ghoulnextdoor
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Everything posted by ghoulnextdoor
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The greenest stickiest resins, tree gum, and sap, tingly with a frisson of spearminty-pennyroyal cool-electric-crispness.
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It's the most bonederful time of the year! Wherein even things that do not have bony skeletons inside their skins get treated to cheap plastic skeletons and sold for $5.99 at Michaels and Party City. Worm, you get a skeleton! Octopus, you get a skeleton! And so on! The flamingo does in fact have a skeleton and as scientists know, its aroma is that of the most delicious bitter grapefruit Haribo candy cross-bred with deliciously salty Icelandic lakkrís, spliced with white chocolate. When I talk about my profound love for things that inspire a sense of demented glee, a fragrance like this is exactly what I am thinking of.
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This one has a spectral and musty quality, like shed snake skins and brittle, broken bird's nests, but also oddly evokes spring leaves, damp and dewy and almost jittery green, teeming with chlorophyll. It culminates in a fragrance that you might attribute to an altar deep kept in the wood, obeisance to a thing so old it doesn't even have a name, with offerings of shoots and stems, bones and claws, trinkets both living and dead.
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Dead Laves, Shortbread & Crystallized Ginger
ghoulnextdoor replied to zankoku_zen's topic in Halloweenie
The softly decaying dead leaves component of this perfume is so fleeting, almost as if leaf litter and loam were used as padding for a parcel of treats, but the parcel was delivered and the packaging was tossed willy nilly, and what we are left with is the sugar-crusted delight of candied ginger-flecked buttery shortbread with crisp, caramelized edges. -
The leather in this blend is an airy, floral leather, conjuring visions of a little bat snoot dootling deep in trellis vining, moon-luminous night-blooming flowers. The incense is cool and crystalline, frost on stone, smoky winter mists high on a mountain while a witch sits in silence, tracing runes in the snow. Like a Wardruna video. With more bats and flowers and witches.
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The caramel aspect of this blend is what I notice most, a buttery-milky brown sugar caramel that wants to ooze over vanilla ice cream rather than firm up into fudgy squares. Shifting beneath the caramel are those faint, faded attic-trunk florals and creamy cobwebby linens I recall from Antique Lace and a cracked leather buckle so ghostly and elusive I’m not sure if it was actually ever there at all.
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A dusty, honeyed wistful, sepia-tinted floral; the olfactory representation of the concept of "dés-vu", or the awareness that this moment will become a memory.
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Utterly incandescent. Crystalline radium glass lime, the sticky bite of ginger syrup + a dry dram of allspice's mince pie charm.
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I wouldn't typically use the words "chocolatey" and "fresh" together in the same sentence and I don't know that's what I am doing here either--but I don't know that I am not? Halloween cat smells a bit like huffing dry brownie mix; absent the sweetness and gooeyness, there's a bracing, savory aspect to the cocoa. A pale nimbus of citrus hovers, a timorous, shimmering aurora haloing the arid chocolate.
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Whenever I see the word "gooseberry" I think of the time I spent listening to Eddie Izzard's memoir and how his British pronunciation ("guuzbury") always makes me smile. As a matter of fact, this sweet/sour, tart/tangy scent blanketed with a molassey-gingery cozy streusel, could even be the cake he's talking about in his "Cake or death?" clip from his Dressed To Kill special. Let's just make it canon. Our beloved, wicked Eddie Izzard circa 1999 smells like a guuzbury gâteau, a witch's currant cake.
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Washing your hair with a fragrant aromatherapeutic "spa-like" shampoo and then immediately running outdoors on a crisp October afternoon and rolling around in a pile of loamy leaves and moss, like a great shaggy golden retriever after a bath. This is stunning. STUNNING.
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This smells like a thick, nourishing lemon salve that you aren't supposed to eat but holy jeez you are definitely tempted to eat it. My spouse says he thinks it smells like luxurious lemon peel soap, to which I countered "But do you want to eat it?" And he was like like "Well, I mean yes." This is one of those simple scents that somehow doesn't seem like there's much to it, and yet is more than the sum of its parts and is weirdly definitely habit-forming.
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I don't talk about fragrances in terms of whether they are masculine or feminine but I will say that this scent is initially, and surprisingly, quite "handsome." An aroma that at first evokes some sort of rare, centuries-old cognac and things being aged in French oak barrels, but then because you have no use for stodgy tradition, you eschew drinking it neat and instead concoct a cranberry Manhattan with bitters and vermouth, garnished with a wooly frizzle of earthen moss because you are actually just three gnomes in a trench coat.
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This smells ..."incisive" is the word that comes to mind. It knows something, visions of silver, fruit, blood. I picture less a scimitar and more a little letter opener, sharp-edged glinting, used to liberate clever missives, mince sour slivers of plum, impale inconstant hearts.
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Wild grains and rustic incense, something roasting over a fire until it pops and frills, and carried over the fields on the dry wind of a warm September daydream.
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Can you think of anything more goth than a marble gargoyle in a mourning veil perched atop a crumbling gravestone wearing perfume of honeyed funereal florals & infernal incense ash? That is exactly what this smells like. It also smells like what I imagine Anna Falchi in Cemetery Man smells like.
