Jump to content
Post-Update: Forum Issues Read more... ×
BPAL Madness!

LiberAmoris

Moderator Emeritus
  • Content Count

    6,228
  • Joined

  • Last visited

Posts posted by LiberAmoris


  1. Agree with above. Moonglow bath oil is absolutely honey biscuits with cream. Strong on the honey, with the carb and dairy trailing, but totally delectable. If I sniffed this scent description unseen, I might say it's honey with a shadow of something that makes my mouth water, but I'm not sure I'd call out biscuits and cream. Those notes are very subtle on me, although present. If you like honey and foodie scents, this is a lovely, simple one. 


  2. Gaudeamus omnes in Domino, quia Salvator noster natus est in mundo. Hodie nobis de caelo pax vera descendit.

     

    Apologies, I looked for my bottle of Cathedral so I could compare the scent of Cathedral Incense atmo to it (thought that might be most useful to others), but am unable to find it so am working from memory here. But I do think that Cathedral Incense is strongly reminiscent of Cathedral, and that people who like it would like this! I'm getting similar resiny-herbal-sweet vibes, with what smells like frankincense and myrrh with maybe benzoin and styrax? There's a hint of what smells like candle or incense smoke as well, although I wouldn't call it heavy on that element. It's really beautiful and smells like Christmas mass. So glad I got a bottle!


  3. Because nothing says “scrappy indie perfumer with authority-figure issues” like a pachyderm who’s too P.O.’ed to poop.

     

    Ambergris accord, Mysore sandalwood, ambrette seed, cypress, nagarmotha, and grey agarwood.

     

    God, I really hope someone asks me what I'm wearing when I have this on some time.

     

    Constipated Elephant Alchemy Lab is a nuzzle-y soft heap of pale greys and browns, earthy and woodsy and with a vocal hit of ambergris that always smells to me salty, caramelized, and resiny. Wet, I get a terpenic shot of the cypress and nagarmotha, outdoorsy and gently bracing. It quickly shifts to whispering woods, with the agarwood and sandalwood both detectible and the ambrette seed adding something both slightly nutty and gourmand but also amberishly, resiny smooth. The ambergris reinforces this smoothness, filling in the wood's grain with a natural sweetness and a touch of the sea. It's beautiful. 


  4. REVIEW GUIDELINES:

     

    The Reviews forum is the primary place at BPAL.org where forum members can share their thoughts on individual BPAL products. We welcome everyone to contribute their experiences and perspectives! However, we ask that you understand and follow some guidelines in order to minimize manual moderation:

     

    1.    Only one review per review topic is allowed, unless you're reviewing a product that has had multiple release years which are listed in the tags for the topic. For example, some Lupercalia, Halloweenie, and Yule scents have been released across multiple years—it’s ok to have a separate post for the Snow White that released in 2017 if you’ve already made a post for the Snow White that released in 2016. We ask that you call out the ‘vintage’ you’re reviewing at the top of your review so it’s clear for moderators and members.

     

                     As a corollary, if you have an update to a review you’ve already posted, please edit your post rather than creating a new post.

     

    2.    We ask that reviewers not requote the scent description for the product in their review verbatim, unless their post appears as the first post at the beginning of a new page of reviews. This is to prevent redundant copy. If your post is the first post at the top of a new page, we’d appreciate if you would edit your post to include the BPAL scent description (including the formatting). You can simply copy this content from the previous page and paste it in (the formatting should be retained if you don’t select an unformatted paste). If you’re unable to do so or spot a page without a description at the top, please report the post so we can add it.

     

    3.    We have a wide palette for what is considered a ‘substantive review’, but please do say something about how the product and avoid posts that are simply ‘+1!!!!!’ to a previous reviewer. Overwhelmingly, people are browsing the Reviews forum to understand how something smells. Conveying this can occur through so many means—sheer description, a metaphor (‘this smells like a sunset’), a comparison to another product, the way it makes you feel, etc. Readers of reviews respond to so many different kinds of review posts that all takes are useful. But a focus on the product itself is essential.

     

    4.    Conversation about products should happen in the appropriate Chatter topic and not in Reviews. It’s ok to quote a previous reviewer if you're adding some additional text of your own to state your own review/opinion. But posts that seek to discuss without adding a review, ask questions of previous reviewers, and query as to swap/sale availability will be moved out of the Reviews forum or deleted.

