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BPAL Madness!

naeelah

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Posts posted by naeelah


  1. This blend is so simple, but encapsulates the concept very well.

     

    It starts out extremely herbal, almost all lavender. As the lavender settles and the other notes emerge, it becomes a soft, fuzzy, muted floral. The jasmine and honeysuckle are both soft, and the lavender is strong enough still to keep them from going to sweet. Together, the jasmine and honeysuckle do indeed provide a gentle glow. This scent is definitely the color of a pale ink sky fading to buttercup at the horizon. It reminds me a lot of Somnus, actually. It's very soothing and gentle, but relatively strong.

     

    Little by little, the flowers and lavender become better balanced, so once totally dry, it is more perfume-like than panacea-like.


  2. Someone was lovely enough to frimp me a half imp of this!

     

    It goes on so soft that I can barely tell I've put anything on. The musk in this definitely seems to be skin musk. The sweet edge of tobacco quickly emerges, followed by rich, polished leather. Once dry, the leather takes over and provides a light, masculine, cologne-like quality. The tobacco remains sweet and rich, and doesn't go smoky/ashtray, and the musk keeps the scent grounded. It smells very much like a swanky classic men's room -- cologne, cigars, and a smooth leather couch. It's a soft, subtle scent, probably unisex on the side of masculine.

     

    Try it if you like: Nanny Ashtoreth, De Sade..there are a lot of other points of comparison, but right now, they elude me.


  3. This starts out very brown sugary, but as it dries, the overt sugar-ness burns off and I'm left with a honey and light, juicy sugar cane underscored by a hint of dark molasses. The oak wood is smooth and polished, much like in Miskatonic U, and it balances out the sweet notes very well. It's surprisingly light and subtle once dry, and while the sugar gives it a gourmand effect, I wouldn't call this foody.

     

    Overall, it reminds me a lot of Miskatonic U, only without the coffee and cream.


  4. This is a very sweet blend, much sweeter than I was expecting. I tried it on without referencing the notes and I smelled chocolate and what I thought was fig, with a slighty dry tartness on the edge.

     

    I think it's the wine note that I was mistaking for the fig, perhaps with how it smells in conjunction with the rum. I don't feel this is boozy, just very sweet and grapey. There's perhaps a slight sour edge from the wine. It reminds me most of the wine note in Madrid. Quite syrupy. Chocolate isn't the main note, for me. It just colors the scent of the booze.

     

    It's strong and it has good staying power. I scrubbed it off to make room for testing other scents, and I can still smell it quite clearly, although it's much lighter. Blotted, it's less grape-y and I can smell more of the bittersweet complexity.


  5. It smells like you'd expect: dirty, gritty, dark ash. No hint of wood or resin or anything else. Just, pure ash.

     

    Wet, it has a strong barbecued vetiver quality with a sour edge, but this fortunately goes away as it dries. Once dry, the vetiver seems to blend well and doesn't stand out to my nose as it often does.

     

    It gets lighter and cooler the longer it dries. Less gritty, more pale gray. Something about it smells almost wet, to me, but perhaps it's just memories of rinsing out fireplaces that gives me that sense.

     

    Obviously this is not a conventional perfume, but it's more subtle and wearable than you'd expect. It's amazingly dead on for the concept. Beth's blending powers never fail to amaze me.


  6. CLXXII - This is an interesting one. It's a floral peppermint, with another component I can't quite identify. Some kind of resin, maybe? Benzoin? It's not smoky, it's more amber-like. There's possibly a tiny bit of fennel or some other herb or spice.

     

    It starts out smelling mainly like peppermint, but not overwhelmingly so. In the background is a lush floral quality with a smooth, darker foundation. The peppermint fades pretty quickly, leaving a scent that's primarily gardenia, with a hint of mintiness and the same hard-to-describe base.

     

    The mint lingers in my nostrils, so it's hard to get an accurate sniff, BUT -- I accidentally got some on the tip of my nose, without realizing it. I stepped outside and thought, "Oh wow, what's in bloom now? That smells fantastic." Then I realized it smelled like gardenia and...we don't have a gardenia plant. It's the perfume!

