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Always Halloween and Never Thanksgiving

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Halloween Countdown 2024, Day 15

Let’s keep this Gothic Halloween-fest going! Today’s text is Wieland; or, The Transformation (1798) by Charles Brockden Brown. Read it here. Quote: The tales of apparitions and enchantments did not possess that power over my belief which could even render them interesting. I saw nothing in them but ignorance and folly, and was a stranger even to that terror which is pleasing. But this incident was different from any that I had ever before known. Here were proofs of a sensible and intelligent existence, which could not be denied. Here was information obtained and imparted by means unquestionably super-human. ALT
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Halloween Countdown 2024, Day 17

Today’s text is the short story “The Invisible Girl” (1833) by Mary Wollstonecraft Shelley. Read it here. Quote: “What beacon is it that helps us at our need?” asked Vernon, as the men, now able to manage their oars with greater ease, found breath to answer his question. “A fairy one, I believe,” replied the elder sailor, “yet no less a true: it burns in an old tumble-down tower, built on the top of a rock which looks over the sea. We never saw it before this summer; and now each night it is to be seen,—at least when it is looked for, for we cannot see it from our village;—and it is such an out-of-the-way place that no one has need to go near it, except through a chance like this. Some say it is burnt by witches, some say by smugglers; but this I know, two parties have been to search, and found nothing but the bare walls of the tower. All is deserted by day, and dark by night; for no light was to be seen while we were there, though it burned sprightly enough when we were out at sea.” “I have heard say,” observed the younger sailor, “it is burnt by the ghost of a maiden who lost her sweetheart in these parts; he being wrecked, and his body found at the foot of the tower: she goes by the name among us of the ‘Invisible Girl.’” ALT
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Halloween Countdown 2024, Day 3

We have even more evidence of which Gothic novels the women who worked in 19th-century mills in Lowell, Massachusetts read and enjoyed. The next few posts will highlight these titles. ALT One of the most popular titles was The Castle of Otranto by Horace Walpole (1764). Read it here. Quote:  …and then the figure, turning slowly round, discovered to Frederic the fleshless jaws and empty sockets of a skeleton, wrapt in a hermit’s cowl. “Angels of peace protect me!” cried Frederic, recoiling. “Deserve their protection!” said the spectre.
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Halloween Countdown 2024, Day 13

One more of the so-called “horrid novels” referenced in Northanger Abbey is The Orphan of the Rhine (1798) by Eleanor Sleath. Read it here. Quote: “Here Silence has fixed her abode, disturbed only at intervals by the howling of the wolf, or the cry of the vulture. In such a situation actions have no witnesses; these woods are no spies.” ALT
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Halloween Countdown 2024, Day 14

Before we leave the subject of Northanger Abbey completely, let’s include one more work that inspired the novel (and left a lasting mark on the Gothic tradition), The Monk (1796) by Matthew Gregory Lewis. Read it here. Quote: “Be cautious not to utter a syllable!” whispered the Stranger; “Step not out of the circle, and as you love yourself, dare not to look upon my face!” ALT
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Halloween Countdown 2024, Day 9

Another dark and dreadful novel that women working in 19th-century mills in Lowell, Massachusetts reported enjoying was Alonzo and Melissa (aka The Asylum) by Isaac Mitchell (1804/1811).          Read here the later version attributed to Daniel Jackson, Jr. Quote: The person in her room then uttered a horrible groan, and gliding along by her bed, took his stand behind the curtains, near the foot. The noises below, the cry of murder, the firing of the second pistol, and the running up stairs, were all corresponding scenes to impress terror on her imagination. The pretended ghost then advanced in front of her bed, while lights were slowly introduced, which first shone faintly, until they were ushered into the room by the private door, exhibiting the person before her in all his horrific appearances. On her shrieking, and shrinking into the bed, the lights were suddenly extinguished, and the person, after commanding her to be gone in a hoarse voice, passed again to the foot of the bed, shook it violently, and made a seeming attempt to get upon it, when, perceiving her to be springing up, he fled out of the room by the secret door, cautiously shut it, and joined his companions. ALT
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News!