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When I first wore Tomie, it seemed a simple. confectionary musk. I became overwhelmed when I thought it was beginning to remind me of a sort of candied heliotrope fragrance I tried a few years ago and felt an immediate revulsion towards, but when I obsessively began sniffing my wrist trying to pinpoint it, the momentary phantom was already gone. There is actually no comparing these two scents at all, but the thing is, from then on, I never stopped obsessively sniffing. Tomie crawls beneath your skin, a slithery jasmine-amber-flecked marzipan cotton candy ghost musk of a scent, but not a fresh, hot carnival cone of the stuff–rather, the soft, sticky filaments of floss caught in your hair at the end of the night. And maybe a bewitched someone is compelled to snip a few of those sweet, tangled tendrils while you’re sleeping because they’re an absolute psychopath, and maybe when you wake up in the morning the scissors are gripped in your own hands, the sultry tresses are tucked into your own little etched sandalwood box, and maybe, perhaps, the utterly obsessed psychopath is you. BPAL’s Tomie is both quietly haunting and all-consuming, the ghost of something you’re desperate to possess, but which is fully possessing you even as it slips through your fingers and disappears. This is exactly it. This is Tomie. They got her perfectly right.
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Passing between worlds over an unfathomable span of time, an ancient journey’s ending, and the abundant exuberance of new life that springs from it. This is a scent that opens with an incendiary collision of superheated off-gassing resins and the euphoric kaleidoscope of a summer meadow in full bloom, a curious but joyful amber-floral conflagration. As the incandescent radiation of the crash site dims and cools and condenses, strange alien flora, dormant in the ice and dust of deep space, burst forth and blossom, a vibrant pageant of lush, aromatic petals unfurl and fruit and ripen and decay in the span of seconds, releasing soft, fleecy seed pods in a pillowy puff of bittersweet, powdery musk. Carried softly on the breeze, these small travelers burrow into the earth, float to the clouds, and enter warm bodies with an intake of breath. Other journeys. Other worlds.
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Even though I have always wished it were otherwise, I have never sniffed a precious jewel, glimmering gem, or polished stone that smelled of anything in particular–even though the dazzling drama in those crystalline depths seem to promise, at least to me, that these geological treasures should somehow be radiating the most marvelous perfumes. Alas! Nope! It is sadly a wish I’ve long let go. Sphinx Skin, however, rekindles this daydream in the most fantastical and feverish ways, because I’m absolutely certain that if a moody, golden topaz had a scent? It would be the smoky umbral honey, spectral shed snakeskin musk of Sphinx Skin: heady, tobacco-infused amber with subtly shifting floral vanilla facets, a rich, sticky, resinous vein of dragon’s blood, and the faint, slithering earthiness of patchouli, dark, damp, rooty, and grounding. A stone formed from crystals in cooling magma (or so I understand), in reality, topaz probably smells of the fumes and vapors wafting amongst the cavities of igneous rocks in which it grows, but here, in the surreal secrecy of our intimate cocoon, where the writer and reader connect via a shared dream and can believe as we please - let’s choose to believe in exquisite lapidary aroma magic, and that a glowing sphere of topaz smells like a small bottle of Sphinx Skin.
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You can see Forest Rogers's "The Beautiful Crustacean" in the Impossible Monsters chapter of The Art of Fantasy: A Visual Sourcebook of All That is Unreal, on sale everywhere on September 12th, and available for preorder now.
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Cat at the Table has notes of gentle white tea and mellow, soothing sandalwood and boasts label art by Leonard Foujita (whose paintings of unsettling girls with their unsettling dolls are some of my favorites!), and maybe it's because Foujita's cat has a Richard Scarry Huckle the Cat quality, but or maybe because it's just a still cat at a table, the calm before the storm, but there's an undeniable air of charming mischief to this scent, but also of quiet playtime, of nurseries and storytimes and naps. Of milky tea parties in heirloom china cups, puddings sticky with drizzles of marmalade, and the amber-eyed gaze of an old family cat watching with interest as the children's tea play and sup and grow.
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White Cat is a crisp, airy lemon wafer with a creamy, fluffy vanilla marshmallow filling. But there's a resinous, ambery element as well; it's a cookie by way of incense-- you don't eat it, you scent the room with it.
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Portrait of Magdaleine Pinceloup de la Grange née de Parseval
ghoulnextdoor replied to Seajewel's topic in Limited Editions
Portrait of Magdaleine Pinceloup de la Grange née de Parseval is the perfumed approximation of your favorite TikTok cat; a whirlwind of musky fur, murky herbs, and backyard grassy litterbox bedevilment scratching at your tattered window screen to the frantically building beat of Darude's Sandstorm. This review will not hold up with time, and it won't make sense a year from now, and I don't even care because I know in my heart this is true. This is a scent, that, like the silliest memes, makes me giggle and makes me want to share it with someone and make them giggle too. -
By Day She Made Herself into a Cat is a deep, profoundly relieving gasp of cool, nocturnal air when you've been exposed too long to a brutal slash of sunlight. It's exactly as the notes suggest, amber and inky black musk in perfect proportions. It smells like swallowing the dark stillness of a midnight dream. This is one of those scents that is very much A Whole Vibe, and if your vibe is Must Love Cats And Darkness, you will probably dig this one.
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A Girl Knitting smells milky and fruity, except not fruit, but milk that once held fruit. And not exactly real fruit, but Saturday morning cereal fruit-shaped puffed grains and marshmallows. There's also a textural element; it smells of rustic textiles, musky, warm fleece with tiny flecks of twig and vegetal detritus not entirely combed out, a fuzzy, wooly strand of yarn spun straight from a freshly shorn sheep, knit with clacking wooden needles into a bulky beanie to keep your ears warm while you slurp your sweet, creamy fruity cereal milk.