     

    It reminds me a lot of Tarot: The Moon, only with the addition of peppermint. Unusual, but strangely great for summer.


  7. Clearly I just saw "incense" and went with that, because I didn't expect this to be a rose incense. Luckily I like rose.

     

    It smells like you'd expect. It's a very classic, wood based incense. Not dark, no sweetness. Just soft, non-evergreen woods, resins (myrrh is there for sure), and rich rose.

     

    It's very similar to both Rose Cross and Parlement of Foules, but the addition of woods makes is a little bit better rounded and also lends it more of a classic perfume quality. Rose Cross is a very deep, voluptuous rose, and Parlement is light and gentle. This one is, happily, somewhere in between.

     

    There isn't much more commentary to be made. If you like other rose incense scents, you'll like this. If the idea is appealing, give it a try. I think that this is my favorite of the three I mentioned, because it has an extra dimension. Perhaps it's because I amp rose, but this seems to emphasize the rose more than the incense. It isn't as deeply smoky and resinous as Rose Cross.


  8. The first time I tried this, I have a strong DO NOT WANT reaction and was relieved I could send it straight out to a new home. I haven't swapped it yet, so now, a few weeks later, I gave it another go. I don't know if the oil has blended better, or if it's just a change in my chemistry, but now I actually really like this.

     

    Wet, it's like burying your face in pine cuttings. Pine pine pine....and sap. It smells just like the pine sap in Pickled Imp. But the pine promptly warms up with sexy skin musk, smoky vanilla, a hint of honey, and is kept anchored with patchouli. The patchouli, which went OH HAI CAN I COME IN THANKS the first time I wore, has learned its place and stays outside where it belongs. The vanilla is surprisingly strong, but it's smoky and so well balanced by the resins, pine, and other non-sweet notes that it definitely doesn't give this blend a foody feel.

     

    This initial dry down I think is strongest in skin musk, pine, and vanilla, tempered by resins. Everything blends very well under the nose. The longer it dries, the more the vanilla loses its sweetness. After an hour or so, it's a very earthy blend and not nearly as much to my liking. It's tobacco and patchouli (both notes I typically amp) grounded in resins, with whispers of pine and vanilla.

     

    I loved the first hour, but I'm not wooed by the second. I'll hang onto the imp, though, and see how it continues to develop.


  9. For some reason I'm obsessed with collecting and testing book/paper/parchment scents, even though I rarely wear them. So I was very excited to try this blend, especially given the presence of brimstone (another note I'm kind of obsessed with even though I can rarely wear it).

     

    Although it looks dark and heavy, The Contract is a relatively light scent. Wet, it has a clean, fresh quality. The paper note is strong and resembles starched linens. The red musk lends a bright, chemical-y edge. The daemonorops, presumably, give it a slightly green, watery quality, and underneath is just a suggestion of incense.

     

    As it dries and everything settles down, paper is still the most prominent note, but now it's accompanied by a richer musk, richer smoke, and smooth resin. The longer it dries, the stronger the incense quality becomes. The brimstone smells a bit like a wet ashtray at first, but it's really light. I can hardly tell brimstone is a note in this. In the middle phase, it's basically a light incense and red musk blend. Reminds me of Krampus, but not as strong.

     

    Once it's been dry for a while, it's brittle parchment and dark smoke and ash. The red musk doesn't seem as pronounced, but you can feel the effect. This is a paper blend for those who want a book with a dark edge. It's quite similar to Lurid Library, but with a very different musk.

     

    Try it if you like: Eshe, The Bugger Alle This Bible, The Chapel, The Lurid Library, Krampus.


  10. This is exactly what I hoped it would be. Other absinthe blends have been too licorice heavy for my tastes, but this has just enough balance of sugar and light florals to make it beautiful.

     

    Wet, it's sugary boozy absinthe with light roses. The anise is very subtle and fragrant. In the initial dry phase, the sugar and booze fade away some and it smells primarily of anise, roses, and lilac. It's very light and feminine (but I think it would make a terrific scent for a dandy). After a while longer, the scorched aspect of the sugar the the opium smoke begin to creep in, making the scent a little bolder and deeper.