I’m tickled to share that my paper “Star Trek’s Son of the Royal Navy: Malcolm Reed’s Subversive Voyage in Space, Then and Now” has been accepted for NavyCon 2025, a conference sponsored by the Center for International Maritime Security, King’s College, and the Naval War College. The theme is “The Influence of Navies on Science Fiction, NASA, and the Future of Space,” and the event will be held online on December 6. 🖖 In other news, Happy October! 🎃 On my latest “Looking Back on Genre History” segment on the StarShipSofa podcast (Episode 766), I praise the Dracula “group read” experience. Here is the episode. ALT
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Halloween Countdown 2024, Day 10

We’ve reached the last post in the portion of this countdown devoted to the creepy Gothic books beloved by the women working in 19th-century mills in Lowell, Massachusetts. Today’s entry is the controversial autobiography of Maria Monk (1836). Read it here. Quote: We all believed in ghosts. ALT
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Halloween Countdown 2024, Day 8

Another Gothic novel that was a favorite with women working in 19th-century mills in Lowell, Massachusetts was The Three Spaniards (1801) by George Walker. Read it here. Quote: “That unhappy phantom will ever pursue Fernando, till he shall be pacified. He ever attends him invisible, and at this moment sits at the foot of the corpse of Almira.” The Inquisitors and the prisoners shuddered, and turned their eyes towards the spot; but they could see nothing, except the pale body of the murdered maid. “… I will command this unhappy spirit to become visible, and say what are his particular desires, and how he shall be tranquilized in the grave; then shall Fernando enjoy that uninterrupted repose he so well merits.” ALT
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Halloween Countdown 2024, Day 12

Today’s creepy novel, also mentioned as “horrid” in Northanger Abbey, is The Necromancer; or, The Tale of the Black Forest (1794) written by Carl Friedrich Kahlert (under pseudonym) and translated by Peter Teuthold. Read it here. Quote: “…a dreadful chilliness seized us, we felt the grasp of the icy fangs of horror, being in a burying vault surrounded by rotten coffins. Skulls and mouldered bones rattled beneath our feet, the grisly phantom of death stared in our faces from every side, with a grim, ghastly aspect. In the centre of the vault we beheld a black marble coffin, supported by a pedestal of stone, over it was suspended to the ceiling a lamp spreading a dismal, dying glimmering around.”                                                 ALT
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Halloween Countdown 2024, Day 4

Because we mentioned The Castle of Otranto yesterday, let’s show some love for the dark reimagining of Walpole’s novel by Clara Reeve, The Old English Baron (1778). Reeve called it Otranto’s “literary offspring.” Read it here. Quote: …he thought he saw a glimmering light upon a staircase before him. “If,” said he, “this apartment is haunted, I will use my endeavours to discover the cause of it; and if the spirit appears visibly, I will speak to it.” He was preparing to descend the staircase, when he heard several knocks at the door by which he first entered the room; and, stepping backward, the door was clapped to with great violence. Again fear attacked him, but he resisted it, and boldly cried out, “Who is there?” ALT
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Rebellions Are Built on Hope

I’m delighted to share that I will be teaching a new three-part online module for SPACE (Signum Portals for Adult Continuing Education) for Signum University in Spring 2026. Rebellions Are Built On Hope: A Star Wars Series Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times.

This SPACE series consists of three hybrid modules: Module 1 (Feb. 2026) covers the series Andor, Season 1 (more info here); Module 2 (March 2026) covers the series Andor, Season 2 (more info here); and Module 3 (April 2026) covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope (more info here).
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Headed to SPACE in Spring 2026!

I’m delighted to share that I will be teaching a new three-part online module for SPACE (Signum Portals for Adult Continuing Education) for Signum University in Spring 2026. Rebellions Are Built On Hope: A Star Wars Series Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times.

This SPACE series consists of three hybrid modules: Module 1 (Feb. 2026) covers the series Andor, Season 1 (more info here); Module 2 (March 2026) covers the series Andor, Season 2 (more info here); and Module 3 (April 2026) covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope (more info here). Get your votes in now if you’d like your availability to be considered while we schedule these modules. I hope to see you in that galaxy far, far away! ALT
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Star Wars and Resistance

My half-hour talk “Star Wars and Resistance” is now on YouTube as part of the SPACE Showcase. My talk kicks in around 11 minutes into the Showcase. This talk is a “sneak peek” into my new three-part online module for SPACE (Signum Portals for Adult Continuing Education) for Signum University in Spring 2026.
The Signum University Webathon 2025!: SPACE Showcase And here are the details of my Spring Star Wars modules. Rebellions Are Built On Hope: A Star Wars Series Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times.