     

    5.    If you are the first reviewer in a review placeholder topic, do not report, the scent description will now be the first review post for each scent. Reviews is locked to new posts so we can avoid duplicate topics. 

     

     

    HAVING DIFFICULTY FINDING A TOPIC? TRY:

     

    • Using an external search engine. Type in [product name] + bpal. For example: ‘Snake Oil bpal’ (minus single quotes).
    • Searching within the Reviews forum or a Reviews sub-forum, using the forum search function (search box can be found in upper-right of forum). A drop-down will appear when you type something in; try selecting ‘Topics’ or ‘This Forum’ alternately to see if one will surface the results you’re looking for.
    • Checking The Hunt for Hard-to-Find Review Topics post.

     

    Additionally, if you know the update release that a product appeared in, you can click on the tag for that release in any review thread to see all the products that appeared in that release. For example: clicking on a ‘Lupercalia 2019’ tag will give you the results for all other topics with that tag.


  5. Gilded vanilla orchid, cherry blossom, crystalline pale petals, flecks gold leaf, and drops of daemonorops draco.

    Unf, I love Delicate Dragon HG. Cherry blossom can be a bit too much for me, but here it's cut by the vanilla orchid and daemonorops draco (dragon's blood). Those notes take down the sweetness and innocence of cherry blossom a bit without making it less delicate. I'm not sure if I'm detecting the pale petals and gold leaf, but I'm sure they're here, helping to make this well-blended beast as pretty as it is. It smells pale pink, and although there are loads of flowers in it, I wouldn't classify it as an overt floral. It's really difficult to describe but I will enjoy using every drop.

  6. I love the Lab's peony note so had to try this. Miss Nellie Harding HG makes good use of that peony note, and this smells like living well. The white musk and white moss throw a veil over the white rose and peony notes, so they're almost blurred. Because of the florals and the white musk, I think this is the kind of scent that people might call 'soapy' or 'powdery', but to me is retro in the best way. It's very pretty, and would be an excellent hair gloss for me to wear to work, as it smells clean and polished.


  7. Golden Apple, Golden Sandalwood, and Amber HG in my hair is apple-forward at first, with apple doing the driving. The golden apple note is really mellow but luscious—almost juicy? And is very autumnal, perfect for this time of year. As the hair gloss wears on, the sandalwood and amber step forward and assert themselves, although the apple is always present, bringing sweetness and that sense of juiciness. I wasn't quite sure what to expect from the intersection of these notes, but I like how they work together to create a total fall vibe. I think this would layer well with a lot of my Halloween scents, in fact, and can't wait to do some experimenting!


  8. I also love The Serpentine and had to have the hair gloss—and this doesn't disappoint. It's a fluffy lavender with Dorian, a light floral, and vanilla. The effect is of a downy, creamy lavender with a killer Dorian-tinged trail. Another hair gloss that's perfect to spray when I shower shortly before bed, as the smell of this on the pillow is very soporific!


  9. I bought Hidden Purpose BO as an after-shower moisturizer. It's straight-up lavender with dark oudh intercutting it, making it less herbal and more animalic and 'perfumey'. I love the combo—simple and effective. Layers beautifully with lavender perfumes and hair glosses, and is perfect for days when I shower late and want something comforting and beautiful to usher me through the remaining hours to sleep.


  10. King mandarin, wildflower honey, cognac, labdanum, honeybush and blood orange.

    The Orange Window HG is like an orange-lovers' dream. The king mandarin and blood orange are in the forefront, with the honey. The cognac, labdanum, and rooibos trail, making this a bit boozy/resiny and adding a subtle tea note. I think this is my second-favorite of the Halloween hair glosses I've received this year, and would layer so beautifully with any orange-dominant perfume or Snake Oil.

  11. Red musk, saffron threads, molten honey, and tobacco oudh.

    Red, red, red. The Blood Red Window Panes HG smells like dark red incarnate. I would call this a red musk-prominent blend, but the other notes really get their fingers into it. The saffron and honey sweeten this and turn it sideways, and the tobacco oudh makes it smell decadent and perverse. It's a bit like if the Infernal Lover took a dose of debauched tobacco oudh and went out on the town. The oudh is definitely present, but I wouldn't call it overpowering.