     

    It really smells exactly like the note description, only subtly so. A sugar cube, lightly scorched, with soft anise and light roses and lilac, under a faint puff of smoke. Even though it contains sugar, I wouldn't say this is a sweet scent. It isn't bone dry, but it isn't at all foody.

     

    Definitely a winner. Try it if you like: Absinthe, La Fee Verte, Pontarlier (duh), Rose Moon, Sugar Moon.


  11. This is the coolest spice blend EVER.

     

    Wet, it's a bizarre, peppery medicinal scent that reminds me strangely of Aries. There's a sweetness, but in the front is sharp spice and an unusual, cool note. That cool note is the pine sap. At this point, it's a little bit like eating a cinnamon roll in a room where someone is mopping. And that's kind of great.

     

    The more it dries, the more sweet vanilla comes out. It's very icing-like. The clove and cinnamon blend well, and it smells more like a pumpkin pie spice mix than two separate spices doing their own thing. Except for the pine sap, this smells a lot like Gingerbread Poppet.

     

    After a while, the custodian puts away the mop bucket, and you enjoy your WOAH THERE'S A LOT OF CLOVE AND CINNAMON IN THIS BUN with a side of vanilla icing. The pine sol scent lingers in the background.

     

    The pine sap is a stroke of brilliance, I think. It adds a unique edge to the blend that makes it more than just a foody perfume. This will appeal most to foodies, but give it a try if you've always wanted to like foody scents but then decided you don't want to go out smelling like cake after all. As some of the sweetness of the vanilla wears away, this really straddles a nice line.

     

    Try it if you like: Plunder, Inferno, Gingerbread Poppet, Love's Philosophy.


  12. I can't give this a very in depth review, but my general impression is this:

     

    As a young blend, the most prominent notes are iris and red musk. The red musk is bright and a tiny bit chemical-y. The iris is sleek and sophisticated. Underneath, it's enriched by subtle, earthy vanilla and darkened just slightly by clove (which really only adds depth, not so much spice). I can smell the magnolia, but it doesn't take over or give me a headache, as it does in many blends. I'm not as familiar with the scent of mimosa, but I suspect it's right up there with the iris and red musk. The rose is definitely at play, but only to lend depth and smoothness to the bouquet. Even on my rose-amping skin, Grindhouse does not strike me as a rose blend.

     

    I was expecting something a bit deeper and creamier, more like Sacred Whore. Instead, the Iris and red musk give me something much more chic. This is a sophisticated, classic floral that hints at a seedier background. As it is, it's a little too dry for my tastes. However, I think this is a great candidate for aging, so I'm definitely going to keep my imp and see how it changes.


  13. As a fan of incense scents, I was definitely intrigued by this. I am determined to find a brimstone blend that works for me.

     

    The Chapel starts out like many dark incense blends before it. Soft, sweet, fuzzy resins that gradually darken as it dries. It takes at least 15 minutes or so of drying for the full complexity to open to my nose. From a distance, it still has the same sweet, fuzzy, dark scent -- a little like young Al-Azif, minus the maple. But when you look closer, you realize the foundation is extremely ashy and gritty -- the brimstone. In the darkness of the smoke, I think I can pick out traces of vetiver, but it is not overwhelming, even to my extremely vetiver sensitive skin and nose.

     

    The sweetness is almost like bubblegum, and it's making this scent a little bizarre for me. Part of the sweetness seems to be from the wine. There's a grapey, boozy quality, but I believe it's also part of the blood component. The oil itself is a dark orange, and it probably contains a little dragon's blood.

     

    And it's STRONG. I put on a dab on the back of my hand and it's screaming "HELLO WELCOME TO THE CHURCH OF SATAN WOULD YOU LIKE SOME CANDY HERE TAKE A HANDFUL!!" It's like, party at the brimstone pool! Whooo!

     

    It's growing on me, but it's way sweeter than I wanted it to be and doesn't seem to be working out. In the end, it's like dragon's blood wine and charcoal. Pretty neat, but not quite what I wanted.


  14. Wet, this is definitely way sweet. It's a little bit syrupy, but it smells more like a freshly opened back of brown sugar.