This SPACE series consists of three hybrid modules: Module 1 (Feb. 2026) covers the series Andor, Season 1 (more info here); Module 2 (March 2026) covers the series Andor, Season 2 (more info here); and Module 3 (April 2026) covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope (more info here).
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eldritchhobbit

eldritchhobbit

 

Rebellions are built on hope - in SPACE!

Here are the details of the new three-part online module for SPACE (Signum Portals for Adult Continuing Education) that I’ll be offering for Signum University in Spring 2026. Rebellions Are Built On Hope: A Star Wars Series Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times.

This SPACE series consists of three hybrid modules: Module 1 (Feb. 2026 - Only 1 seat left!) covers the series Andor, Season 1 (more info here); Module 2 (March 2026) covers the series Andor, Season 2 (more info here); and Module 3 (April 2026) covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope (more info here).
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Feminist Utopian Thought

On my latest “Looking Back on Genre History” segment on the StarShipSofa podcast (Episode 772), I discuss early feminist science fictional utopias and focus on A Few Hours in a Far-Off Age (1883) by Henrietta Dugdale. Listen here!
ALTALT
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Star Trek-Related Call for Papers

Star Trek-Related Call for Papers Call for Book Chapters: “Beyond the Next Star: The Importance of Failure in Star Trek"  ALT The editors of Second Star to the Right: Essays on Leadership in Star Trek (Vernon Press), Jason A. Kaufman and Aaron M. Peterson, invite book chapter proposals for a forthcoming edited volume tentatively titled Beyond the Next Star: The Importance of Failure in Star Trek. Star Trek provides an opportunity to explore the final frontier of leadership through six decades of series and films. With its basis in Enlightenment thinking (reason coupled to compassion) and its encouragement of diversity in its myriad threads, Star Trek offers guidance on how to improve the human condition that has application to any academic and professional field. Importantly, Star Trek also offers numerous examples of how individuals in roles of leadership large and small are able to navigate the emotional and practical challenges of failure. Failure is a part of life, an experience all too common to anyone who has achieved a modicum of success. While some people never learn from failure and others seek to avoid it altogether, Star Trek offers myriad examples large and small of how moments of failure can lead to personal development, professional success, and even galactic salvation. Of course, sometimes failure is just that, a cessation of progress. However, even in these moments, failure can still be a poignant teacher. This edited volume will explore the application of Star Trek to moving forward from failure across a diverse array of fields and perspectives. We seek chapters from leaders, scientists, educators, professionals, writers, and others, whether their expertise is drawn from boardroom, lab, classroom, field, or page. Our goal is to utilize the wealth of canon to inform business, law, politics, ethics, peace studies, conflict management, academic leadership, religious studies, literary and textual analysis, and beyond. By acknowledging the realities of failure, our goal is to make the world a better place. We seek chapter proposals focused not on a single character, but instead on a situation portrayed in a specific scene, episode, or film that depicts failure and how it was navigated positively or negatively. Chapter proposals should be academically rigorous yet accessible to an informed non-academic audience. We want you to write to inform practice in your field using Star Trek as the background of the discussion, not the focus. Similarly, please do not utilize your own failures as examples. Humor and honesty are always appreciated. Chapter proposal submission Please submit an abstract no longer than 300 words to volume editors Jason A. Kaufman (jason.kaufman@mnsu.edu) and Aaron M. Peterson (aaron.peterson@converse.edu) by February 27, 2026. The abstract should include a clear overview of the main focus of the chapter. In addition, please include a brief bio of 100 words or fewer for the author(s). Co-authored proposals are welcome, but please limit submissions to two per author. Finally, please begin your email heading with “NEXT STAR:” when you submit the proposal for review. Now…hit it! Deadlines Proposal submission deadline: February 27, 2026 Acceptance of proposal sent out: March 27, 2026 Chapter submission: September 8, 2026 (Star Trek Day)
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Dark Academia in SPACE!

