPACE (Signum Portals for Adult Continuing Education) online via Signum University is currently a candidate for September 2025. This is a proposed first module of five, one for each of the five Hunger Games novels by Suzanne Collins. Each week will include one recorded lecture and one live discussion section. Voting runs through August 1. I hope you will join us as we explore the lessons we may learn from Panem.
May the odds be ever in our favor!
More information is here.
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