  12. With a cinnamon and maple glaze.

    This is so much lighter than I thought it would be! Pumpkin Donut HG has a fresh pumpkin note that smells like it's just been scooped out—it's nearly floral. The baked good aspect of this is very subtle. The cinnamon and maple are in fact more perceptible to me than the donut angle. That said, it does smell like dessert, it's just not a heavy scent. The sillage smells more like pumpkin donut than it does during application/wet, so interesting. I like this, and it's even more wearable than I thought it would be (sometimes the foody scents are too much for me to wear to work).

  13. Lily of the valley, osmanthus, white oakmoss, silvered orchid and ambergris accord.

    The White Window HG does smell white, like a white flower extravaganza. Lily of the valley (one of my fave notes), plus osmanthus and orchid—supported by ambergris and oakmoss. If you love white florals, don't miss this! It's really elegant.

  14. Lily of the valley, cedarwood, chamomile, vanilla orchid, white sandalwood, and polished oak.

    I love lily of the valley so was super excited for this atmo. And lily of the valley is definitely the star here. The cedarwood, sandalwood, and oak cut the sweetness of the floral and give this a woody base. The chamomile and vanilla orchid give it a slightly herbal edge/additional floral that skews a bit waxy and spicy. Super pretty!

  15. A maddeningly festive blend of warm, buttery rum, cocoa, coconut, vanilla and a jolt of peppermint. It’s a sweet, decadent, slightly silly scent, reminicent of rum-laced holiday cookies.

     

    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!


  16. Black currant, rhubarb, mushroom, champaca, and myrrh.

     

    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!


  17. This Clytie knew, and knew she was undone,
    Whose soul was fix'd, and doated on the Sun.
    She rag'd to think on her neglected charms,
    And Phoebus, panting in another's arms.
    With envious madness fir'd, she flies in haste,
    And tells the king, his daughter was unchaste.
    The king, incens'd to hear his honour stain'd,
    No more the father nor the man retain'd.
    In vain she stretch'd her arms, and turn'd her eyes
    To her lov'd God, th' enlightner of the skies.
    In vain she own'd it was a crime, yet still
    It was a crime not acted by her will.
    The brutal sire stood deaf to ev'ry pray'r,
    And deep in Earth entomb'd alive the fair.
    What Phoebus could do, was by Phoebus done:
    Full on her grave with pointed beams he shone:
    To pointed beams the gaping Earth gave way;
    Had the nymph eyes, her eyes had seen the day,
    But lifeless now, yet lovely still, she lay.
    Not more the God wept, when the world was fir'd,
    And in the wreck his blooming boy expir'd.
    The vital flame he strives to light again,
    And warm the frozen blood in ev'ry vein:
    But since resistless Fates deny'd that pow'r,
    On the cold nymph he rain'd a nectar show'r.
    Ah! undeserving thus (he said) to die,
    Yet still in odours thou shalt reach the sky.
    The body soon dissolv'd, and all around
    Perfum'd with heav'nly fragrancies the ground,
    A sacrifice for Gods up-rose from thence,
    A sweet, delightful tree of frankincense.
    Tho' guilty Clytie thus the sun betray'd,
    By too much passion she was guilty made.
    Excess of love begot excess of grief,
    Grief fondly bad her hence to hope relief.
    But angry Phoebus hears, unmov'd, her sighs,
    And scornful from her loath'd embraces flies.
    All day, all night, in trackless wilds, alone
    She pin'd, and taught the list'ning rocks her moan.
    On the bare earth she lies, her bosom bare,
    Loose her attire, dishevel'd is her hair.
    Nine times the morn unbarr'd the gates of light,
    As oft were spread th' alternate shades of night,
    So long no sustenance the mourner knew,
    Unless she drunk her tears, or suck'd the dew.
    She turn'd about, but rose not from the ground,
    Turn'd to the Sun, still as he roul'd his round:
    On his bright face hung her desiring eyes,
    'Till fix'd to Earth, she strove in vain to rise.
    Her looks their paleness in a flow'r retain'd,
    But here, and there, some purple streaks they gain'd.
    Still the lov'd object the fond leafs pursue,
    Still move their root, the moving Sun to view,
    And in the Heliotrope the nymph is true.
    Excess of love begetting excess of grief: heliotrope, frankincense, muguet, osmanthus, and neroli.