Now confirmed! I am delighted to report that in Spring 2026, I’ll be offering two standalone (but related) modules with SPACE (Signum Portals for Adult Continuing Education) online via Signum University. Each focuses on an important novel related to the same real-life, true-crime unsolved case. March 2026: Last Seen Wearing by Hillary Waugh: Discovering a Turning Point in Crime Fiction May 2026: The Secret History by Donna Tartt: Unpacking the “Whydunit” Mystery
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Stranger Things-Related Call for Papers

Stranger Things-Related Call for Papers Call for Papers: Welcome to Hawkins: A Special Issue on Stranger Things Slayage plans a special issue on Stranger Things for publication in late June 2026. ALT Slayage is an international and interdisciplinary refereed scholarly journal concerned with the “fuzzy set” with Buffy the Vampire Slayer at its center, and Stranger Things, a multi-season television series with kick-ass heroines, the irruption of the supernatural into the mundane, high-stakes action, strong characterizations, snarky humor, and an emphasis on relationships and the complexities of queerness and race, fits our definition nicely. It’s even got a Hellmouth in a library! As an interdisciplinary journal primarily concerned with visual media, we will be interested in nearly any approach to Stranger Things: literary-critical, sociological, historical, musical, queer theory, pop science, etc. Read more about Slayage at http://www.buffystudies.org/slayage-the-international-journal-of-buffy.html and please see the Slayage Style Sheet at http://www.buffystudies.org/slayage-house-style-sheet.html for guidance on citation style, especially for television episodes.

Here are some ideas to consider:

• Mothers and mothering: good mothers, evil mothers, avenging mothers
• Strong women, beweaponed and weaponized girls, and the Ripley (Alien) trope
• Fathers and fathering, and masculinities in general
• Groupings of generations and cohorts, and how their different story arcs work together
• Nostalgia and audience engagement
• Mythic patterns in storytelling
• Music used in the show and its significance; music as weapon and lifeline
• Resonances with other texts: A Wrinkle in Time, The Lord of the Rings, the Indiana Jones movies, the Star Wars movies, Carrie, The Goonies, A Nightmare on Elm Street, Ghostbusters, the Whedonverse, and on and on and on. Not just a recap of inspirations, but digging into the how and why.
• The show’s use of Dungeons and Dragons, and the early D&D panic
• Queer characters, queer theory, queer history
• Race in the 1980s: what the show got right, what it got wrong
• US/Russia/world relations in the 1980s and what the show does with them
• Crazy science and conspiracy theories
• The stage play Stranger Things: The First Shadow and the canonicity of other supplemental texts
• The independent-kids-on-bikes motif in Stranger Things and its sources
• The midwestern setting and its callbacks to sources like Breaking Away
• The suburban shopping mall: its significance in 80s teen culture and its use in horror films like Dawn of the Dead

Editors for this special issue are:

Dr. Kristine Larsen is distinguished Connecticut State University Professor of Earth and Space Sciences at Central Connecticut State University, where she has taught since 1989. Her teaching and research focus on the intersections between science and society, including science in the works of J.R.R. Tolkien. Her latest books are Science, Technology and Magic in The Witcher: A Medievalist Spin on Modern Monsters (McFarland, 2023), and The Sun We Share: Our Star in Popular Media and Science (McFarland, 2024).

Janet Brennan Croft (ORCiD 0001-0001-2691-3586) recently retired from the University of Northern Iowa as Librarian Emerita.  She is the author of War in the Works of J.R.R. Tolkien (recently reissued by Bloomsbury; 2005 Mythopoeic Society Award for Inklings Studies). She has also written on the Peter Jackson Middle-earth films, the Whedonverse, Orphan Black, Terry Pratchett, Lois McMaster Bujold, and other authors, TV shows, and movies, and is editor or co-editor of many collections of literary essays, the most recent being Loremasters and Libraries in Fantasy and Science Fiction, co-edited with Jason Fisher (Mythopoeic Press, 2021). She edits the refereed scholarly journal Mythlore, is archivist and associate editor of Slayage: The International Journal of Buffy+, and chairs the Tolkien in Popular Culture Area at SWPACA.

Send abstracts of 400 words plus selected preliminary references to Kris Larsen and Janet Brennan Croft at janet.croft@uni.edu and larsen@ccsu.edu by January 30, 2026. Decisions on abstracts will be made by February 4. Initial submissions are due by April 15, and final revisions completed by June 10 for publication at the end of June.
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