     

    As it dries, it becomes much more subdued and wearable. It still smells just like brown sugar, but now it has a milky quality, with just a hint of wine. The wine is soft and boozy, not very grapey. It adds a slightly sour edge to balance the extreme sugariness.

     

    So, I would say this smells more or less like you'd expect: soft, milky cake and sugar. Throw is relatively good, but of all the scents of this kind that I've tried, this seems to be the lightest and most gentle.

     

    I've seen this compared to Crumpet Rebellion. The similarity is definitely there at first, but the more it dries, the more different it gets, on my skin. They're definitely alike in that they're caramelized sugar scents, but this lacks the currants and the dark, gritty edge of Crumpet Rebellion. So, same family, but not exact matches. It reminds me more of Anaconda -- which, on me, smelled like musky brown sugar. If you layered this with well-aged Snake Oil, I bet it would be pretty similar. Definitely close enough for government work, so if you want a substitute for Anaconda, give this a try!


  15. DCXCIII - In the bottle, it smells like green apples. On the skin, the apple was gradually replaced by a very light, clean aquatic scent. The apple is still there, but just flavoring the water.

     

    CDLIX - Hazelnut, golden musk, and tobacco or a dark incense note. Wet, it's very strong on the hazelnut, but this burns off as it dries, and for a while, it's almost a single note golden musk. It's a sparkling, fruity golden musk like in Aziraphale. The longer it wears, the more a dark, smoky quality emerges. Most dark incense blends have this effect on my skin. It's not an overwhelming smokiness, it just darkens the blend. The nuttiness is gone by this point.

     

    DLXXXVII - The main note is MELON! It smells very similar to Earth Rat, really, but much more aquatic. I'll have to expand on this review after another try.

     

    DXCIV - UPDATED TO SHOW AGING -- at first, this struck me as a dark, grassy, minty herbal.

     

    Now, the top note is sweet red apple, followed by a sharp, green note that I now believe to be cardamom. It's not nearly as minty as it used to be, and once dry, it blends in very well. As the blend dries, it takes one a more grassy and herbal quality, getting darker, but the overall quality is more golden. There may be hay or amber or something. I'm really not sure. I used to think the grassy scent was vetiver, but now that the blend has settled, I don't get any sense of vetiver.


  16. Wet, it smells like a more candy-like Mead. Sweet, syrupy, boozy honey. The red currant adds a tart undertone. The dandelion feels like the whole plant -- just a little bit of dry weediness, along with a gentle, buttery floral quality. It has kind of an herbal effect, and it reminds me of the florals in Fairy Market.

     

    It's very strong at first, but it quickly burns down to a very light, ethereal, and, well, fae kind of scent. It's still sweet, but now the currant and dandelion are a bit better balanced with the honey. It's still very boozy, which I like, because the booziness adds a more astringent quality that helps balance the honey and bind all of the notes together.

     

    I've really loved all of the Stardust scents so far, and this is no exception. Compared to Lady Una, it's less fruity and creamy, and compared to Fairy Market, it's less floral, but it's in the same general family of scent. I think it's lighter than Lady Una, so if want a honey scent but found her too heavy or cloying, maybe you'll like this better.


  17. I think I have a new favorite BPTP soap!

     

    From the perfume, I got bright musks and sugary, creamy tea. Not much lemon. From the soap, the first thing I smell is lemon and bright musk, followed by sweet, milky tea. The soap is not so heavily musky or sugary as the perfume, but the milk tea scent is still pronounced. I think it's actually more pronounced in the soap, since the musk doesn't get the chance to take over. The scent is a good strength.

     

    It's a smooth, creamy bar the color of milky tea. It might be tiny, tiny bit less moisturizing than the newer formula soaps, but it isn't drying.


  18. *jotting* Nanny Ashtoreth...that's still at the Lab, right?

     

    Yep! It's GC! :P And as a Gaiman scent, it's charitable!

     

    I might be swapping my bottle (it was way more leathery and masculine than I expected), so you might check out the swaps forums too, to see if someone has it listed already.