    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!

     


  18. This Clytie knew, and knew she was undone,
    Whose soul was fix'd, and doated on the Sun.
    She rag'd to think on her neglected charms,
    And Phoebus, panting in another's arms.
    With envious madness fir'd, she flies in haste,
    And tells the king, his daughter was unchaste.
    The king, incens'd to hear his honour stain'd,
    No more the father nor the man retain'd.
    In vain she stretch'd her arms, and turn'd her eyes
    To her lov'd God, th' enlightner of the skies.
    In vain she own'd it was a crime, yet still
    It was a crime not acted by her will.
    The brutal sire stood deaf to ev'ry pray'r,
    And deep in Earth entomb'd alive the fair.
    What Phoebus could do, was by Phoebus done:
    Full on her grave with pointed beams he shone:
    To pointed beams the gaping Earth gave way;
    Had the nymph eyes, her eyes had seen the day,
    But lifeless now, yet lovely still, she lay.
    Not more the God wept, when the world was fir'd,
    And in the wreck his blooming boy expir'd.
    The vital flame he strives to light again,
    And warm the frozen blood in ev'ry vein:
    But since resistless Fates deny'd that pow'r,
    On the cold nymph he rain'd a nectar show'r.
    Ah! undeserving thus (he said) to die,
    Yet still in odours thou shalt reach the sky.
    The body soon dissolv'd, and all around
    Perfum'd with heav'nly fragrancies the ground,
    A sacrifice for Gods up-rose from thence,
    A sweet, delightful tree of frankincense.
    Tho' guilty Clytie thus the sun betray'd,
    By too much passion she was guilty made.
    Excess of love begot excess of grief,
    Grief fondly bad her hence to hope relief.
    But angry Phoebus hears, unmov'd, her sighs,
    And scornful from her loath'd embraces flies.
    All day, all night, in trackless wilds, alone
    She pin'd, and taught the list'ning rocks her moan.
    On the bare earth she lies, her bosom bare,
    Loose her attire, dishevel'd is her hair.
    Nine times the morn unbarr'd the gates of light,
    As oft were spread th' alternate shades of night,
    So long no sustenance the mourner knew,
    Unless she drunk her tears, or suck'd the dew.
    She turn'd about, but rose not from the ground,
    Turn'd to the Sun, still as he roul'd his round:
    On his bright face hung her desiring eyes,
    'Till fix'd to Earth, she strove in vain to rise.
    Her looks their paleness in a flow'r retain'd,
    But here, and there, some purple streaks they gain'd.
    Still the lov'd object the fond leafs pursue,
    Still move their root, the moving Sun to view,
    And in the Heliotrope the nymph is true.
    Excess of love begetting excess of grief: heliotrope, frankincense, muguet, osmanthus, and neroli.

    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!

     


  19. Chaos is the score upon which reality is written. – Henry Miller
    An old take on Chaos! A new take on Chaos!
    This year, we are offering the traditional chaos of the original Chaos Theories, manifested as Eris’ Tilt-A-Whirl, and a new Recursive Self-Similarity series.
    Each CT:6 scent under the auspices of Recursive Self-Similarity, has a base of Amber, in wildly varying proportions.
    From these bases comes a new series of flowing, fragrant fractals that emanate from these three roots. Random combinations of oils have been added to every individual bottle, retaining their sensitivity to their initial component, resulting in a truly unique blend that swirls merrily around its core oil.
    This is an exercise in the joy of chance and uncertainty! Each is a one-of-a-kind, utterly random combination of scents, the composition of which is based on whim, mood and gut instinct.

    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!

     


  20. A 19th century euphemism for the area that is now called Chelsea. During that time, there were at least forty-night bawdy house, twenty-two of which were on West 27th Street alone.

     

    Moldering wood covered by velvet-flocked wallpaper, a splash of rum, pipe smoke, and cologne.


    This post is merely a placeholder for future reviews. Whoever is first to review, please report this post using the report button below, so a mod can merge it with yours. Thanks!
×