  19. This is officially one of my new favorite rose blends, and one of my new favorite floral BPALs. I tried it in knowing that it was floral, but not remembering what the exact notes were. Marguerite has a sweet, almost fruity quality, so I was surprised to find that there is no fruit, no honey, no skin musk, no anything like that in the notes.

     

    First and foremost, this is a rose scent. Rich red rose, lightened by rose geranium and brightened by ylang ylang. The gardenia adds a creamy sweetness, but I don't really single it out. Actually, in general, this scent blends really well. I can guess at what's in it if I really look for the individual notes, but they really cohere into a singular blend.

     

    Red sandalwood and I have a history, so that is the note I was most worried about, but it behaves admirably. It adds a light, warm wood touch to the base. The myrrh adds a hint of resiny richness, but also doesn't call attention to itself. And then there's the palmarosa, helping to round things out.

     

    This is my favorite kind of floral scent -- it smells like a walk through a garden, but really it's richer and more well-rounded than that. Not so dry as a purely floral blend. It's a lighter, girlier rose blend, I think, but still very classic.

     

    Try it if you like: Lady Luck Blues, Abhisarika, The Presence of Love, Peacock Queen, Three Brides...


  20. I found Glowing Vulva to be unique (although it reminded me in a weird way of Bond No. 9's Chinatown it was in no way identical to it). Have you tried Agrat-Bat-Mahlaht yet? It does have amber, cream and teak notes - with a bunch of other sweet things in place of the lotus in GV.

     

    I can't vouch for a similarity but it's because of that caramel effect on my skin. Basically, when I tried Agrat, the caramel was so bossy that I just smelled like Rolos. Not a bad smell, but not the complex and sexy scent that I am sure Beth intended.

     

    Just agreeing that I find Agrat very caramel-y and not so much like Glowing Vulva. It's in the same general scent family, sure, but definitely not a dead ringer. GV isn't at all sugary, but Agrat distinctively has a caramel note. The apple blossom was pretty strong for me too, whereas I got almost no floral sense out of GV.

     

    So I'd say Agrat is worth trying if you like that kind of scent and want a new take on it, but not if you want a dupe.


  21. This is a very smooth and creamy bar. It's the color of milky coffee and it has a soft texture. The scent is very rounded. Compared to the perfume oil, it doesn't have so much of the sugariness, booze, or dust -- it just smells like sweetened, milky coffee and polished, warm woods. It's a gentle sweetness, not so strong and caramel-like as the perfume. The overall strength of the scent is moderate.

     

    I don't find it any more or less moisturizing than other BPTP bars. It's not quite as soft as El Dia de Reyes, so it doesn't melt quite as quickly, but it was one of the softer bars I've tried.


  22. This is the only BPTP soap that I flat out have not liked, so far. I got a slice from a decant circle to try, and I actually had to force myself to keep bathing with it. The scent was so strong and stuffy that it choked me. I don't even know what it smelled like, it just gave me the "musty death" quality that I seem to hate.

     

    The second time I used it, after it had been sitting in the open air on the side of the tub for a few days, I found the scent much more bearable. It's still strong, but now it has a better resemblance to the perfume oil. Dark, dark incense with a hint of sweetness. The sweetness seems pretty minimal in the soap. It's very smoky.

     

    So once it airs out a little, it's better, but apparently I don't care for dark, smoky scents in the bath.

     

    The bar itself is dark brown, a little bit harder than some other BPTP soaps, and it's painfully scrubby. It's not so much sandalwood powder as sandalwood splinters. I found TKO to be very exfoliating, but in a much gentler way. The fiber in that soap is softer, or a finer grain; this feels like it's scratching my skin.


  23. Thank you!! I'll be adding Hellion and Red Phoenix to my wishlist and hope I get lucky. I do have an imp of Blood Countess, hadn't thought of that but I'll go home and give it a shot. :P

     

    Personally, I don't think Blood Countess smells at all like Nahemoth, although it is in a similar kind of scent family. Blood Countess is waaay to heavy on the champaca to be a close match. (Blood Countess, to me, smells most like John Seward.)

     

    Hellion probably is the best match for Nahemoth, but when I go home, I'll plunder my incense collection to see if something is at all similar. I feel like I discovered a slightly plummy incense blend recently, but I don't remember what it was...

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